F.W. Murnau's German silent classic The Last Laugh (Der Letze Mann) stars Emil Jannings as the doorman of a posh Berlin hotel. Fiercely proud of his job, Jannings comports himself like a general in his resplendent costume, and is treated like royalty by his friends and neighbors. The hotel's insensitive new manager, noting that Jannings seems winded after carrying several heavy pieces of luggage for a patron, decides that the old man is no longer up to his job. The manager demotes Jannings to
men's washroom attendant, and the effect is disastrous on the man's prestige and self-esteem. Logically, the film should end on a note of tragedy, but Murnau (either because he was ordered to by the producers or because he just felt like it) adds a near-surrealistic coda, wherein Jannings, having suddenly inherited a fortune, returns to the hotel in triumph. The Last Laugh was a bold experiment for its time: a film told entirely visually, with no subtitles save for the semi-satirical explanation of the climax. In a sense, Karl Freund's camera is as much a "character" as anyone else, commenting upon Jannings' rise and fall via then-revolutionary camera angles, jarring movements and grotesque lens distortions. Many historians credit The Last Laugh as the vanguard of the "German invasion" of Hollywood during the mid- to late-1920s. ~ Hal Erickson, Rovi
The 1924 film in which F.W. Murnau freed his camera from its stationary tripod and took it on a flight of imagination and expression that changed the way movies were made.
There are no titles in this film -- merely a few inserts to guide the viewer. And yet one is never in doubt as to the action of this admirable picture, which is a remarkable piece of direction, with exquisite lighting effects.
The film would be famous just for its lack of titles, and for its lead performance by Emil Jannings, which is so effective that both Jannings and Murnau were offered Hollywood contracts and moved to America at the dawn of sound.
...can still pierce a hardened heart - especially these days, when demotions and layoffs have become a daily occurrence and the streets are full of forlorn former doormen.
a groundbreaking film in nearly every possible way and one of the finest achievements of the silent era. it's broadly played but flows beautifully and contains only one title card! magnificent!
June 19, 2008
Stella Dallas
Super Reviewer
Great lighting and high contrast German silent film. It's a nice slice of life in 1924 Berlin. The famous director F.W. Murnau evokes many emotions. It's a work of art to look at. It feels really long and is sad. I felt sorry for the old walrus-moustached hotel doorman who lost his proud position.
No quotes approved yet for Der Letzte Mann (The Last Laugh). Logged in users can submit quotes.
Submit a Quote from 'Der Letzte Mann (The Last Laugh)'
A quote can be a single line from one character or a memorable dialog between several characters. Please make your quotes accurate. Quotes will be submitted for approval by the RT staff.
Example:
Luke: Alright. I'll give it a try. Yoda: No. Try not. Do or do not. There is no try.
Top Critic
