Average Rating: 7.4/10
Reviews Counted: 58
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Average Rating: 6.8/10
Critic Reviews: 16
Fresh: 11 | Rotten: 5
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Average Rating: 3.7/5
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This Martin Scorsese film drama detailing the Dalai Lama's life story was in development for seven years, with the Dalai Lama having input into the 14 screenplay drafts by Melissa Mathison (The Black Stallion, E.T.). With four actors portraying the Dalai Lama at different ages, Scorsese's chronicle begins in 1933 with the death of the 13th Dalai Lama. Born in a remote area, the new Dalai Lama (seen at ages two and five in early sequences) is observed by monks who determine that he is the 14th
Dec 25, 1997 Wide
Oct 13, 1998
Buena Vista Internationa
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Tenzin Thuthob Tsaro...
Dalai Lama (adult)
Dalai Lama (age 12)
Tulku Jamyang Kunga ...
Dalai Lama (age 5)
Tenzin Yeshi Paichan...
Dalai Lama (age 2)
Tsewang Migyur Khang...
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The music ties together all the pretty pictures, gives the narrative some momentum, and helps to induce a kind of alert detachment, so that you're neither especially interested nor especially bored.
Scorsese has taken the harsh mystery out of Tibetan Buddhism, and out of its oppression, too.
Disregarding commercial considerations, Scorsese's haunting meditation on Dalai Lama's early life is a majestic spectacle of images and sounds, but it's bogged down by a routine script that fails to offer fresh insights on Tibet's non-violent culture
Urged on by Philip Glass's throbbing, blaring score, the director conjures a phenomenal, trance-like climax, owing more to dreams, second sight and the mind's eye than conventional dramatic rhetoric.
Careful and respectful, it is everything a movie about the Dalai Lama should be except dramatically involving.
Vigorously directed, sensual and hypnotic, Scorsese's film is a visually extraordinary meditation on ritual, nature and humanity.
A challenging, thought provoking, mediative film that sits uncomfortably with Scorcese's previous work is helped no end by a superb score by Philip Glass.
Scorsese's rich tableau of image and music bears a potent emotional weight.
Kundun is surely the most gentle and meditative of Scorsese's films, a placid biography with the scope of an epic, the quality of a storybook, and the dramatic stakes of a tragedy.
There's no denying the artistry of Kundun. Its heart also appears to be in the right place. But for those like me who don't have a versed history in the modern history of Tibet or Buddhism, the scope is ultimately too big.
Martin Scorcese has made a meditative, low key historical drama about a truly mystical figure of our modern history, departing from his usual, violence-prone flicks.
Scorsese skillfully indulges his propensity for obsessive detail. Visually, the direction is varied and exhilarating
Though a meditative, introspective film, Scorsese's distinctive techniques cause Kundun to pulse with life under its calm surface.
Kundun is original, moving, inspiring -- and one of the best movies of the year.
'Filmed with the approval of the 14th Dalai Lama himself, Kundun is reverential to a fault...and that fault is the film's biggest weakness.'
Kundun is both a stunning visual feast and a moving meditation on the difficulty of sustaining the Buddhist principle of nonviolence in a brutal world.
Scorsese's celebrated eye for composition and camera placement has never been more evident.
Audience Reviews for Kundun
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