Some might castigate its unabashed sentimentality, but I found myself moved, especially when I recalled that this was supposedly the war to end all wars.
Joyeux Noël (2006)
Tomatometer
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Reviews Counted:25
Fresh:21
Rotten:4
Average Rating:7.1/10
Consensus: The poignant humanity on display in Joyeux Noel makes its sentimentality forgivable.
Theatrical Release:Mar 3, 2006 Limited
Box Office: $913,127
Synopsis: Set in 1914 amid the muddy trenches and flying shrapnel of World War I, JOYEUX NOEL is a touching tale of an unlikely, if fleeting, reconciliation amid battle. French director Christian Carion... Set in 1914 amid the muddy trenches and flying shrapnel of World War I, JOYEUX NOEL is a touching tale of an unlikely, if fleeting, reconciliation amid battle. French director Christian Carion begins his movie--which is based on a true event--by highlighting how startlingly close the warring factions are located to one another. Trenches occupied by French and Scottish troops lay a mere hairbreadth away from their German counterparts, to the point where an alarm clock in the French trench can be heard in all three dugouts. Carion adds a generous helping of gallows humor to this and similar scenes, although he makes sure to carefully rein in the comical elements of the movie to portray the fear that grips the men as they face their enemies. Suddenly, and entirely accidentally, Christmas Day brings a magical event that would forever sear the history books with a moment of humanity in the midst of bloody battle. The Germans place Christmas trees above their trench simply to get them out of the way, while Scottish bagpipers play along to the operatic voices they hear wafting over from the German camp. Then, as if by magic, all the men are united in No Man's Land for a festive celebration. The men tentatively make friends, show each other pictures of faraway lovers, and play soccer across the snowy landscape, all the while knowing that the coming days may find them killing one another. Carion crafts an emotional picture in JOYEUX NOEL, but never shirks from highlighting the horrific fates that possibly await his collection of characters. Although the occasion around which the film revolves is celebratory, JOYEUX NOEL is full of suitably melancholy antiwar sentiments, making for utterly compelling viewing. [More]
Starring: Diane Kruger, Benno Furmann, Guillaume Canet, Lucas Belvaux
Starring: Diane Kruger, Benno Furmann, Guillaume Canet, Lucas Belvaux, Bernard Lecoq, Ian Richardson, Christopher Fulford
Director: Christian Carion
Director: Christian Carion
Screenwriter: Christian Carion
Producer: Christophe Rossignon
Composer: Philippe Rombi
Studio: Sony Pictures Classics
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Reviews for Joyeux Noël
Well-photographed and acted, Joyeux Noël suffers most from the inevitable comparison with its betters, such films as Paths of Glory or All Quiet on the Western Front.
The film ends with a moving and surprisingly sophisticated meditation on the definition of moral duty.
The story's factual weight compensates for the film's schmaltzy telling. We might grimace at some of the movie's machinations, but it's hard not to be moved by the humanity it depicts.
A beautifully lensed and acted European co-production that blends historical fact with sentimental drama to forge a powerful anti-war statement.
Carion has given it exactly the qualities that often appeal most strongly to moviemakers and humanists: social breadth, warmth, humor, sympathetic characters and a passionate sense of justice.
[Images of WWI are] terrible, but shadowy and distant, and it takes an extraordinary film on the order of Joyeux Noel to make it all suddenly vital, immediate and human.
An elegantly crafted drama that derives its eerie, ethereal mood as much from the sounds of war -- and their absence -- as the sights of combat.
It's hard not to admire the film's sense of nobility. It's harder not to find the movie dull.
Joyeux Noel has its share of bloodshed, but the movie is about a respite from carnage.
Writer/Director Christian Carion wrings every drop of emotion possible from these tales, and he delivers a film so corny that at times it might have given Frank Capra pause. But you know what? It worked on me.
It tells an evocative story that withstands the sentimentality of the film-making.
The true story here is so astonishing that there was no need for the film to resort to obvious dialogue (the characters keep spelling out what we have just seen) or heavy-handed characters.
You can't go wrong with an uplifting, anti-war story like this, but director Christian Carion trowels on the schmaltz.
This glossy French antiwar movie, an Oscar nominee for best foreign-language film, tells the true story of an improvised Christmas truce during the first year of World War I.
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