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Kill Me Later (2001)
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Reviews Counted:6
Fresh:3
Rotten:3
Average Rating:5.4/10
Theatrical Release:Sep 14, 2001 Limited
Synopsis: Selma Blair and Max Beesley play amusingly star-crossed lovers in Dana Lustig's KILL ME LATER. Blair is Shawn, a young woman struggling with her own self-negating romantic impulses. She's involved... Selma Blair and Max Beesley play amusingly star-crossed lovers in Dana Lustig's KILL ME LATER. Blair is Shawn, a young woman struggling with her own self-negating romantic impulses. She's involved with a selfish married man (D.W. Moffett) who, completing the poor romantic choice trifecta, is also her boss. Early in the film, Shawn decides she has had enough misery. After a few suicidal gestures, she decides to take that final step and end her life. She goes to the roof of the bank where she works, and prepares to jump. But GGGGG (Beesley) is concurrently in the process of robbing the bank, and when a witness sees Shawn perched on the roof and calls the police, she inadvertently foils his plans. He takes her hostage, getting her cooperation only after he assures her that if she helps him, he'll repay her by killing her once they're free and clear. Naturally, things don't go exactly as planned. Lustig's film is a colorful burst of energy, and it features an attractive young cast. In the film's candy-coated scenes of the lovers on the run, and its temporal playfulness, it is reminiscent of Tom Tykwer's similarly fast-paced, hyper-stylish RUN LOLA RUN. [More]
Starring: Selma Blair, Max Beesley, D.W. Moffett, Brendan Fehr
Starring: Selma Blair, Max Beesley, D.W. Moffett, Brendan Fehr, Lochlyn Munro
Director: Dana Lustig
Director: Dana Lustig
Screenwriter: Annette Goliti-Gutierrez
Producer: Carole Curb Nemoy, Mike Curb, Ram Bergman, Dana Lustig
Composer: Tal Bergman, Renato Neto
Studio: 7th Art Releasing
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Reviews for Kill Me Later
By the end of it, you'll wish you had just stayed home and watched Total Request Live.
Badly employing all kinds of tricks ... [Lustig] ultimately overpowers her actors and does in her own film.
Happily the filmmakers here are more interested in its people and their lives than in the chase that follows.
The kind of quirky film the movie world could use more of in these days of cookie-cutter studio pictures.
The performances in several smaller roles are so mechanical that they lend Kill Me Later the tone of a vanity production.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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