Penn is terrific in his low-key doggedness.
The Interpreter (2005)
Tomatometer
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Reviews Counted:39
Fresh:25
Rotten:14
Average Rating:6.2/10
Consensus: A polished and intelligent thriller, though marred by plot implausibilities.
Rated: PG-13 [See Full Rating] for violence, some sexual content and brief strong language.
Runtime: 2 hrs 9 mins
Genre: Thriller
Theatrical Release:Apr 22, 2005 Wide
Box Office: $72,515,360
Synopsis: Director Sidney Pollack's diverse career sees him returning to familiar ground with THE INTERPRETER. Crafted from the same mould that saw Pollack produce the superlative political thriller THREE... Director Sidney Pollack's diverse career sees him returning to familiar ground with THE INTERPRETER. Crafted from the same mould that saw Pollack produce the superlative political thriller THREE DAYS OF THE CONDOR (1975), Nicole Kidman and Sean Penn star in a film riddled with subterfuge, recriminations, and deadly secrets. Kidman plays Silvia Broome, an interpreter who works at the UN in New York City. One night, while collecting a bag she has left behind in the building, Silvia overhears a whispered conversation in which an assassination attempt on a redoubtable African leader, named Zuwanie (Earl Cameron), is planned during his future visit to the UN. Secret service agent Tobin Keller (Penn) is assigned to provide security for Zuwanie on the forthcoming trip, and conducts an investigation when Silvia explains what she has heard. He quickly discovers that Silvia has a lengthy, troubled past as a citizen from the same country as Zuwanie, and immediately doubts her story. A series of frantic, fast-paced set pieces ensue, with Pollack beautifully capturing the architectural wonder of the UN, and staging some breathtaking scenes all over the city. Much has been made of THE INTERPRETER'S status as the first film to be shot inside the UN, and it's to Pollack's credit that he wasn't overawed by such a prospect. Making full use of the building, the director highlights the hustle and bustle of a typical day at the UN, while also shooting eerily silent late night scenes among the famous halls and corridors. As Pollack piles on the tension, Penn and Kidman deliver exemplary performances alongside a prodigious supporting cast, who do justice to an intelligently written plot designed to keep viewers guessing right up until the final moments of the film. [More]
Starring: Nicole Kidman, Sean Penn, Catherine Keener, Jesper Christensen
Starring: Nicole Kidman, Sean Penn, Catherine Keener, Jesper Christensen, Earl Cameron
Director: Sydney Pollack
Director: Sydney Pollack
Screenwriter: Charles Randolph, Scott Frank, Steven Zaillian
Producer: Tim Bevan, Eric Fellner, Kevin Misher
Composer: James Newton Howard
Studio: Universal Pictures
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Reviews for The Interpreter
I was steadily absorbed by The Interpreter, even though much of the plot didn’t make a great deal of sense.
While it pains me to beat up on Pollack, who, in addition to being a consistently wonderful actor, is at least attempting to make movies the old-fashioned way, it pains me more to actually sit through his movies.
As a straight-ahead thriller, the movie is enjoyable and stirring much of the time.
You're left with admirable, even noble, wreckage, but wreckage it is.
Rare is the movie where the performances can make up for an almost fatally flawed script. This is one of them.
It's hard to know what is more impressive, the artistry of The Interpreter or the sheer craft of it.
Where the bricks of plot lack the mortar of credibility, there ain't much building going on.
Pollack drives this movie as if it's a well-tuned automobile, taking turns smoothly, accelerating at the right moments then easing off the gas pedal without ever losing momentum.
When the film trusts the audience, The Interpreter is an intriguing outing.
Chokes on its well-meant outrage and leaves a moth-eaten plot and handful of nonsense characters on its way to a dopey finish.
Not only is the movie topical -- brushing up against subjects as wide-ranging as ethnic cleansing and terrorism -- but it's also a bit old-fashioned, at least in the skillful way it blends character and events.
An exceedingly smart thriller that flirts with political reality, something you don't expect in a Hollywood film as slick as this one.
What I admire most about the film is the way it enters the terms of this world -- of international politics, security procedures, shifting motives -- and observes the details of all-night stakeouts, shop talk, and interlocking motives and strategies.
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