Average Rating: 6.1/10
Reviews Counted: 27
Fresh: 17 | Rotten: 10
No consensus yet.
Average Rating: 5.9/10
Critic Reviews: 13
Fresh: 8 | Rotten: 5
No consensus yet.
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An orthodox Jewish teen living with her family in France attempts to balance her religious upbringing with her increasingly complex view of the outside world in director Karin Albou's incisive meditation on religion, philosophy, and the weight of romance on the mind of a growing girl. Eighteen-year-old student Laura (Fanny Valette) lives with her widowed mother (Sonia Tahar), her sister (Elsa Zylberstein), and her brother-in-law (Bruno Todeschini) in the suburban Paris neighborhood of Sarcelles.
Jan 27, 2006 Limited
Sep 12, 2006
Kino International
All Critics (28) | Top Critics (14) | Fresh (17) | Rotten (10) | DVD (3)
It is a story told in small moments, the camera close-up on a look, the stroke of a hand, the way a blonde thread is revealed in a husband's jacket.
Anyone shopping by the ton for melodrama is well advised to browse the ample display on view in this cinematic square.
The grand ideas are effectively integrated into a drama that relies equally upon the head, the heart and the body for inspiration.
It's very well-acted and directed, shot with great vigor, mostly in roaming closeups that plunge us right into the thick of things.
It evaporates from your mind even while watching it.
In their separate ways, Laura and Mathilde have discovered how to shape their own destinies in a turbulent period of clashing civilizations.
This beautiful tale of two sisters living in Sarcelles, a low-income Parisian suburb of mostly new immigrants, presents the darker side of religion while offering a candid view of an Orthodox Jewish family struggling to stay together.
The film, which means well in its attempt to touch on Kantian philosophy, racial divides, sex and orthodoxy, and secularism versus religion, manages to insult each one of these heavy subjects by not giving any of them the serious, thoughtful attention the
The background of Little Jerusalem is a grimy landscape, both physical and political, and it overwhelms the fragile exploration undertaken by the sisters. Or maybe that's the whole point.
Rich in perceptive details, Albou's film has drawn favorable comparison to the work of Claire Denis (The Intruder, Friday Night), and both directors share a sensual sensitivity to their characters' inner lives.
[If the film] is a story of escape and liberation, it also shows a calibrated respect for tradition and the ancient pull of family loyalty.
Albou is adventurous in intermixing a young woman's coming-of-age with a search for secular belief but her story is a bit shy on drama.
Even though the romance angle disappoints, the story still holds interest because of the jarring cultural differences, even between the Paris-reared daughters and their superstitious Tunisian mother.
The best reason to watch La Petite Jerusalem is Fanny Valette, a bona-fide beauty who brings a commitment and gravity to scenes that don't always deserve them.
Beautifully played by Valette and Zylberstein, and directed with amazing grace by Albou, this touching film offers a respectful, fascinating look at a community that's ignored as often as it's misunderstood.
A quiet, thoughtful examination of sexuality and freedom within a Jewish enclave in Paris. Two sisters, who live together and work at the same day care facility, explore what it means to be modest according to their religious traditions, and still express their sexual natures. The elder, Mathilde (Elsa Zylberstein),
June 10, 2010Super Reviewer
This is an excellent cultural snapshot and has a near archetypal presentation of the Sephardi French Jewish mother. Very good sense of Jewish family issues, a quite good insider/outsider look besides being a good drama.
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