Has the lazy, bric-a-brac atmosphere of one of those blown-off movies made during down time on some bigger affair.
Jay and Silent Bob Strike Back (2001)
Tomatometer
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Reviews Counted:30
Fresh:13
Rotten:17
Average Rating:5.3/10
Consensus: Fans can expect a good laugh as the cast from Smith's previous films reunite for Jay and Silent Bob's last bow. The loose plotting and crude language may be too much for others though.
Rated: R [See Full Rating] for nonstop crude and sexual humor, pervasive strong language, and drug content
Runtime: 1 hr 44 mins
Genre: Comedies
Theatrical Release:Aug 24, 2001 Wide
Box Office: $29,885,424
Synopsis: Writer-director Kevin Smith's fifth and final installment of his New Jersey Chronicles (which began in 1994 with the breakout, low-budget comedy CLERKS) is a chance for scene-stealing, foulmouthed... Writer-director Kevin Smith's fifth and final installment of his New Jersey Chronicles (which began in 1994 with the breakout, low-budget comedy CLERKS) is a chance for scene-stealing, foulmouthed stoner Jay (Jason Mewes) and his taciturn sidekick/"hetero life mate" Silent Bob (Smith) to carry their own movie. When comic store mogul Brodie (Jason Lee, reprising his MALLRATS role) informs Jay and Silent Bob that a movie featuring their comic book alter egos, Bluntman and Chronic, is about to be made, the duo demands a cut from the comic's creator, Holden (Ben Affleck, in his CHASING AMY role). Holden explains that his ex-partner, Banky (Lee again) has sold them out, and shows them some angry Internet posts from Bluntman and Chronic fans. Fearing for their reputations, Jay and Silent Bob embark on a cross-country odyssey to Hollywood to stop the film. En route, they run afoul of a Charlie's Angels-type jewelry thief ring--one of whom, Justice (Shannon Elizabeth) takes a liking to Jay--an orangutan, a Federal Wildlife Marshall (Will Ferrell), and Miramax studio security. Smith's fond farewell to his intertwined Jersey characters is a lovingly crude, broad comedy rife with celebrity cameos, slapstick movie spoofs, and clever jabs at Hollywood. [More]
Starring: Jason Mewes, Kevin Smith, Joey Lauren Adams, Ben Affleck
Starring: Jason Mewes, Kevin Smith, Joey Lauren Adams, Ben Affleck, Diedrich Bader, Jason Biggs, Matt Damon, George Carlin, Jason Lee, Chris Rock, Shannon Elizabeth, Will Ferrell, James Van Der Beek, Renee Humphrey, Ali Larter, Seann William Scott, Dwight Ewell, Eliza Dushku, Judd Nelson, Brian O'Halloran, Jeff Anderson, Gus Van Sant, Carrie Fisher, Mark Hamill, Wes Craven, Morris Day
Director: Kevin Smith
Director: Kevin Smith
Screenwriter: Kevin Smith
Producer: Scott Mosier
Composer: Tim Simonec, James Venable
Studio: Dimension Films
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Release:
Feb 26, 2002
Reviews for Jay and Silent Bob Strike Back
Smith, coming off the madly audacious Dogma, knows that he's slumming this time and revels in it.
The picture lacks the mix of innocence and savagery that branded [Smith's] other films.
In keeping with the Smith rules, the movie is irreverent, self-referential, twisted, cheap and tasteless. And, of course, I mean that as the highest compliment.
In addition to being [Smith's] filthiest, this is his most free-associative movie. In spite of and because of its homemade look, it's also his funniest.
A dumbfounding, cameo-peppered road comedy that demeans everyone associated with it.
The originality and intelligence that made Smith's Clerks and Chasing Amy such refreshing pleasures are all but absent.
The relentless torrent of foul language--and not just from Jay--becomes numbing and finally makes the film seem more crass than amusing.
Not clever enough for Smith fans, not gross enough to compete on the Farrelly brothers' ground, the movie feels like a kind of self-congratulatory fake.
Deliciously inane, transcendentally outrageous and purposely preposterous, Jay and Silent Bob Strike Back is destined to be seen by some as the greatest cinematic achievement of the year.
Kevin Smith's movies are either made specifically for you, or specifically not made for you. If you read this review without a smile or a nod of recognition, I would recommend Rush Hour 2, which is for everybody or nobody, you tell me.
While Jay and Silent Bob Strike Back can't be called hard-hitting, it's both freeform enough and free-swinging enough to make contact with the series' original anarchic impulses.
This ramshackle affair unspools like a bloopers reel of stag-party outtakes culled from Smith's four previous movies: Clerks, Mallrats, Chasing Amy and Dogma.
Like The Blues Brothers, this film has a ridiculous conceit that doesn't quite work.
Jay and Silent Bob Strike Back is less a satire of the crass product Hollywood hurls at us than a reflection of it.
Unlike, say, American Pie 2 or the Scary Movie franchise, there's obvious intelligence at work behind the stupidity.
A master of the medium shot, [Smith] plops his camera down and records reel after reel of amateurish visuals and partially realized high concepts held afloat by puerile geek humor.
After the agony of sitting through American Pie 2 and Rat Race within a week of each other, it's gratifying to see a comedy can have no redeeming social value yet be full of hearty laughs.
A low-brow comic masterpiece with something to tickle and offend everyone.
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