A character portrait that's sharply restrained and tightly constructed.
The Window (2008)
Tomatometer
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Reviews Counted:12
Fresh:10
Rotten:2
Average Rating:7/10
Theatrical Release:May 6, 2009 Limited
Synopsis:
It is a significant day for 80 year old Antonio. After an absence of many years, his estranged son is coming to visit. All must be perfect. There will be a toast with a very special champagne; an...
It is a significant day for 80 year old Antonio. After an absence of many years, his estranged son is coming to visit. All must be perfect. There will be a toast with a very special champagne; an embrace; warm words that may finally bridge the gap between them-- But before, Antonio must wait. Bedridden, he looks out his window at the Patagonian landscape and sees light and life, the past and the present, while sensing the future. He decides to secretly leave the house, unseen by his faithful caretakers, to take what might be a last walk in his fields, breathing the air, treading the earth, inhaling the scent of the land that had been his life. What could otherwise seem like insignificant memories or moments in one's life, take a special, beautiful meaning and weight in this poetic, humanistic film.
Distinguished Argentine filmmaker Carlos Sorin (Bombon, El Perro, Historias Minimas) once again trains his camera on the small stories written by life, on the humanity behind human beings. By casting the great Uruguayan writer and scriptwriter Antonio Larreta in the lead role, Sorin establishes a link between fiction and reality that makes the protagonist's fears, hopes and wishes even more palpable.--© Film Movement
Starring: Antonio Larreta, Maria del Carmen Gimenez, Emilse Roldan, Roberto Rovira
Starring: Antonio Larreta, Maria del Carmen Gimenez, Emilse Roldan, Roberto Rovira, Alberto Ledesma
Director: Carlos Sorin
Director: Carlos Sorin
Screenwriter: Carlos Sorin, Pedro Maizal
Composer: Nicolas Sorin
Studio: Film Movement
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Reviews for The Window
In The Window a last hurrah presents itself without any big bangs or catharsis.
A slight, subtle character sketch, structured and paced like a particularly fine short story.
Lyrical and quietly moving with lush cinematography and a sensitive, intelligent screenplay.
Dialogue and plot are sparse, but such contrivances are unimportant when the acting is superb and the pastoral cinematography, by Julian Apezteguia, is breathtaking.
This rather trite visualization is made all the more banal by comparison with the many ravishing images Sorin and cinematographer Julián Apezteguia capture in the movie proper.
Portentous dreams infiltrate the Argentine director Carlos SorÃn's film The Window.
The Window is not without a certain visual spell that makes it a first-rate artistic achievement.
Sorin's nihilism is a matter of taste, but his claim that this movie bears any resemblance to Wild Strawberries is frankly disingenuous.
As his staff prepares for his son's arrival and the piano tuner fills the hacienda with splintered notes, the limited stimulus sparks Antonio's memories, his final hours playing out like delicate, melancholic poetry.
deals with the light and not the shadows, and with an airy leisure and humor that belies the melancholy and foretold destiny of a dying old man.
As elegant in its storytelling as in its story, Carlos Sorin's The Window is a tale of age and mortality that firmly resists the 'cute' tag reflexively assigned to movies with old people, and mines a rich, deep vein of melancholy and humor.
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May 07, 2009:
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