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Irreversible (2003)
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Reviews Counted:31
Fresh:14
Rotten:17
Average Rating:5.2/10
Consensus: Though well-filmed, Irreversible feels gratuitous in its extreme violence.
Theatrical Release:Mar 7, 2003 Limited
Box Office: $573,018
Synopsis: Irreversible is a demanding and audacious but thoroughly rewarding cinematic experience that has been thrilling audiences since its world premiere in Cannes and its North American debut screenings... Irreversible is a demanding and audacious but thoroughly rewarding cinematic experience that has been thrilling audiences since its world premiere in Cannes and its North American debut screenings at the Telluride and Toronto film festivals earlier this year. The film will be released by Lions Gate Films on March 7, 2003. Even for a director that has been known to invite controversy in films such as Sodomites (1998), Seul contre tous (I Stand Alone) (1998), and Carne (1991), Noé’s Irreversible can still be considered the ultimate in bravura filmmaking. An emotional odyssey that unspools in reverse from gut-wrenching violence to sweetly observed moments of sublime tenderness, the film stars Monica Bellucci and real-life husband Vincent Cassel as a couple whose story is told over the course of a fateful evening in a series of long takes. The film features two unsettling and graphic scenes of violence and sexuality that are difficult to watch. However, these grim sights are nestled within a carefully constructed -- although unconventional -- narrative which serves as a counterpoint to moments of striking tenderness, and the film is in some ways a study of darkness and light. -- © Lions Gate Films [More]
Starring: Monica Bellucci, Vincent Cassel, Albert Dupontel, Philippe Nahon
Starring: Monica Bellucci, Vincent Cassel, Albert Dupontel, Philippe Nahon, Jo Prestia
Director: Gaspar Noe
Director: Gaspar Noe
Screenwriter: Gaspar Noe
Producer: Christophe Rossignon
Composer: Thomas Bangaltar
Studio: Lions Gate Films
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Reviews for Irreversible
Extremely difficult to endure, and if you choose to endure it, it could leave you feeling angry and upset. Nevertheless, this is serious filmmaking, and Noe is a gifted filmmaker.
A fascinating study in excess, a movie that seduces and repulses as it explores the merciless nature of fate.
Fails because of its gratuitous rape and violence and also because of its pretentious and intellectually one-dimensional grounds, which make the violence at the end feel even worse.
There's less to Irreversible than meets even the most unblinking of eyes.
I hope people who go to see this don't walk out in the first ten minutes or after that scene, because I think you have to experience the entire film. And then you can decide whether or not you're offended by it.
At once overwhelming and inconsequential, harrowing and banal, gimmicky and humourless, overheated and undercooked, this mega-hyped French movie may represent the ultimate triumph of cynicism in the global trade in non-English-language movies.
Is there a point to this spew, a cry against the mongrel violence of men? Or is Noe merely a sadist who enjoys inflicting ugly, pitiless images on his audience?
Noe's summation is an ideological sucker-punch from a filmmaker who gets off on abusive relationships.
So formally and stylistically aggressive that this aspect overpowers what it has to say, which isn't much.
The reverse chronology makes Irreversible a film that structurally argues against rape and violence, while ordinary chronology would lead us down a seductive narrative path toward a shocking, exploitative payoff.
It's a gritty, vicious assault on the senses, one that very nearly evaporates due to writer-director Gaspar Noé's short-changing of the narrative.
Once the shock wears off and feeling returns to the extremities, Irreversible is unmistakably life-altering and affirming.
Convinces me as nothing else so far that I have reached the point of diminishing returns with movies that pretend to be profound by having their pulpy, banal stories told backwards and sideways and upside-down.
The hard, lurid images catch you in a vise. But dramatically, with few exceptions, it's a mess.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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