The mesmerizingly awful The Kid & I is a historic first: a comedy about the making of a vanity production that is itself a vanity production.
The Kid & I (2005)
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Reviews Counted:12
Fresh:4
Rotten:8
Average Rating:4.8/10
Consensus: Well-intentioned but sappy, The Kid & I is a strange hybrid of comedy and cinema verite.
Rated: PG-13 [See Full Rating] for some language, crude humor and drug references
Runtime: 1 hr 33 mins
Genre: Comedies
Theatrical Release:Dec 2, 2005 Limited
Synopsis: An offbeat piece of real-life wish-fulfillment, THE KID & I stars Tom Arnold as Bill Williams, a down-and-out actor who, just like Arnold himself, had his greatest screen success opposite Arnold... An offbeat piece of real-life wish-fulfillment, THE KID & I stars Tom Arnold as Bill Williams, a down-and-out actor who, just like Arnold himself, had his greatest screen success opposite Arnold Schwarzenegger in TRUE LIES. Just as Williams is about to kill himself, he gets the offer to write and star in an action film in which he will be teamed with hardcore TRUE LIES fan Aaron Roman (Eric Gores, Arnold's real-life neighbor), the cerebral palsy-stricken son of multimillionaire Davis Roman (Joe Mantegna). In a slightly cracked mirror version of the film's behind-the-scenes true story, Williams reluctantly agrees to the offer, only to find himself transformed by his young costar's indomitable spirit. As with reality TV, THE KID & I could almost be marketed as a documentary. Star Gore's wealthy father did commission neighbor Arnold to pen THE KID & I for his TRUE LIES-loving son, director Penelope Spheeris (WAYNE'S WORLD) appears as herself, and we even get to see some home movie footage of Gore as a child. But the result, which could have been cloying or exploitative, is an unusual family-friendly satire of Hollywood that doesn't shy away from a little darkness when necessary. Gore--who really does suffer from cerebral palsy--is a winning presence, game for anything and with sharp comic timing. And though one could go crazy trying to figure out where Bill Williams ends and Tom Arnold begins, his patented manic self-deprecation is appealing and he has a great foil in veteran character actor Richard Edson. [More]
Starring: Tom Arnold, Richard Edson, Joe Mantegna, Henry Winkler
Starring: Tom Arnold, Richard Edson, Joe Mantegna, Henry Winkler, Shannon Elizabeth, Linda Hamilton
Director: Penelope Spheeris
Director: Penelope Spheeris
Screenwriter: Tom Arnold
Composer: Damon Fox
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Reviews for The Kid & I
It’s terribly uneven, it’s far too corny and it’s really not all that great, but it’s so strange and so compelling that you have to see it.
It would be nice to say that The Kid & I delivers a heartwarming message of perseverance while showing a lighter side of Arnold and spotlighting a new star. Unfortunately, it would not be true.
Tom Arnold does have talent, but some self-defeating streak keeps him from using it.
What sets The Kid & I apart from most Hollywood comedies is its restraint, on the part of Arnold, both as writer and actor, as well as Spheeris. Comedy actually grows out of character and situation.
This wan attempt at inspirational comedy doesn't bother to look closely at anything.
A chore to watch, The Kid and I is self-congratulatory, excruciatingly sentimental and sloppily written and directed.
A top-shelf director, well-known cast and an upbeat storyline should combine to give the The Kid and I a feel-good ride at the B.O.
Though The Kid & I falters as both a comedy and an After School Special, it works as a rather touching episode of This is Your Life, with a parade of cameos from Arnold's career that'll coax a sniffle or two from his family.
The Kid and I is not a great film, but you know what? It achieves what it sets out to achieve, and it isn't boring, and it kept me intrigued and involved.
A movie with a message as self-congratulatory as it is meta: All problems are surmountable when selfless Hollywooders work extra, extra hard, pulling together 'for the kid.'
The Kid & I qualifies as the most indulgent kind of homemade project, laden with tediously inspirational dialogue and visuals that seem shot through half-fizzled Yuengling.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
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| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
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