A film about a junkie rock musician, played by Michael Pitt at his most narcissistic, doing nothing in particular for the better part of 97 minutes isn't my idea of either a good time or a serious endeavor.
Last Days (2005)
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Reviews Counted:35
Fresh:23
Rotten:12
Average Rating:6/10
Consensus: While the minimalist style is not for all viewers, those who prefer experimentalism will find Last Days hypnotic.
Theatrical Release:Jul 22, 2005 Limited
Box Office: $356,500
Synopsis: Inspired by the true story of Kurt Cobain, the lead singer of the popular Seattle-based rock band Nirvana who committed suicide in 1994, director Gus Van Sant (ELEPHANT) presents this meditative... Inspired by the true story of Kurt Cobain, the lead singer of the popular Seattle-based rock band Nirvana who committed suicide in 1994, director Gus Van Sant (ELEPHANT) presents this meditative journey through the last days in the life of fictional musician Blake (Michael Pitt). In a bewildered state of drug withdrawal, Blake stumbles through deep woods groaning and mumbling quietly. His words are only occasionally audible, and even less occasionally coherent. Thus, the focus is on Blake's tortured, slow-motion movements and his tangle of chin-length blond hair, which hangs like a mask over his face. Reaching a clearing, Blake enters a dilapidated mansion where he lives with four similarly confused young rockers. A string of foggy events follows in partially chronological order. Scenes overlap, allowing for minor details to be added later. This style hints at the insignificance of time--and of everything--from Blake's perspective. Avoiding human contact, taking long walks, playing music, and hiding in the greenhouse, Blake nears his inevitable end. He digs up a parcel from the backyard, smokes a cigarette and painstakingly pours a bowl of Cocoa Krispies, changes into a black evening gown and grabs a rifle, answers the phone and says nothing when a voice asks him about an upcoming tour. Blake then descends into a bizarre, barely conscious state during which people come and go from the house. But none of it seems to register, as he is already lost. LAST DAYS finds melancholic beauty in green trees reflecting in window panes, and the sound of rippling lake water echoing the ambient noise in Blake's head; and Pitt shows chameleon expertise in his mutely charismatic depiction of the unreachable Blake, whose resemblance to Cobain is both haunting and magical. [More]
Starring: Michael Pitt, Lukas Haas, Asia Argento, Nicole Vicius
Starring: Michael Pitt, Lukas Haas, Asia Argento, Nicole Vicius, Scott Green
Director: Gus Van Sant
Director: Gus Van Sant
Screenwriter: Gus Van Sant
Producer: Dany Wolf
Studio: HBO Films
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Reviews for Last Days
While Last Days succeeds as a nature documentary, Van Sant fails to penetrate human nature. The result is a portrait without a face.
Last Days will cast a poetic spell on some viewers, as it did this one, and will seem mind-sappingly boring to others.
Last Days is director Gus Van Sant's meditation on the death of Kurt Cobain, and an extraordinary meditation it is.
Last Days offers some insight into Cobain's final frame of mind, but balks at the gates of deeper truth.
Gus Van Sant ventures into the valley of death steering by an idiosyncratic compass and forsaking the aid of a conventional cinematic map.
It's all terribly self-conscious and desperately arty and fairly bad.
Shot in long, single takes, the movie willfully tests your patience. You wish it would hurry up. Yet when it ends, it haunts you for a few days. (Well, me anyway.)
This movie, depending on what you do with it, can be boring, brilliant or both.
If you're going to make a movie about Kurt Cobain, you might as well make a movie about Kurt Cobain.
Van Sant uses Cobain's image for a portrait of physical and moral disintegration, but he also exhilarates us with his mastery of image and sound.
Sometimes we see Blake through the window, but, as he moves around the room, often we see nothing but the far wall. Depending on your perspective, this is either incredibly gutsy or incredibly boring.
Last Days is a definitive record of death by gradual drug exhaustion. After the chills and thrills of Sid & Nancy and The Doors, here is a movie that sees how addicts usually die, not with a bang but a whimper.
In putting the onus for meaning on viewers, Van Sant has pinned the film's success to our subjectivity. It might not guarantee fondness. Yet what an extraordinary collaboration it makes.
Last Days leaves a haunting impression of a man who, even at the height of his fame and adulation, was hiding in plain sight.
Watching paint dry would be better. At least the paint would be busy drying.
Van Sant has given us a kind of cinema of negation. Like it or not, it's probably something we need to make room for -- if a little grudgingly.
The problem is the first twenty-seven years of this character’s life are probably a lot more interesting than the last three days.
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