Tykwer demonstra conhecer as convenções básicas do gênero espionagem ao trazer uma atmosfera de intriga internacional à narrativa.
The International (2009)
Tomatometer
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Reviews Counted: 189
Fresh: 110
Rotten:79
Average Rating: 5.8/10
Consensus: The International boasts some electric action sequences and picturesque locales, but is undone by its preposterous plot.
Rated: R [See Full Rating] for some sequences of violence and language.
Runtime: 1 hr 58 mins
Genre: Dramas
Theatrical Release:Feb 13, 2009 Wide
Box Office: $25,450,527
Synopsis: Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine... Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine action-thriller not on the Russians, North Koreans, or turncoats in the C.I.A., but on the I.B.B.C., an international bank that wields power through crippling debt. With villains like these, viewers fretting over their own mortgage rates will find themselves rooting zealously for these crooked financiers to fall hard. Interpol agent Louis Salinger (Clive Owen) and his partner, New York Assistant D.A. Eleanor Whitman (the somewhat underused Naomi Watts), are consistently stonewalled by local law enforcement in their attempt to close in on the bank’s insiders. The conflict deepens two-fold as Salinger discovers not only how wide the bank’s nefarious influence spreads, but how loosely he will act within legal boundaries to get his man. Owen elevates the at-times standard espionage plot devices with his now trademark (but always riveting) me-against-the-worldisms: his hard-edged focus and steely moral clarity. Armin Mueller-Stahl also stands out in the cast as a weathered ex-communist revolutionary now finding himself in the epicenter of capitalist corruption. With spirited but tight direction, Tom Tykwer (of RUN, LOLA, RUN and THE PRINCESS AND THE WARRIOR fame) emphasizes longer action sequences and a more developed narrative arc than many contemporary post-BOURNE IDENTITY thrillers. The film’s centerpiece--an incredible shoot-out in the Guggenheim Museum with flying plaster, shattering installations, and shifting loyalties--reads like a disaster movie for the highbrow set as art lovers everywhere will experience a perverse thrill watching the museum’s famed spiral shot up by I.B.B.C. thugs. [More]
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Director: Tom Tykwer
Director: Tom Tykwer
Screenwriter: Eric Warren Singer
Producer: Charles Roven, Richard Suckle, Lloyd Phillips
Composer: Tom Tykwer, Johnny Klimek, Reinhold Heil
Studio: Sony Pictures Entertainment
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Release:
Jun 9, 2009
DVD Features:
- Keep Case
- Anamorphic Widescreen - 2.40
Audio:
- Dolby Digital 5.1
- Dubbed, Subtitles - Portuguese, Spanish, Thai
- Subtitles - Chinese, English, Korean
Additional Release Material:
- Extended Scenes: Salinger & Whitman - Extended Scene
- Audio Commentary: Tom Tykwer, Director; Eric Singer, Writer
Making Of:
- 1. Making The Internatioanl
- 2. The Architecture of The International
Reviews for The International
[Plays] itself as a mystery/thriller with something profound to say at the end, when we've pretty much heard a lot of this already.
Naomi and Clive burrow into the swanky sewage of global conspiracies by capitalist assassins and devious suits, in league with diversifying mobsters worldwide. Sobering details effectively spiced up, and with leading man libidos firmly in check.
See it for Owen's trademarked thinking cap and glower, the Guggenheim, the score, and the smugness of knowing first-hand that banks are actually much, much stupider than any movie could ever predict. Check it out, it's a fun time.
It's helpful to keep in mind that any movie about the evils of corporate culture that's backed by a Hollywood studio has an inescapable identity crisis.
Emfanos aposteiromenos gia to proto toy taksidi sto Hollywood, o Tom Tykwer afinei ton Frank Griebe, ton fotografo toy ap' tin epohi toy Trekse, Lola, Trekse (1998), na bgalei oli ti doyleia
A world-weary Clive Owen takes on a powerful and corrupt bank in a tough but ultimately tedious - game of cat and mouse that ranges across Europe and North America
...all the excitement of a corporate report combined with the liveliness of a stuffed animal.
If you're going to make a movie about homicidal bankers, you don't get extra dividends for exaggerated body counts.
The film offers a classic example of a screenwriter boxing himself in a narrative corner from which there is no escape.
Tom Tykwer's thriller shrewdly introduces Lou (Clive Owen) as he observes rather than acts.
The International is strewn with wild improbability, but that hardly deters from its appeal.
The International is being presented as a “thriller for our times”, but it’s too far-fetched to be relevant. Still, it’s an enjoyable yarn.
The pacing could be a bit faster and the script could be a little less obvious but this is overall well worth a look.
The International is far from being a Bourne or a Bond but it does pass muster for a Saturday night at the movies. Just.
The plot is heavy going at times and the interrogation scenes are a tad dull, while the dialogue is often just ludicrous.
I only wish that the final story was as strong as that initial concept.
There are dashes of style here and there that almost threaten to make the movie halfway worthwhile.
Latest News for The International
March 22, 2009:
Click for trailer and preview ![]()
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February 16, 2009:
Perhaps a perverse variation of The Peter Principle comes into play, here, since Tom Twyker appears to be over his head helming a Hollywood blockbuster as opposed to a modest, art house indie. ![]()
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February 14, 2009:
The Naomi Watts International Interview: On sleepless nights, lactose lobotomies and almost kissing scenes ![]()
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February 12, 2009:
Critics Consensus: Friday the 13th Feels Too Familiar
This week at the movies, we've got creepy campers (Friday the 13th, starring Jared Padalecki and Danielle Panabaker), conspicuous consumption (Confessions of a Shopaholic,... More...
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