Un relato sensible y sutil sobre la reconstrucción de un vínculo interrumpido traumáticamente. Más que atendible debut en la dirección del escritor Philippe Claudel, con estupendas actuaciones de sus protagonistas femeninas.

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I've Loved You So Long (2008)
Tomatometer
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Reviews Counted:116
Fresh:104
Rotten:12
Average Rating:7.4/10
Consensus: I've Loved You So Long is a sublimely acted family drama as well as a noteworthy directorial debut from Phillipe Claudel.
Rated: PG-13 [See Full Rating] for thematic material and smoking.
Genre: Foreign Films
Theatrical Release:Oct 24, 2008 Limited
Box Office: $2,901,744
Synopsis:
Léa (Elsa Zylberstein) and Juliette (Kristin Scott Thomas) are sisters. The film begins with Léa, the younger sister by fifteen years, picking Juliette up at the airport. We soon realize that the...
Léa (Elsa Zylberstein) and Juliette (Kristin Scott Thomas) are sisters. The film begins with Léa, the younger sister by fifteen years, picking Juliette up at the airport. We soon realize that the two sisters are almost complete strangers to each other. Juliette has just been released from prison after serving a long sentence. Léa was still a teenager when Juliette, a doctor, was convicted of the murder of her six-year-old son. Léa contacted Juliette when she was released and suggested that Juliette come to live with her. Juliette had no particular desire to see her sister again.
Luc (Serge Hazanavicius), Léa’s husband, is quite reserved, almost hostile, about Juliette’s presence under their roof. Luc and Léa have two adopted Vietnamese daughters, who are 8 and 3 years old. Luc’s father, Papy Paul (Jean-Claude Arnaud) also lives in the house. He’s a charming old man who spends all of his time reading since a stroke deprived him of the power of speech.
Life together isn’t easy to begin with. Juliette has to relearn certain basics. The world has moved on and she often seems confused. Although she may seem cold and distant, her attitude stems more from her being ill at ease. Helped by some, such as the kindly but tactless social worker and her open-hearted but depressed parole officer (Frédéric Pierrot) whose confidante she becomes, Juliette is also rejected by others, particularly employers who throw her out as soon as they find out what she did.
Léa’s attitude is ambiguous. She avoids talking about Juliette’s terrible crime and time in prison at all costs. She wants nothing to blunt the happiness of their reunion and getting to know each other again. Luc mentions it reproachfully, as does Juliette in a different way.
Gradually, the real Juliette emerges. She opens up to the world once more, thanks to her two nieces, with whom she becomes very close after being very stiff with them at the beginning, and Michel (Laurent Grevill), a friend of Léa’s, and Papy Paul, who, in a more symbolic way, knows what it’s like to be locked away. Juliette gets a job as a medical secretary at the local hospital on the condition that she never mentions she used to be a doctor. Her relationship with Léa becomes much stronger and more intimate. Even Luc succeeds in pushing his preconceptions to one side and seeing Juliette as his sister-in-law, not as a murderer.
But a huge questions hangs over Juliette’s renaissance. Why did she do such a terrible thing fifteen years ago? For all the others, it’s a recurrent thought that they dare not put into words. And for Juliette, locked away in her secret, it’s a burden to bear, which holds her back from engaging in her life and believing that she too has the right to be happy.--© Sony Pictures Classics
Starring: Kristin Scott Thomas, Elsa Zylberstein, Serge Hazanavicius, Laurent Grevill
Starring: Kristin Scott Thomas, Elsa Zylberstein, Serge Hazanavicius, Laurent Grevill, Frederic Pierrot
Director: Philippe Claudel
Director: Philippe Claudel
Screenwriter: Philippe Claudel
Studio: Sony Pictures Classics
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Reviews for I've Loved You So Long
The well-drawn, intriguing characters and vividly realistic situations make for an interesting story that holds your attention. The conversations are natural and succinct.
Philippe Claudel's "I've Loved You So Long" finds Kristen Scott Thomas giving one of last year's best performances in one of last year's better films.
The last-act revelation leaves the audience off the hook in a way that's more common for a soothing Hollywood picture than this sort of challenging French import.
In the hands of Kristin Scott Thomas it becomes the story of one woman's struggle with the events of her life...
Reminds us of how truly brilliant filmmaking needs none of the technology and bombast Hollywood has come to depend on.
Claudel has made a very special kind of star vehicle -- the kind that's also a very good movie overall.
The movie's fascinating when it tracks Juliette's tentative, almost unwilling progress back into society.
The ending is a cop-out: It lets the audience off the hook while congratulating it for its empathy.
Thomas and Zylberstein are exceptional beyond the film itself, which demands deliberation and made me wish that it delivered a more memorable payoff for that patience.
The detail in I've Loved You So Long is incredible. There's a tightness of structure that makes no moment seem inessential.
This isn't a movie about big emotional breakthroughs, but about the slow thaw taking place in Juliette's heart, and writer-director Philippe Claudel and the actors do an excellent job in charting a series of small, telling steps forward.
This isn't a movie about big emotional breakthroughs, but about the slow thaw taking place in Juliette's heart, and writer-director Philippe Claudel and the actors do an excellent job in charting a series of small, telling steps forward.
'I've Loved You So Long' feels convincing even when jolting developments occur.
A good movie with a great performance, I’ve Loved You So Long is about one rewrite away from perfection.
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