Iron Sky (2012)
Critics Consensus: No consensus yet.
No Top Critics Tomatometer score yet...
In the last moments of World War II, a secret Nazi space program evaded destruction by fleeing to the Dark Side of the Moon. During 70 years of utter secrecy, the Nazis construct a gigantic space fortress with a massive armada of flying saucers. When American astronaut James Washington (Christopher Kirby) puts down his Lunar Lander a bit too close to the secret Nazi base, the Moon Führer (Udo Kier) decides the glorious moment of retaking the Earth has arrived sooner than expected. Two Nazi officers, ruthless Klaus Adler (Götz Otto) and idealistic Renate Richter (Julia Dietze), travel to Earth to prepare the invasion. In the end when the Moon Nazi UFO armada darkens the skies, ready to strike at the unprepared Earth, every man, woman and nation alike, must re-evaluate their priorities. -- (C) Official Site … More
- R (for language and some violence)
- Action & Adventure , Science Fiction & Fantasy , Comedy
- Directed By:
- Timo Vuorensola
- Written By:
- Johanna Sinisalo , Jarmo Puskala , Michael Kalesniko
- In Theaters:
- Jul 25, 2012 Limited
- On DVD:
- Oct 2, 2012
as Renate Richter
as James Washington
as Klaus Adler
as Wolfgang Kortzfleisc...
as Vivian Wagner
as President of the Uni...
as Doktor Richter
as Julia McLennan
Related News & Features
Iron Sky Sequel Gets Crowdfunded
– Hollywood Reporter
Critics Consensus: The Watch Falls Down On the Job
– Rotten Tomatoes
Iron Sky Videos
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Critic Reviews for Iron Sky
It's Nazis from space. Cult movie fans will basically know what to expect. It's just a shame it couldn't have been a bit better.
To its credit, while routinely stupid, it is playfully so - and it gets over the line through sheer force of charm. A "triumph of the will", if you catch our drift. (Sorry.)
Shock horror: hilariously terrible-sounding movie ends up being nowhere near as fun as you might hope. This does not bode well for my time-travelling monkey idea.
Great idea, lousy execution: "Iron Sky" boasts one of the zaniest premises in recent memory, and somehow manages to squander most of its potential.
The film hasn't the budget to match its dizzying concept, nor the wit to fill the gaps between.
Despite some ill-advised turns of tonality, Iron Sky remains intriguing, submitting a lively sci-fi vision with a pronounced historical playfulness, keeping the feature eager to please and out to awe.
History tells us that you can't fake trash classics and you can't manufacture a cult.
The jokes are spasmodic, as satirically weightless as playing golf on the moon.
Nazis on the moon! What could be more brilliantly bonkers than the lunatic premise of satirical sci-fi action comedy Iron Sky? Sadly, Finnish director Timo Vuorensola fails to make the most of his conceit.
The space battle scenes are impressive, Julia Dietze is sexy and demure as the Nazi schoolteacher sent to Earth and there are genuinely funny moments.
Stylishly made with some terrific effects, Iron Sky also draws on everything from Star Wars to Dr Strangelove, Raiders of the Lost Ark, and a Sarah Palin-style US President in Stephanie Paul...
It's Nazis from space. Cult movie fans will basically know what to expect. It's just a shame it couldn't have been a bit better.
Madchens in tight blouses, space travelling stormtroopers, - was ist not to like?
Completely fails to deliver on its basic premise and is ultimately disappointing, thanks to a lazy script, poor performances and ham-fisted direction.
Balls, that core factor found in the best political satires, is what Iron Sky is lacking.
Let's face it: it's Nazis from the Moon invading Earth in flying saucers, if you're expecting anything other than abject absurdity, you're in the wrong movie.
Audience Reviews for Iron Sky
So I think we all know right from the start this film is not to be taken seriously in any means or fashion in the slightest. A completely farcical UFO B-movie that is a mix of classic old 40's/50's sci-fi and complete schlock, any sci-fi or horror that involves the Nazi's tends to be trashy nonsense right?
Only this film isn't entirely a cheap tasteless excuse for smut in smart uniforms oh no, its actually a pretty neat little film that actually looks pretty good. Its almost in black and white for a lot of the Nazi sections, a virtual grey scale of dull rusty metal bolted together with lots of sturdy fat rivets, thick 50's looking sci-fi cables and lots of impressive steel gantries for the kraut officers to leer from triumphantly.
I have to admit I wasn't expecting the earth here (no pun intended) but the CGI effects on most of the space battles, spaceships and Moon shenanigans all look quite crisp and clean with clearly much effort involved. The spacecraft are all your classic UFO shapes (with nice WWII influence) but one has to admit they do look kinda cool with the German kit on them. There is also a really nice steampunk, cogs n gears, 'Wolfenstein' vibe going on throughout the German Moon based sequences which really works well, kinda reminded me a little of Del Toro's work in 'Hellboy 2'.
Plot aside (seeing as there are plot holes you could fly a Zeppelin through) the film is good fun and does what you would expect with plenty of other invasion films copied in certain sequences. The acting is poor but Götz Otto makes an impressive display as the Fuhrer wannabe 'Klaus Adler', he snarls his way through his dialog in wonderful form really enjoying the villainy, and of course who can forget Udo Kier as the new Fuhrer. I believe Kier is in the dictionary under the word 'cult'.
For some reason I did expect more blood n guts in this, not extreme but it just begged for more claret to flow and maybe some Nazi experimentation, say Nazi space mutants or Nazi killer space robots made with human parts etc...I dunno maybe that's just me and my warped mind. I guess ze crazy German scientist 'Doktor Richter' gave the impression that might happen, nice character, complete stereotype but nice.
A combination of political satire and spoof mixed with B-movie UFO's and space Nazi's, the best part being its not trashy and the space battles do look cool in a 'Starship Troopers' kind of way. I also liked the US president being a woman who looked suspiciously like Sarah Palin. Pure trashy genius methinks, yet such a simple idea.
As my interest in film has grown, I've taught myself not to get caught up in the hype surrounding new releases. The way that films are marketed today is designed to get you as intrigued as possible with a minimal amount of meaningful information, something that often results in disappointment. No matter how good the film turns out to be, it cannot ever perfectly resemble the picture we have built up in our minds from endless exposure to trailers, photos and magazine features.
With Iron Sky, I made an exception to my rule. The idea of a crowd-sourced, modern-day B-movie about Nazis hiding on the Moon seemed so absurdly brilliant that I had to see it. Having followed the film's progress via Kermode Uncut and the official newsletter, I went as far as writing to the film's distributors, complaining that I couldn't see the film on the only day when it played in my then-home town of Newcastle-upon-Tyne. Finally I saw the film on DVD, and was promptly given a taste of my own medicine - because Iron Sky is perhaps the biggest disappointment of 2012.
What makes it so disappointing is that the premise of Iron Sky is so damned irresistible. The very phrase "Moon Nazis" conjures up feelings of glee; it's a notion or setup that is so ridiculous that it just has to work on some level. As I mentioned in my review of The Boys from Brazil, Nazis have been reliable pantomime bad guys for decades, with Moon Nazis following swiftly on the heels of zombie Nazis in Dead Snow. Add in the presence of trash veteran Udo Kier (most famous for Andy Warhol's Flesh for Frankenstein) and you have the makings of a genuine oddball gem.
Iron Sky is at its most basic a high concept B-movie. It has a trashy story with broadly drawn characters built around a single idea - in this case that Nazis hid on the dark side of the Moon in 1945 and are now planning to return to Earth to stage an invasion. Being a high concept film we know from the start that it might not sustain its premise or promise, but what's startling is just how quickly the film drops the ball. Where Indiana Jones managed to take hackneyed components and make them feel fresh and exciting, this feels like it's desperately trying to ditch its B-movie baggage, like it doesn't really want to be about Nazis at all.
The biggest problem with Iron Sky is that the story that the filmmakers settle on completely ignores or overlooks all the most interesting aspects of the central concept. The most dramatically intriguing aspect of the central idea is how the Nazis would have got to the Moon in the first place, and how they survived for so long. There are a great many science fiction films about humans stumbling upon ancient civilisations (Prometheus being a recent example), and this film could have told that kind of story from a different, less expository perspective.
Having Nazis on the Moon raises all kinds of questions that could have been answered very creatively. How did they survive to create a fully functioning space colony on technology lifted from gramophones and Volkswagen Beetles? How was their social order reshaped after the death of Hitler? We get a certain amount of insight into their understanding of Earth, with schoolchildren being shown a severely edited version of The Great Dictator, but this could also have been explored in greater detail. Rather than being about the act of coming to Earth, Iron Sky should have stuck with the lunar astronaut staying on the Moon, acting as our way in to this bizarre and intriguing civilisation.
With this opportunity being swiftly squandered, the film could at least have used the arrival of Nazis on Earth to give us a half-decent fish-out-of-water story. There are moments where this thought comes through, such as the remarks in the stolen VW van or when Renate wanders out of the cinema, having finally seen The Great Dictator in full. But for the most part the film ops for comedy so broad it's insulting, epitomised by the running gag about the black astronaut having been turned white. In Bubba Ho-Tep, that kind of joke was a funny little throwaway which added to the overall charm and absurdity of the plot; here it's overplayed so much that it just smacks of desperation.
Speaking of desperation, the film's attempts at satire all fall flat. B-movies have a rich history of sending up contemporary social and political attitudes, but Iron Sky aims so low that in places it resembles the Scary Movie series. Having the US President be a stand-in for Sarah Palin is fine, but this isn't developed in any meaningful way; the film just makes the same old jokes about her being an idiot and presidents waging wars to get elected (Wag the Dog, anyone?). The film's pop culture references are already dated, and when the characters resort to ripping off the 'angry Hitler scene' from Downfall, you know they've run out of ideas. At its worst moments Iron Sky can feel like a bunch of lazy Europeans shouting about how dumb Americans are, in a classic case of the pot calling the kettle black (or should that be white?).
A further indication of how far short Iron Sky falls is found in its profanity. The film is a 15 certificate, and being an action B-movie we don't expect the characters to always talk with decorum and restraint. But very soon the film comes to rely on its swearing to define itself, a tactic that backfires for two reasons. Firstly, there's nothing so shocking or outrageous that the film becomes defined by it - there isn't the equivalent of Hit-Girl using the c-word in Kick-Ass, which was also a 15. And secondly, the swearing isn't used to build up the characters or convey genuine emotion, as it is in something like Sexy Beast. In the end it's all sound and fury, signifying nothing and making the characters look more pathetic than tough.
As for the characters themselves, they're all something of a disappointment. The Sarah Palin shoe-in (Stephanie Paul) is completely naff and flat; at times she resembles a porn star trying to act, complete with too much make-up and stilted delivery. Her aide Vivian Wagner (Peta Sergeant) spends much of the film as a vamp with no real motivation, and her final costume feels like it was ripped off from The Hunger Games. Renate gets a little more to work with but still has to spend much of her time either playing second fiddle or just being half-witted. As for the men, Götz Otto is unmemorable as Klaus Adler, Tilo Prückner phones in the Metropolis¬-style mad scientist, and Udo Kier makes the most out of a very small role, something in which he has great experience.
What makes Iron Sky so heart-breaking is that all of its major problems could have been so easily fixed. It wouldn't have taken a lot to flesh out the characters a little more, whichever story or setting they had opted for. The satire could have been strengthened and made a part of the film's underlying themes, with the jokes punctuating rather than puncturing the tension. We could have ended up, in other words, with a film with all the calibre and character of To Boldly Flee, instead of a horrible mish-mash of half-realised ideas that never come together in a meaningful way.
The only aspect of Iron Sky that really gels together is its effects. With digital technologies becoming steadily cheaper and more accessible, it might seem fruitless to praise the effects work - not to mention the speed at which CG technology advances. But even with this caveat Iron Sky does boast a number of memorable spacecraft, particularly the enormous Gotterdammerung which rises from the Moon base in the last act. The battles aren't as engaging as those in To Boldly Flee, because we don't care about the characters, but purely on a technical level they are executed in an efficient and visually professional manner.
Iron Sky is a crushing disappointment on almost every level. Its impressive effects are not enough to redeem the film of its meandering plot, paper-thin characters and tired, lazy humour, all of which conspire to turn a fantastic premise into a truly dismal failure. The Boys from Brazil offers far more laughs, intentional or not, and Dead Snow makes a little more of its central concept than these filmmakers managed. Nazis on the Moon was a great idea; a better one would have been to leave them there.
Iron Sky could not have impressed me more. First off, it's a film by the people for the people, one of the new clever things that have come from the Internet that is genuinely cool. On the face of it it seems like a cheesy ridiculous modern B-Movie, and it is but it's so much more, it's actually a kind of camouflage. Camouflage of the cool variety. That said, some times you need to be ridiculous to point out the ridiculous. Iron Sky is one of the best satires out there, it honours Dr. Stranglove by not just adding it's tribute but for taking their concept one step further. It points out peoples obvious modern flaws and ideas, 'mobile phones in space' is probably something most kids would take a while to work out wouldn't work, but then the ideas that Astronauts could be chosen on their looks and colour doesn't sound unfeasible, even though it is - but then is it? Remember W. Bush going over to Iraq to give the troops a huge Christmas turkey that turned out later to be a fake - the solders had the same lousy food they'd had the whole year but boy did it look good in the papers. This is called propaganda - something the Nazi's where pretty good at (The American media isn't too bad at it either). This is explored in the film by getting a designer in to help them with their new image, the Sarah Palin character as president isn't just a bit of fun for comic effect here. Sarah Palin vs Nazis is a ridiculous concept because their views are not that dissimilar but tell someone you're anti-Nazi and you're on to a winner. This film is so sly it's no wonder many have overlooked its undertones. It's basically saying if the Nazi's did come back they'd be very little for them to do, fascism has moved on and is wearing it's own camouflage these days. Anti-American and anti-Nazi are two similar ways of thinking these days, Its what the rest of the world thinks anyway. Timo Vuorensola is a clever guy, if you look at his past work this is quite typical. I know loads of people who had no idea what this film is really about and i think it's quite sad that Satire seems to be a dying art, hopefully films like this will keep it alive but then many people didn't get Four Lions either and us Brits invented satire. Getting Liabach to do the soundtrack was also an inspired decision - more reason to see that it's a political wolf in sheep's clothing. I thoroughly enjoyed it, the SFX aren't too shabby either!More
Iron Sky Quotes
- Vivian Wagner:
- What am I supposed to tell her. That my employees are not intelligent enough to be fucking morons?
- President of the United States:
- You all gave me your word!
- President of the United States:
- We always break ours. That's just what we do.
- Wolfgang Kortzfleisch:
- Time is the sin...
- Doktor Richter:
- That is not a computer. This is a computer.
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