It's both lowdown and effete, a jamboree of whoopee jokes and sick wit.
Ladykillers (2004)
Tomatometer
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Reviews Counted:38
Fresh:17
Rotten:21
Average Rating:5.7/10
Consensus: Hanks' performance in the lead role is inspired, but this is a relatively minor offering from the Coen brothers.
Rated: R [See Full Rating] for language including sexual references
Runtime: 1 hr 44 mins
Genre: Comedies
Theatrical Release:Mar 26, 2004 Wide
Box Office: $39,671,084
Synopsis: It is always difficult to try to recreate a classic movie, so Joel and Ethan Coen took the premise of Alexander Mackendrick's beloved 1955 Ealing Studio caper comedy, THE LADYKILLERS, as the basis... It is always difficult to try to recreate a classic movie, so Joel and Ethan Coen took the premise of Alexander Mackendrick's beloved 1955 Ealing Studio caper comedy, THE LADYKILLERS, as the basis for coming up with their own entertaining and bizarre remake. Tom Hanks stars as Goldthwait Higginson Dorr, Ph.D., a would-be professor who talks his way into the root cellar of Mrs. Munson (Irma P. Hall), where he and his supposed band will practice their "Renaissance music." But they are actually plotting to tunnel through to steal a mint from a riverboat casino. The motley crew of incompetent criminals includes Marlon Wayans as Gawain MacSam, a hip-hoppity thug pretending to be a janitor; J.K. Simmons as movie prop man and demolition "expert" Garth Pancake, who has problems with intestinal bowel syndrome; Tzi Ma as the General, a Vietnamese tunnel rat with a Hitler mustache; and Ryan Hurst as a pathetically dumb football wannabe named Lump. Just when they think all is going well, they run into a curious Mrs. Munson, who smells something funny. The film includes several exhilarating Gospel scenes set in southern churches, and lots of riotous site gags. The Coen brothers have done it yet again. [More]
Starring: Tom Hanks, Irma P. Hall, Marlon Wayans, J.K. Simmons
Starring: Tom Hanks, Irma P. Hall, Marlon Wayans, J.K. Simmons, Tzi Ma, Ryan Hurst, Diane Delano, George Wallace, Stephen Root
Director: Joel Coen, Ethan Coen
Director: Joel Coen, Ethan Coen
Screenwriter: Ethan Coen, Joel Coen
Producer: Barry Josephson, Ethan Coen, Joel Coen, Tom Jacobson, Barry Sonnenfeld
Composer: Carter Burwell, T-Bone Burnett
Studio: Touchstone Pictures
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Release:
Sep 7, 2004
Reviews for Ladykillers
There's the mind-numbing oompah rhythm of every gag telegraphed and every joke pounded into the ground.
Most of this stuff isn’t worthy of the Farrelly brothers, let alone the Coen brothers.
Structured like a Mad magazine parody where there's a promised joke in each frame. It doesn't add up to a movie.
The remake -- which could have been shot anywhere and probably was filmed on a studio back lot -- has almost nothing coherent to say about Mississippi, though it does recycle a few cliches.
Should give just about everyone who sees it a few laughs. But it will appeal most strongly to viewers who think Tom Hanks, who plays a thief and a potential murderer, can do no wrong.
Although The Ladykillers is a skillfully executed caper movie, the fun lies not in its mechanics but in its characterizations, especially Hanks's and Hall's, and especially when they're together.
Those seeking a quirky and clever comedy should hightail it to The Ladykillers forthwith.
Not quite top-drawer Coen Bros., but good enough to make you wish it were, The Ladykillers is a case of being grateful for small pleasures.
Never settles into an assured rhythm, and instead the actors always seem to be pushing, putting the hard sell on an audience that, however distracted by the strenuousness of the sales pitch, still isn't buying.
Suddenly the Coen Brothers, of all people, seem to be playing it safe.
Worth sticking with for Hanks' and Hall's superlative acting -- and a rollicking gospel score assembled by T. Bone Burnett.
[The Coen brothers have] made a broad comedy out of a black comedy and completely lost its charm in the process.
Always wildly signaling for us to notice it. Not content to be funny, it wants to be FUNNY! Have you ever noticed that the more a comedian wears funny hats, the less funny he is?
If you set your expectations low enough there are real laughs to be had, but coming to the Coens with low expectations somehow just feels wrong.
For all its idiosyncratic thrusts and jabs, the movie never takes off.
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