Average Rating: 5.5/10
Reviews Counted: 30
Fresh: 19 | Rotten: 11
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Critic Reviews: 4
Fresh: 2 | Rotten: 2
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Wes Craven's first film was a crude but shocking horror opus that, like George A. Romero's Night of the Living Dead (1968), became a grind house hit largely because it went much further than terror films before it had been willing to go. Often compared to Ingmar Bergman's stark medieval rape drama The Virgin Spring (1960) (though one wonders whether this was influence or just coincidence), Last House on the Left follows a group of teenage girls heading into the city when they hook up with a gang
Aug 30, 1972 Wide
Aug 27, 2002
All Critics (31) | Top Critics (4) | Fresh (25) | Rotten (13) | DVD (28)
It isn't artistically adroit, but if success in this genre is counted by squirms, it's a success.
The party who wrote this sickening tripe and also directed the inept actors is Wes Craven.
A tough, bitter little sleeper of a movie that's about four times as good as you'd expect.
A depraved exploitation film specifically designed to shock and repulse viewers...also a cultural artifact reflective of and reactive to the time it was made... [Blu-ray]
For those of you who never bothered with the import release, you'll find yourself in a state of filthy nirvana. So, double-dip away without hesitation!
The Last House on the Left Collector's Edition is a mishmash of already-seen extras, but there are some all-new bonus features including commentary by Hess, Sheffler and Lincoln.
The exceedingly low-rent production values subsequently ensure that the more overtly horrific elements within Craven's script often fall completely flat...
Amateurish bloodbath that became a cult-horror hit.
An ugly, disturbing, passionately conceived cult favorite, Last House on the Left is much more complex (albeit crudely made) than its controversial reputation would suggest.
Sartorially dated certainly, but still powerful, disturbing and raw.
Craven and company tap into something hot, dark and deep.
if one is not disgusted enough to stop watching, one is left wishing that the movie would show more than it does
It's disgusting and gripping at the same time.
Craven's cold, flat style of filming emphasises the fact that the violence dehumanises not only the victims but the aggressors.
A estúpida tentativa de combinar cenas de violência realista com outras de humor pedestre anula o impacto do filme e nos leva a questionar a sanidade do jovem Craven.
I saw the remake before I saw this one, the original. I have to say, the remake is far better and both feel like totally different films, but this film is good in its own right as well.
January 15, 2012Super Reviewer
The last house on the left was a pioneer for independent film and pushed the boundaries of cinema and censorship, for that it should be congratulated and remembered. However, it's a sick and horrible little film with very few redeeming features. It's not my cup of tea, I like my horror with a slice of comedy but if it
January 11, 2012Super Reviewer
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