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The Keep (1983)


No Score Yet...

Average Rating: N/A
Critic Reviews: 1
Fresh: 1 | Rotten: 0



liked it
Average Rating: 3/5
User Ratings: 3,340

My Rating

Movie Info

The Keep is an ambitious visual feast from director Michael Mann, whose previous effort was the moody, stylish Thief, and who would soon produce the quintessential pastel-colored '80s TV series Miami Vice. Adapted from the novel by F. Paul Wilson and set in German-occupied Romania of 1943, the film introduces the invaders to the dark presence lurking within the walls of an ancient fortress in the Carpathian Alps -- a presence which doesn't take well to unwanted guests. When soldiers under the


Mystery & Suspense, Horror

Michael Mann

Nov 30, 2004


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All Critics (16) | Top Critics (3) | Fresh (4) | Rotten (9)

Shows early signs of Mann's rare ability to elevate ostensibly schlocky material into something dark and majestic.

August 21, 2013 Full Review Source: L.A. Weekly
L.A. Weekly
Top Critic IconTop Critic

Great concept, great cast, stellar production values, and yet somehow Michael Mann - pound for pound one of the best filmmakers in the game - just can't bring it together.

December 19, 2013 Full Review Source:

The Keep is a worthy successor to a mode of horror, as morally unsettling as it is spiritually devastating, that threads through films like Murnau's Nosferatu and Lewton and Robson's Isle of the Dead.

February 8, 2013 Full Review Source: Electric Sheep
Electric Sheep

Mann must share the blame for the movie's failures. But nor should its beauties be denied.

September 9, 2011 Full Review Source: Reverse Shot
Reverse Shot

After a brilliant opening act, the plot gets flabbier and flabbier until around the half-way point, when it stops making any sense whatsoever.

June 9, 2009 Full Review Source: Antagony & Ecstasy
Antagony & Ecstasy

Depois do brilhante Profissão: Ladrão, Mann cria um desastre que impressiona por ser pavoroso em todos os seus aspectos: direção, roteiro, atuações, trilha sonora, efeitos visuais e fotografia.

August 11, 2008
Cinema em Cena

Only a pleasure if ye can handle the guilt.

September 8, 2003

Directed by Michael Mann. Starring Ian McKellan, Gabriel Byrne and Scott Glenn. Sounds good, right?

January 1, 2000 Full Review Source: | Comment (1)

Audience Reviews for The Keep

Mann's second film and a controversial adaptation of Wilson's novel that didn't go down too well with either the audiences or the author. The film isn't particularly bad but there is obviously allot of hack editing going on and much of the original plot has been ignored or cut.

On the visual side the film is really quite cool looking, it almost looks like an early MTV rock video, the effects (for the time) were pretty swish and do hold the tone of the film together. There is a lot of visual flair going on here which is one of the films saving graces.

Another plus point is the soundtrack by Tangerine Dream, as you would expect their usual blend of futuristic, electronic, ethereal and spiritual sounds is quite unique and very uplifting to listen to. The only problem is this lovely soundtrack doesn't really fit this film, a lot of tense moments don't really come across as I suspect they should have whilst the music floats in the background, you would expect to hear a score like this for a film like 'Blade Runner'.

The film is also confusing and unexplained, the original novel is straight forward but the film is a mess. The evil entity that is released seems to be angry at the Nazi's for killing 'his people' so I'm guessing it was a Jewish entity? and if it wants to kill Nazi's why not let it?. We also don't find out where the entity comes from, what it is?, what's its purpose?, who is 'Glenn'?, what is 'Glenn's' story? etc...

This isn't really a horror in my eyes, there isn't much blood or gore and its not scary in the slightest, it comes across as a slightly adult version of 'Raiders of the Lost Ark' really. The entity or demon is a bit comical to be honest, should of been kept unseen really, shame as the sets, lighting and camera work all play well to set the mood.

I think first time viewers who have not read the novel will struggle with many questions but the blend of gothic horror set amidst WWII will keep most entertained and interested as it is well crafted. The cast of big names in early roles also works in the films favour, check McKellen in a 'pre-Professor X' type role and Gabriel Byrne as the sadistic German SD Officer Sturmbannführer.
March 8, 2014

Super Reviewer

Demons, Nazi's, exploding heads, smokey tinted lens, 80's synth soundtrack, The Keep has it all, everything you could want from a creepy horror movie. The sequel possibilities are endless, it seems strange to me that so many rubbish horror films get the franchise treatment and genuinely good storeys like this are never heard from again. Maybe it's best that way but personally I think the idea of the Keep could be reused again in various different time-points with different scenarios. It just needs a good writer, unfortunately they are far and few between and 'horror writer' now has a certain stigma about it. Anyway, rant over, this is a great little horror from the early 80's, the best time for horror movies (and when Michael Mann films were still good)
January 8, 2013

Super Reviewer

With a little work, this could have been a truly great movie. However, the story just makes no sense and the characters have nowhere to go. About the only thing really good is the bizarre soundtrack from Tangerine Dream. Gabriel Byrne also makes for one ridiculously threatening Nazi. I really liked the basic concept of the soul-taking demon and wishthat Michael Mann took this to a higher level than just a random showdown at the end. Scott Glenn also makes no sense in this movie, he has little dialogue and all he did was have sex with the daughter of Ian McKellen and bleed Predator blood.
December 21, 2010

Super Reviewer

For so long, I yearned to see this film while not having access to it. Well I'll be damned if it wasn't on Youtube the whole time. Unfortunately the picture quality was in the dirt and the different sections seemed to be missing some transitional bits so I still don't know if I can say I've seen it 100%, but what I have seen was pretty good. It gets pretty crazy at times and the effects don't exactly hold up, but it works well enough. It was great to see young versions of Gabriel Byrne and Ian McKellen doing their typically good work. And of course Michael Mann does a good job as well with the direction. Certainly not his best film, but I'm glad now that I've seen it.
June 28, 2009

Super Reviewer

    1. Woermann: Request immediate relocation. Something is murdering my men.
    – Submitted by Reymondo L (7 months ago)
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