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Kagemusha (1980)
Tomatometer
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Reviews Counted: 16
Fresh: 13
Rotten:3
Average Rating: 7.5/10
Runtime: 3 hrs
Genre: Foreign Films
Synopsis: In this dazzling epic from Akira Kurosawa, a petty thief named Kagemusha (Tatsuya Nakadai) gets saved from a death sentence because he resembles the warlord Shingen Takeda (also Nakadai). The... In this dazzling epic from Akira Kurosawa, a petty thief named Kagemusha (Tatsuya Nakadai) gets saved from a death sentence because he resembles the warlord Shingen Takeda (also Nakadai). The warlord has been fighting two other leaders for control of 16th-century Japan and impersonators often take his place during battles to put him out of harm's way. Because of Kagemusha's strong physical similarities to the warlord, he's a perfect choice for a "shadow warrior." However, the arrangement suddenly changes when Shingen gets fatally wounded while watching a battle. Adhering to Shingen's final wish, the warlord's men keep the death a secret, and Kagemusha struggles to transform himself from a criminal into a leader. KAGEMUSHA marked a welcome return for the legendary director, who had not made a movie since 1974. Nakadai, a supporting player in earlier Kurosawa films, expertly portrays the leading role(s), almost always filled in the past by Toshirô Mifune. KAGEMUSHA also features the final screen appearance of longtime Kurosawa actor, Takashi Shimura. In order to help the film get an international release, Francis Ford Coppola and George Lucas served as executive producers. [More]
Starring: Tatsuya Nakadai, Tsutomu Yamazaki, Kenichi Hagiwara, Takashi Shimura
Starring: Tatsuya Nakadai, Tsutomu Yamazaki, Kenichi Hagiwara, Takashi Shimura
Director: Akira Kurosawa
Director: Akira Kurosawa
Screenwriter: Masato Ide, Akira Kurosawa
Producer: Tomoyuki Tanaka, Akira Kurosawa
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Reviews for Kagemusha
Here, as in all of Kurosawa’s late films, this sense of hopeless fixity renders unconvincing any hope for human agency.
Nakadai’s performance as Kagemusha and Shingen is impressive, creating two distinct characters, one of whom eerily mimics the other
There is beauty in Kagemusha but it is impersonal, distant and ghostly. The old master has never been more rigorous.
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