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Movies / On DVD / It's All Gone Pete Tong
It's All Gone Pete Tong

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It's All Gone Pete Tong (2005)

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Reviews Counted:21

Fresh:14

Rotten:7

Average Rating:6.1/10

Consensus: Part raucous mockumentary, part drama-filled biopic, It's All Gone Pete Tong amuses and warms hearts with its touching, comic, and candid look at a musician faced with a career-ending handicap.

Rated: R [See Full Rating] for pervasive drug and alcohol abuse, language and some sexual content/nudity.

Runtime: 90 mins

Genre: Dramas

Theatrical Release:Apr 15, 2005 Limited

Synopsis: Shot in a mocumentary style reminiscent of THIS IS SPINAL TAP, director Michael Dowse's IT'S ALL GONE PETE TONG is a funny, touching tale of a DJ who loses his hearing. The title refers to a hugely... Shot in a mocumentary style reminiscent of THIS IS SPINAL TAP, director Michael Dowse's IT'S ALL GONE PETE TONG is a funny, touching tale of a DJ who loses his hearing. The title refers to a hugely popular DJ from the UK, who briefly features in the film, and also fulfills the role of executive producer. "It's all gone Pete Tong" derives from Cockney rhyming slang--a popular UK method for inventing phrases by finding unusual words that rhyme--and when used, means that "it's all gone wrong." Frankie Wilde (Paul Kaye) is the hearing-impaired DJ who delights the clubbers on the island of Ibiza by coupling his larger-than-life drug and alcohol-fueled persona with undeniable skills behind the turntables. But as Frankie's hearing rapidly disintegrates, and his former manager, wife, friends, and record label slowly fade away, the distraught DJ plunges into the depths of despair. After Frankie hits rock bottom, Dowse steers his film into calmer waters, with the fallen star kicking the drugs, and concentrating on rehabilitation. While the events unfold around the fictional character of Frankie, many real-life DJ's appear in the film, giving it a comedic edge as luminaries such as Carl Cox, Tiesto, Paul Van Dyke, Lol Hammond, and others muse on Frankie's rise and fall in the cutthroat world of dance music. But it's Paul Kaye's performance that really gives the film its heart and soul. Infusing his character with a passionate likeability that shines through even when Frankie's behavior plummets to new lows, Kaye conjures up just the right amount of pathos to stop the film from teetering over into corny sentimentalism, making his portrayal a supremely convincing depiction of a star caught in the terrifying throes of a career-ending condition. [More]

Starring: Paul Kaye, Kate Magowan, Beatrice Batarda, Mike Wilmot

Starring: Paul Kaye, Kate Magowan, Beatrice Batarda, Mike Wilmot, Dave Lawrence, Carl Cox, Tiesto, Paul Van Dyke, Lol Hammond

Director: Michael Dowse

Director: Michael Dowse
Screenwriter: Michael Dowse
Producer: Allan Niblo

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Release:

Sep 20, 2005

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Reviews for It's All Gone Pete Tong

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There's nothing like watching a guy hit rock bottom and then try to crawl back up again. Or as that heartless record industry weasel puts it, 'People love a good tragedy.' Especially one set to a good beat.

Full Review Source: Toronto Star | comment Comment
06/10/05
Peter Howell
Peter Howell
Toronto Star
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You may ... find the picture as undisciplined as Frankie's wild coif. I see the chaos, like the coif, to be tangled but pointed, an endearingly calculated mess.

Full Review Source: Globe and Mail | comment Comment
06/10/05
Rick Groen
Rick Groen
Globe and Mail
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N/R

Click to read the article

Full Review Source: Atlanta Journal-Constitution | comment Comment
06/04/05
Atlanta Journal-Constitution
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The formula doesn't entirely stick, but Dowse's visual veracity towers over any narrative shortcomings Tong presents.

Full Review Source: Chicago Tribune | comment Comment
06/03/05
Robert K. Elder
Robert K. Elder
Chicago Tribune
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This is biopic as raving rumination. But it is also a surprisingly compassionate redemption story.

Full Review Source: Denver Post | comment Comment
05/27/05
Lisa Kennedy
Lisa Kennedy
Denver Post
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The movie works because of its heedless comic intensity; Kaye and his writer-director, Michael Dowse, chronicle the rise and fall of Frankie Wilde as other directors have dealt with emperors and kings.

Full Review Source: Chicago Sun-Times | comment Comment
05/27/05
Roger Ebert
Roger Ebert
Chicago Sun-Times
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A raucous, uproarious satire of the dance-club scene.

Full Review Source: Minneapolis Star Tribune | comment Comment
05/26/05
Colin Covert
Colin Covert
Minneapolis Star Tribune
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N/R

Click to read the article

Full Review Source: Dallas Morning News | comment Comment
05/14/05
Dallas Morning News
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Just inspiring enough, just scary enough, just sappy enough and just funny enough to get by.

Full Review Source: Washington Post | comment Comment
05/13/05
Michael O'Sullivan
Michael O'Sullivan
Washington Post
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You'll be tickled by this small indie laugher. But, lo and behold, you may find yourself touched by it, too.

Full Review Source: Washington Post | comment Comment
05/13/05
Sean Daly
Sean Daly
Washington Post
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Less a faux documentary than a perversely amusing stab at the music world's harsh realities.

Full Review Source: Houston Chronicle | comment Comment
05/13/05
Bruce Westbrook
Bruce Westbrook
Houston Chronicle
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Even at its very best, it's just all right.

Full Review Source: Boston Globe | comment Comment
05/13/05
Janice Page
Janice Page
Boston Globe
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While most mockumentaries translate as lazy storytelling, this one is elevated by an astounding, Oscar-worthy performance by Kaye.

Full Review Source: Detroit Free Press | comment Comment
05/13/05
John Monaghan
John Monaghan
Detroit Free Press
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The film cannot be said to be a success as an aesthetic whole, but the power of the first half and the exceptionally believable acting of Kaye make this the kind of experience that only film can provide.

Full Review Source: Arizona Republic | comment Comment
05/12/05
Richard Nilsen
Richard Nilsen
Arizona Republic
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N/R

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Full Review Source: Ebert & Roeper | comment Comment
05/05/05
Ebert & Roeper
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Lacks the universality to break out of its niche audience.

Full Review Source: Hollywood Reporter | comment 1 Comment
05/01/05
Frank Scheck
Frank Scheck
Hollywood Reporter
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The mockumentary-style delivery of a serious subject proves to be an unworkable mash-up.

Full Review Source: San Francisco Chronicle | comment Comment
04/29/05
Peter Hartlaub
Peter Hartlaub
San Francisco Chronicle
Top Critic Icon Top Critic

Grounded by a gutsy, over-the-edge-and-back performance by Paul Kaye as Frankie, It's All Gone Pete Tong takes the long way around before finally redeeming itself.

Full Review Source: Los Angeles Times | comment Comment
04/28/05
Kevin Crust
Kevin Crust
Los Angeles Times
Top Critic Icon Top Critic

Writer-director Michael Dowse's film whizzes all over the place like a gaudy kite.

Full Review Source: Newsday | comment Comment
04/15/05
Gene Seymour
Gene Seymour
Newsday
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Has the same propulsive, punk-rock vibe as Trainspotting and 24 Hour Party People.

Full Review Source: New York Post | comment Comment
04/15/05
Russell Scott Smith
Russell Scott Smith
New York Post
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