This 2005 story about a Russian boy whose mother has given him up may be derivative, but it's still engrossing, largely because of its appealing juvenile lead, Kolya Spiridonov.
The Italian (2007)
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Reviews Counted:28
Fresh:26
Rotten:2
Average Rating:7.3/10
Consensus: Poignant and unforgettable, The Italian stands out from other European melodramas. Like its extraordinary child lead, this Russian drama about an orphan's search for his birth mother is small in size and monumental in pathos.
Rated: PG-13 [See Full Rating] for some violence, sexual content, language and thematic issues
Runtime: 1 hr 39 mins
Genre: Foreign Films
Theatrical Release:Jan 19, 2007 Limited
Synopsis: Despite the title, THE ITALIAN is actually a Russian film set at a bleak orphanage in rural Russia. The story opens when six-year-old Vanya Solntsev (Kolya Spiridonov) is introduced to an Italian... Despite the title, THE ITALIAN is actually a Russian film set at a bleak orphanage in rural Russia. The story opens when six-year-old Vanya Solntsev (Kolya Spiridonov) is introduced to an Italian couple who are hoping to adopt a child. Vanya is a handsome, bright-eyed little boy, and the couple takes an instant liking to him, agreeing to give him a home. It is quite clear to the other children, and to little Vanya, that he is in an extremely enviable position. The adoption by the Italians will take Vanya away from the miserable conditions of the orphanage, where the teenagers run a mini-Mafia, taking candy from the children and doling out beatings whenever anyone withholds money from them. Vanya is nervous, though accepting of his fate, until the mother of another orphan comes to reclaim her son, and she is told he has already been adopted. After she is forced off the premises, the woman commits suicide. When Vanya learns of this, he is desperate to find out whether or not his own real mother is still out there. But the greedy adoption agent, known as "Madam" (Maria Kuznetsova), is determined to give Vanya to the Italians, who will pay her a generous sum for him. With the help of another orphan, Vanya makes his escape. He sets off for the address of the orphanage where his mother first left him, hoping to find some answers. While the plot of the ITALIAN may be small-scale, it packs an enormous emotional punch, and Spiridonov's performance is heartbreaking in its realism. The sight of the little boy racing through the grubby streets is reminiscent of another Italian, the round-cheeked Bruno of THE BICYCLE THIEF. Like little Bruno, Vanya will make your heart race with horror and hope, as he struggles to grasp the harsh realities of the adult world. [More]
Starring: Denis Moiseenko, Kolya Spiridonov, Sasha Sirotkin, Andrei Yelizarov
Starring: Denis Moiseenko, Kolya Spiridonov, Sasha Sirotkin, Andrei Yelizarov, Vladimir Shipov, Mariya Kuznetsova, Yuri Itskov
Director: Andrey Kravchuk
Director: Andrey Kravchuk
Producer: Andrei Zertsalov
Studio: Sony Pictures Classics
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Reviews for The Italian
This film is about many things, but the magic key that unlocks the treasure chest is literacy.
At times, the difficulties that Vanya encounters strain credulity. The Italian doesn't bother to infuse its characters with complex motivations. They're either Bad or Good.
The ending isn't exactly happily-ever-after, but it leaves you with a deep-down respect and affection for this determined little tyke who perseveres against all odds.
Wise, resilient children aren't especially new to the movies, but when they're presented this sensitively, they're always worth revisiting.
The overall mood is crushingly sad. The society's grime and poverty are depicted with pitiless realism.
Director Andrei Kravchuk infuses his story with a Dickensian mix of benevolence and indifference. The pacing is assured, and his cameras peek through the Russian mist as if watching a fairy tale, uncertain of a happy or cruel ending.
Vanya's gritty travels propel the movie forward. The Italian runs on the unshakable faith of a very determined boy.
Milking sympathy for parentless children is no stretch in The Italian. More impressive is its affecting look at their reeling mother country.
A powerful indictment of Russia's illegal adoption industry -- and a story of pipsqueak resolve and resilience.
The story of Vanya (Solntsev Kolya Spiridonov) is less than convincing.
Kravchuk, a veteran of Russian TV, means to show his countrymen how they have failed kids like Vanya. But also to convince them that Vanya and his friends can still be saved, without becoming Italians.
The Italian is tough to watch at times, but then so is life. Chances are you'll leave the theatre moved by the strength of the human spirit and with newfound respect for the bond between a child and his mother.
The charm of The Italian lies in Kravchuk blending a sentimental fable and a boy's action-adventure saga. He surpasses cliches and still delivers a novel finale that's heartwarming.
Director Andrei Kravchuk and cinematographer Alexander Burov make the harsh landscapes and decrepit interiors interesting and varied, without falsely dramatic set ups or lighting.
Combining the influences of Italian neorealism with Dickensian melodrama, Andrei Kravchuk's simultaneously tough-minded and sentimental The Italian is as bracing as it is moving
A dark fairy tale from Russia, The Italian pulls you into a richly atmospheric, persuasively inhabited world teeming with foundlings and pathos.
Latest News for The Italian
April 28, 2007:
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January 18, 2007:
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