The International is strewn with wild improbability, but that hardly deters from its appeal.
The International (2009)
Tomatometer
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Reviews Counted:37
Fresh:20
Rotten:17
Average Rating:5.5/10
Consensus: The International boasts some electric action sequences and picturesque locales, but is undone by its preposterous plot.
Rated: R [See Full Rating] for some sequences of violence and language.
Runtime: 1 hr 58 mins
Genre: Dramas
Theatrical Release:Feb 13, 2009 Wide
Box Office: $25,450,527
Synopsis: Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine... Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine action-thriller not on the Russians, North Koreans, or turncoats in the C.I.A., but on the I.B.B.C., an international bank that wields power through crippling debt. With villains like these, viewers fretting over their own mortgage rates will find themselves rooting zealously for these crooked financiers to fall hard. Interpol agent Louis Salinger (Clive Owen) and his partner, New York Assistant D.A. Eleanor Whitman (the somewhat underused Naomi Watts), are consistently stonewalled by local law enforcement in their attempt to close in on the bank’s insiders. The conflict deepens two-fold as Salinger discovers not only how wide the bank’s nefarious influence spreads, but how loosely he will act within legal boundaries to get his man. Owen elevates the at-times standard espionage plot devices with his now trademark (but always riveting) me-against-the-worldisms: his hard-edged focus and steely moral clarity. Armin Mueller-Stahl also stands out in the cast as a weathered ex-communist revolutionary now finding himself in the epicenter of capitalist corruption. With spirited but tight direction, Tom Tykwer (of RUN, LOLA, RUN and THE PRINCESS AND THE WARRIOR fame) emphasizes longer action sequences and a more developed narrative arc than many contemporary post-BOURNE IDENTITY thrillers. The film’s centerpiece--an incredible shoot-out in the Guggenheim Museum with flying plaster, shattering installations, and shifting loyalties--reads like a disaster movie for the highbrow set as art lovers everywhere will experience a perverse thrill watching the museum’s famed spiral shot up by I.B.B.C. thugs. [More]
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Director: Tom Tykwer
Director: Tom Tykwer
Screenwriter: Eric Warren Singer
Producer: Charles Roven, Richard Suckle, Lloyd Phillips
Composer: Tom Tykwer, Johnny Klimek, Reinhold Heil
Studio: Sony Pictures Entertainment
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Release:
Jun 9, 2009
DVD Features:
- Keep Case
- Anamorphic Widescreen - 2.40
Audio:
- Dolby Digital 5.1
- Dubbed, Subtitles - Portuguese, Spanish, Thai
- Subtitles - Chinese, English, Korean
Additional Release Material:
- Extended Scenes: Salinger & Whitman - Extended Scene
- Audio Commentary: Tom Tykwer, Director; Eric Singer, Writer
Making Of:
- 1. Making The Internatioanl
- 2. The Architecture of The International
Reviews for The International
Killer banks may be new to the movies, but there's nothing else original in this if-it's-Tuesday-this-must-be-Istanbul thriller, with its portentous globe-hopping and racing through colorful street bazaars.
A slow road to nowhere, less clunky than The Interpreter but bogged down by its own cynicism.
It's betwixt and between, neither smart and understated enough to be le Carre-like nor stylish and energetic enough to be Bond-Bournian.
Having made a bank their villain %u2014 a bank, mind you, not a banker %u2014 director Tom Tykwer and his screenwriters have pretty firmly captured the zeitgeist.
A bad picture filled with cryptic someones going through the motions of a spy thriller.
A film that squanders a golden opportunity to make money on the current economic meltdown.
The International won't go down as an action thriller for the record books, but it's a pretty good one for right now. First of all, the villain is a bank. How's that for timing?
The International possesses the look and feel of a thriller, but not the heart or soul of one.
Perhaps it's best not to think so much and simply be swept along -- by Clive Owen, Naomi Watts and Armin Mueller-Stahl.
One of those movies sponsored by an international conglomerate that lectures us about how all international conglomerates are corrupt.
The International isn’t top-form Tykwer, but it’s handsome and adamant, and now’s as good a time as any for some out-of-control greedy-banker-bashing.
Taut and amazingly timely, The International is a conspiracy thriller that harkens back to the perilously paranoid '70s.
The International is a sleek, engaging example of a peculiar form of escapist entertainment, a favorite, in fact: It's a thriller that eases us away from our present worries without fully erasing a resonance with life beyond the multiplex.
The script tries to explain how this improbable alliance happened, but it never does make much sense, which is a recurrent theme in this overly complicated conspiracy tale.
Some thrillers settle into a rut of adequacy, rarely spiking above or below the baseline. Not The International. Director Tom Tykwer's new picture is all over the place, geographically and in terms of audience satisfaction.
The International, a sleek travelogue thriller, at least flirts with timeliness, winking at an angry and anxious public mood.
The International is so self-assured, so assertive in its devotion to craftsmanship, that it proves Tykwer is continually building on his promise as a filmmaker, not squandering it.
Latest News for The International
March 22, 2009:
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February 16, 2009:
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February 14, 2009:
The Naomi Watts International Interview: On sleepless nights, lactose lobotomies and almost kissing scenes ![]()
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February 12, 2009:
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