The script stoops to cheap gags that undercut Affleck's efforts to sustain a believable character.
Jersey Girl (2004)
Tomatometer
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Reviews Counted:37
Fresh:11
Rotten:26
Average Rating:4.6/10
Consensus: Full of cloyingly sentimental cliches.
Rated: PG-13 [See Full Rating] for language and sexual content including frank dialogue
Runtime: 1 hr 43 mins
Genre: Comedies
Theatrical Release:Mar 26, 2004 Wide
Box Office: $25,197,718
Synopsis: Breaking from his signature slacker-underdog films like CLERKS, MALLRATS, and CHASING AMY, Kevin Smith delivers the feel-good family movie JERSEY GIRL. While Smith's pert one-liners and wryly... Breaking from his signature slacker-underdog films like CLERKS, MALLRATS, and CHASING AMY, Kevin Smith delivers the feel-good family movie JERSEY GIRL. While Smith's pert one-liners and wryly ironic sense of humor are clearly present in the script, his casting choices (Jennifer Lopez and Ben Affleck) and glossy aesthetic identify the film as a mainstream Hollywood crowd-pleaser. Affleck stars as Ollie, a powerful entertainment executive with a perfect wife (Lopez) and a beautiful Manhattan apartment. But when his wife dies in childbirth and his career fizzles to a halt, he humbly gives up his fast-paced Manhattan lifestyle for the benefit of his daughter Gurtie (Raquel Castro), who is 7 years old for the majority of the film. He moves to New Jersey to live with his father (George Carlin), finds a new romantic interest (Liv Tyler), and learns some lessons about what's important in life. A subplot about Will Smith keeps a string of Hollywood insider jokes and quick cameos (Matt Damon) running throughout the film, while a school play modeled after "Sweeney Todd" lends itself to some funny theatrical moments. An emotive pop soundtrack features music by Aimee Mann in addition to a handful of well-timed entries that help move the plot along ("Swing Low, Sweet Chariot" plays as Ollie sheepishly drives his U-Haul across the river from Manhattan to Jersey), rounding out JERSEY GIRL as a likeable comedy. Parents beware, Smith may have curbed his edginess for this one, but foul language abounds. [More]
Starring: Ben Affleck, Raquel Castro, Liv Tyler, George Carlin
Starring: Ben Affleck, Raquel Castro, Liv Tyler, George Carlin, Jason Biggs, Jennifer Lopez, Mike Starr, Stephen Root
Director: Kevin Smith
Director: Kevin Smith
Screenwriter: Kevin Smith
Producer: Scott Mosier
Studio: Miramax Films
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Release:
Sep 7, 2004
Reviews for Jersey Girl
The grating sense of commercial calculation in Jersey Girl consistently undercuts Smith's fine writing.
Inspired by Smith's own awe and amazement at being a father, the movie is modest and entertaining, with a minimum of sentimental goo, and it demands little of us except a good-natured willingness to go with it.
The filmmaker drowns his trademark edgy stew of smutty humor, stiff acting and dime-store insight into human nature with a gravy of glutinous bathos, making for a singularly unpalatable dish.
This kind of weepy material works in the hands of melodrama masters like Douglas Sirk or Pedro Almodovar. But here, it's over-the-top and it's just horrible.
Smith is looking more and more like a developing major talent, so it could be years until we get a handle on this movie's legacy.
Watching Jersey Girl is akin to being smothered by a basket of warm puppies.
Smith is trying to say something heartfelt, even as he's using formulas that are unworthy of him. Thus, Jersey Girl is a step, not a misstep.
Affleck may be a nice man, but he has a seemingly congenital inability to do anything convincingly, which is only made worse by Smith's apparent immunity to cloying sentiment.
The writer-director brings nothing new to the shopworn family-vs.-work dilemma.
Affleck is buried in the cliches of his role, or worse, having to react to the fatuousness of Tyler.
It's the kind of movie Hugh Grant might make, except for the way Smith has with his dialogue, which is truer and more direct than we expect.
This is a very good collection of episodes about the weekly compromises that parents make for their kids and the little dreams that children have for themselves.
This is [Smith's] first mature work in which he weds his gift for quirky dialogue and humor with genuine feeling and tries to craft a story with broad appeal.
I can understand why Smith might want to bid farewell to Jay and Silent Bob, but he needs to find something better with which to advance the cause of maturity in cinema.
[Smith's] clerks would never have stocked it; his Amy would never have chased it; even Silent Bob might have found his voice to dump on Jersey Girl.
A family-positive movie that's far more interesting than most competition in the genre, but not nearly inventive enough to stand up to Smith's other work.
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