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King Kong (2005)
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Reviews Counted:38
Fresh:29
Rotten:9
Average Rating:7.6/10
Consensus: Peter Jackson’s dream project is as good as event movies get; King Kong is visually spectacular and emotionally resonant.
Rated: PG-13 [See Full Rating] For frightening adventure violence and some disturbing images
Runtime: 6 hrs 28 mins
Genre: Action/Adventure
Theatrical Release:Dec 14, 2005 Wide
Box Office: $218,051,260
Synopsis: It is 1933, and vaudeville actress Ann Darrow (Oscar® nominee for 21 Grams, NAOMI WATTS) has found herself—like so many other New Yorkers during the Great Depression—without the means to earn a... It is 1933, and vaudeville actress Ann Darrow (Oscar® nominee for 21 Grams, NAOMI WATTS) has found herself—like so many other New Yorkers during the Great Depression—without the means to earn a living. Unwilling to compromise and allow herself to sink into a career in burlesque, she considers her limited options while aimlessly wandering the streets of Manhattan. When her hunger drives her to unsuccessfully try to steal an apple from a fruit vendor's stall, she is rescued—literally— by filmmaker and multiple hyphenate Carl Denham (JACK BLACK of The School of Rock). It seems that the entrepreneur-raconteur-adventurer is no stranger to theft, having that day lifted the only existing print of his most recent and unfinished film from under his studio executives' noses when they threatened to pull his completion funds. Carl has until the end of the day to get his crew onboard the Singapore-bound tramp steamer, the S.S. Venture, in hopes of completing his travelogue/action film. With that, the showman is certain he will finally achieve the personal greatness he knows awaits him around the corner…and although the crew believe that corner to be Singapore, Denham actually hopes to find and capture on film the mysterious place of legend: Skull Island. Unfortunately for Carl, his headlining actress has pulled out of his project, but his search for a size-four leading lady (the costumes have all been made) has, fatefully, led him to Ann. The struggling actress is reluctant to sign on with Denham, until she learns that the up-and-coming, socially relevant playwright Jack Driscoll (Oscar® winner for The Pianist, ADRIEN BRODY) is penning the screenplay—the fees his friend Carl pays for potboiling adventure are a welcome supplement to Driscoll's nominal income from his stage plays. With his newly discovered star and coerced screenwriter reluctantly onboard, Denham's "moving picture ship" heads out of New York Harbor…and toward a destiny that none aboard could possibly foresee. Joining Watts, Black and Brody is an accomplished ensemble cast from around the globe. German star THOMAS KRETSCHMANN (U-571) portrays Captain Englehorn, commander of the Venture, who allows Denham and his ever-increasing bribes to persuade him to endanger the lives of his crew by searching for Skull Island. COLIN HANKS (Orange County) is Preston, Denham's put-upon assistant and unwitting moral compass, who attempts to keep his boss in check and the production from spiraling out of control. Young actor JAMIE BELL (Billy Elliot) plays Jimmy, the youngest crew member, whose experiences onboard the Venture prove more fantastical than any old salt's seafaring yarn. EVAN PARKE lends his talents to the role of first mate Hayes, keeping a watchful eye on young Jimmy and serving as Englehorn's conscience. KYLE CHANDLER takes on the character of Bruce Baxter, a "B"-movie-level leading man cast opposite Ann Darrow in Denham's adventure movie. ANDY SERKIS (who performed the role of the CGI character Gollum in The Lord of the Rings trilogy) provides both on-set performance reference and motion-capture performance for the "Eighth Wonder of the World"…the title character of King Kong; he also appears onscreen as the eccentric sailor in charge of the Venture's galley, Lumpy the Cook. To create the widely diverging worlds of two disparate settings—the urban jungle of 1930s Manhattan and the primordial environs of Skull Island, home to a lost race and a myriad of formidable, not-extinct creatures—Peter Jackson gathers an unparalleled team of film artisans, the majority with whom he enjoys longstanding collaborative relationships. These include: director of photography ANDREW LESNIE, who received the Academy Award® for his cinematography in The Lord of the Rings: The Fellowship of the Ring; production designer GRANT MAJOR, Oscar® winner for the third in the trilogy, The Return of the King; and film editor JAMIE SELKIRK, who likewise collected an Academy Award® for his artistry on the final installment of Jackson's epic. Visual effects are again accomplished by New Zealand-based companies Weta Digital Ltd., under the direction of Oscar® winner JOE LETTERI (The Return of the King), and Weta Workshop Ltd., under the direction of Oscar® winner RICHARD TAYLOR (The Return of the King). The film is scored by six-time Academy Award® nominee JAMES NEWTON HOWARD (Batman Begins). --© Universal Pictures [More]
Starring: Naomi Watts, Adrien Brody, Jack Black, Colin Hanks
Starring: Naomi Watts, Adrien Brody, Jack Black, Colin Hanks, Kyle Chandler, Thomas Kretschmann, Andy Serkis, Mark Hadlow, Jamie Bell
Director: Peter Jackson
Director: Peter Jackson
Screenwriter: Peter Jackson, Philippa Boyens, Fran Walsh
Story: Merian C. Cooper, Edgar Wallace
Producer: Ernest B. Schoedsack, Fran Walsh, Peter Jackson
Composer: James Newton Howard
Studio: Universal Pictures
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Reviews for King Kong
Our response to the ape's doom, once touched by authentic tragedy, is now marked by relief that this wretchedly excessive movie is finally over.
Kong has heart, and he's willing to show it in a movie made with wit, excitement and moments of visionary beauty.
Jackson took a huge risk with King Kong. But the movie that no film lover wanted him to make is sure to become the blockbuster that everyone is going to want to see, and with good reason.
One hundred eighty-seven minutes of mesmerization, astonishment, thrills, chills, spills, kills and ills, Peter Jackson's big monkey picture show is certainly the best popular entertainment of the year.
The unrelenting computer-animated action suffocates what seems to have been the movie's main purpose, to expand on the Kong-Ann relationship.
Although King Kong is spectacular, its power doesn't reside in its glittering vision of 1933 Manhattan, Jackson's virtuoso flourishes or his computer-generated effects. It's so much simpler: When the gorilla touches the girl, he touches our hearts.
Serkis' contribution truly is something we've never seen, an entirely new category of computer-enhanced acting. With not a word of dialogue, he brings to life a close cousin to man with whom we can empathize, yet is never too human-like.
There are some dazzling moments and remarkably clunky ones, a stitched together mixture of old and new, a genre tour that jumps in tone from jaunty comedy to sci-fi horror to laboured social commentary.
Good things do come in big packages. The trick for any filmmaker is to find the small movie within the big one, which is exactly what Peter Jackson does in King Kong.
In a word, Jackson's King Kong is spectacular, awesome, phenomenal and breathtaking. OK, so I can't boil it down to one word.
At three hours, Jackson's Kong is too bloated and digressive to match the pure adrenaline of the first film, perhaps the finest B-movie ever made.
Too big for its own good, too pure of heart to diminish, brawling, magnificent, heroic and flawed: That's King Kong, and that's King Kong.
Like Black's craven filmmaker, Jackson swells into a madman impresario, so hell-bent on topping himself that he doesn't know when to cut and run.
It's as if Jackson got so excited about his creatures he forgot about his characters.
Peter Jackson has run the original 1933 King Kong through his epic imaginarium and given us the year's most thrilling entertainment. Also its most heartbreaking love story.
While one cannot deny his giant-sized filmmaking gifts or his showmanship, nor can we ignore how thin the air of self-importance feels by the time every last digital effect has been pulled out of the magic bag.
Monstrous. Monumental. Magnificent. Use any term you want, there's no denying the power, genius and spectacle of King Kong, which is certainly the biggest movie of the year and possibly the biggest movie ever made.
Latest News for King Kong
July 31, 2009:
Weekly Ketchup: The Story of Kong Before He Was King
This Week's Ketchup sees an unusual number of pairs: two remakes, two prequels to beloved sci-fi movies, two movies based on recent video games and two movies based on 1971... More...
January 08, 2009:
RT Interview: Jamie Bell talks Defiance and Dance
Jamie Bell tap-danced his way into the national consciousness with his breakthrough performance in Billy Elliot nine years ago. Since then he has worked with heavyweight screen... More...
December 02, 2008:
RT Interview: Richard Taylor on the Weta Workshop and Prince Caspian
RT chats to Richard Taylor about what goes into creating a world, the importance of good weaponry and how his six year-old son became a king. More...
August 27, 2007:
Video Exclusive: Jamie Bell talks Hallam Foe, accents and Equus with RT
Rotten Tomatoes sits down with one of Britain's finest young talents to find out about his latest turn. More...
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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