Klute

Klute

96%
  • Klute
    3 minutes 2 seconds
    Added: May 9, 2008

Opening

40% Sin City: A Dame to Kill For Aug 22
41% If I Stay Aug 22
18% When The Game Stands Tall Aug 22
9% Are You Here Aug 22
96% Love Is Strange Aug 22

Top Box Office

20% Teenage Mutant Ninja Turtles $28.5M
92% Guardians of the Galaxy $25.1M
15% Let's Be Cops $17.8M
34% The Expendables 3 $15.9M
32% The Giver $12.3M
21% Into The Storm $7.9M
66% The Hundred-Foot Journey $7.2M
64% Lucy $5.5M
39% Step Up: All In $2.7M
61% Hercules $2.1M

Coming Soon

0% The November Man Aug 27
98% Starred Up Aug 27
—— As Above/So Below Aug 29
85% The Congress Aug 29
—— The Calling Aug 29

Premieres Tonight

17% BoJack Horseman: Season 1

New Episodes Tonight

—— Jonah From Tonga: Season 1
86% The Knick: Season 1

Discuss Last Night's Shows

100% Defiance: Season 2
100% Garfunkel and Oates: Season 1
89% The Honorable Woman: Season 1
56% Married: Season 1
95% Rectify: Season 2
—— Rookie Blue: Season 5
39% Rush: Season 1
82% Satisfaction: Season 1
82% Welcome to Sweden: Season 1
41% Working the Engels: Season 1
77% You're the Worst: Season 1

Klute Reviews

Jay Cocks
TIME Magazine
Top Critic IconTop Critic

[Fonda] makes all the right choices, from the mechanics of her walk and her voice inflection to the penetration of the girl's raging psyche. It is a rare performance.

Full Review Source: TIME Magazine

August 30, 2009
Geoff Andrew
Time Out
Top Critic IconTop Critic

For once, a genuinely psychological thriller.

Full Review Source: Time Out

February 9, 2006
Roger Ebert
Chicago Sun-Times
Top Critic IconTop Critic

With Fonda and Sutherland, you have actors who understand and sympathize with their characters, and you have a vehicle worthy of that sort of intelligence. So the fact that the thriller stuff doesn't always work isn't so important.

Full Review Source: Chicago Sun-Times | Original Score: 3.5/4

October 23, 2004
Roger Greenspun
New York Times
Top Critic IconTop Critic

Pakula, when he is not indulging in subjective camera, strives to give his film the look of structural geometry, but despite the sharp edges and dramatic spaces and cinema presence out of Citizen Kane, it all suggests a tepid, rather tasteless mush.

Full Review Source: New York Times

May 21, 2003
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