Jack and Diane Reviews

Top Critic
Glenn Kenny
MSN Movies
November 2, 2012
"The Man With the Iron Fists" being a fairly satisfying slab of cinematic mayhem, particularly if seen in under conditions like the ones I describe from my younger days.
Full Review | Original Score: 3/5
Top Critic
Kathleen Murphy
MSN Movies
November 2, 2012
Devoid of energy and direction, 'J&D' settles for faux-naif posturing and arty color design.
Full Review | Original Score: 2/5
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Sara Stewart
New York Post
November 2, 2012
Tonally, the film swings between whispery romance and ominous horror as it explores the dark side of love and lust ...
Full Review | Original Score: 2/4
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Mark Olsen
Los Angeles Times
November 1, 2012
Throughout, the filmmaking is tentative, as though Gray is unsure whether he wants to make a fantasy-tinged romance or a hyper-sexualized blood-fest. (He winds up with neither.)
Full Review | Original Score: 2/5
Top Critic
Jeannette Catsoulis
New York Times
November 1, 2012
"Jack & Diane" offers a glaring example of a writer and director, Bradley Rust Gray, unable to trust in the simple strength of his material.
Full Review | Original Score: 2/5
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Alonso Duralde
TheWrap
November 1, 2012
Felt like someone misinterpreting the most extreme bits of Gregg Araki and Harmony Korine and turning it into an unwatchable film made marketable by putting its leading ladies into lesbian situations.
Top Critic
Lisa Schwarzbaum
Entertainment Weekly
November 1, 2012
Bradley Rust Gray's over-Freuded exercise in semi-horror/gender studies ...
Full Review | Original Score: B-
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Nick Schager
Village Voice
November 1, 2012
There's no heft to these supernatural suggestions, just a sense of stale horror tropes being trotted out to embellish otherwise routine indie material.
Top Critic
Alison Willmore
AV Club
November 1, 2012
A trudgingly self-serious affair that doesn't manage to be transporting on either its literal or conceptual levels.
Full Review | Original Score: C
Top Critic
Frank Scheck
Hollywood Reporter
October 31, 2012
Bradley Rust Gray's attempt to weave horror elements into a fairly conventional narrative yields diminishing returns in this overly stylized effort.
Top Critic
Sam Adams
Time Out
October 31, 2012
Starts with an irresistibly trashy premise and proceeds to treat it with the po-faced pretentiousness of a film-school thesis.
Full Review | Original Score: 2/5
Top Critic
John Anderson
Variety
April 24, 2012
A well-constructed, well-intentioned but too deliberate attempt to provoke the unprovokable.