Brilliant, innovative film still holds up today.
Ivan the Terrible - Pt. 1 (1943)
Tomatometer
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Reviews Counted:9
Fresh:9
Rotten:0
Average Rating:8.7/10
Runtime: 1 hr 39 mins
Genre: Foreign Films
Synopsis: Originally conceived as a historical epic in three parts, Sergei Eisenstein's epic biography of Czar Ivan IV, the murderous 16th-century unifier of the Russian people, was truncated by the... Originally conceived as a historical epic in three parts, Sergei Eisenstein's epic biography of Czar Ivan IV, the murderous 16th-century unifier of the Russian people, was truncated by the director's death in 1948, as he was about to begin part three. A spectacle of impressively baroque splendor, it remains one of the great anomalies of film history. Starring Nikolai Cherkassov as the eponymous ruler, the film opens with the 16-year-old's opulent coronation in 1546. He breaks with the custom of marriage to a foreign princess by marrying a Russian girl, Anastasia Romanovna (Lyudmila Tselikovskaya), thereby offending the nobility. In an effort to expand his territory eastward, he leads an army of 100,000 to seize Kazan, succeeding only after a long and bitter campaign. After contracting a seemingly fatal illness, Ivan summons the boyars, led by his aunt Euphrosinia (Serafima Birman), but they refuse his demand to swear allegiance to his one-year-old son, greatly angering the czar. When Ivan miraculously returns to health, he begins to consolidate power in opposition to the boyars. While Cherkassov gives a commanding performance, it's the film's unique visual quality, featuring spectacularly ornate set design and costumes, along with a performance style influenced by Russian classism, grand opera, and Kabuki theater, that makes it such a rewarding experience. [More]
Starring: Nikolai Cherkassov, Ludmila Tselikovskaya
Starring: Nikolai Cherkassov, Ludmila Tselikovskaya
Director: Sergei Eisenstein
Director: Sergei Eisenstein
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Release:
Sep 2, 1998
Reviews for Ivan the Terrible - Pt. 1
The historical melodramatic biopic is wonderful to behold visually and for its camp.
This is one of the most distinctive great films in the history of cinema -- freakishly mannerist, yet so vivid in its obsessions and expressionist angularity that it virtually invents its own genre.
Under strict instructions not to employ conceptual devices such as montage, Eisenstein still manages to provide powerful images and, with set pieces, distil the sense of pomp and circumstance surrounding the Tsar.
A brilliant cinematic work that was a thinly veiled portrait of not only Stalinism at its worst, but also the failed Bolshevik Revolution.
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