This heist flick about young Brooklyn hoods is off the shelf after two years to capitalize on the popularity of Vin Diesel, Seth Green and Barry Pepper. It should have stayed there.
Knockaround Guys (2002)
Tomatometer
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Reviews Counted:24
Fresh:4
Rotten:20
Average Rating:4.3/10
Consensus: Well-acted, but it's too derivative.
Rated: R [See Full Rating] for violence, language and some drug use
Runtime: 1 hr 34 mins
Genre: Comedies
Theatrical Release:Oct 11, 2002 Wide
Box Office: $11,509,127
Synopsis: Matty (Barry Pepper) is the only son of Brooklyn mobster Benny "the Chains" (Dennis Hopper). Considered too sensitive for mob work, but unable to find a regular job, Matty finally gets a chance to... Matty (Barry Pepper) is the only son of Brooklyn mobster Benny "the Chains" (Dennis Hopper). Considered too sensitive for mob work, but unable to find a regular job, Matty finally gets a chance to join his dad's organization when he agrees to arrange transport of half a million dollars across the country. When it winds up lost in a small Montana town, Matty and his assortment of tough-guy pals (played by Andrew Davoli, Seth Green, and Vin Diesel) are forced to fly out there, tangle with the locals, and find the money before their disappointed elders come to get them, guns blazing. KNOCKAROUND GUYS features stylishly washed-out, gritty cinematography and benefits from a refreshing lack of the expected "city folk stranded in a small town" gags. Instead it's a tale of identity crisis-plagued boys blasting their blood-soaked way into manhood, with the dependable Diesel easily stealing the prize with his turn as Matty's philosophic brawler pal. John Malkovich--sporting one of the weirdest Brooklyn accents in gangster film history--is also memorable as one of the older mobsters. It's the directorial debut for the screenwriting team of Brian Koppelman and Sid Levein, who before this penned the script for ROUNDERS. [More]
Starring: Vin Diesel, Seth Green, Barry Pepper, Andrew Davoli
Starring: Vin Diesel, Seth Green, Barry Pepper, Andrew Davoli, Dennis Hopper, John Malkovich, John Liddle, Tom Noonan, Nicholas Pasco
Director: Brian Koppelman, David Levien
Director: Brian Koppelman, David Levien
Screenwriter: Brian Koppelman, David Levien
Producer: Lawrence Bender, Brian Koppelman, David Levien
Composer: Clint Mansell
Studio: New Line Cinema
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Reviews for Knockaround Guys
Perhaps if co-directors David Levien and Brian Koppelman had spent more time devising a coherent vision for the film, we would not have felt as knocked around after watching it.
We know the plot's a little crazy, but it held my interest from start to finish.
Will only satisfy those who can't tell the difference between the good, the bad and the ugly.
It's like a drive-by. You can drive right by it without noticing anything special, save for a few comic turns, intended and otherwise.
There's nothing in the half-comic, half-serious Knockaround Guys you can't see weekly in The Sopranos.
Of interest only to male viewers who are addicts of Scorsese-meets -Tarantino gangster-life frolics.
Despite engaging offbeat touches, Knockaround Guys rarely seems interested in kicking around a raison d'etre that's as fresh-faced as its young-guns cast.
Although Knockaround Guys has the trimmed-down look of a studio trying to cut its losses, the movie plays like an entertaining B Western
Trying to sound like The Sopranos, it never registers above a bass baritone; far from Goodfellas, these fellas barely make it to below-average.
Any one episode of The Sopranos would send this ill-conceived folly to sleep with the fishes.
You can't fault the actors, but we've been over this ground so many times that our tolerance for one more deadpan, low-life comedy has been all but exhausted.
The movie crosses two formulas -- Fish Out of Water and Coming of Age -- fairly effectively.
One of those strained caper movies that's hardly any fun to watch and begins to vaporize from your memory minutes after it ends.
It has its moments of swaggering camaraderie, but more often just feels generic, derivative and done to death.
The action is bloody and brutal. Mr. Diesel is effective as Matty's muscle. But when it comes to father, sons and mob life, stick to The Godfather.
Even when the film turns serious, the filmmakers can't make up their minds about what kind of movie they're making.
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