Last Tango in Paris (1972)
Runtime: 2 hrs 9 mins
Synopsis: Originally famed for its sexual frankness, Bernardo Bertolucci's LAST TANGO IN PARIS has managed to endure due to its sophisticated storytelling and brave lead performances. Marlon Brando incorporated details from his own life into the character of Paul, the globetrotting American who... Originally famed for its sexual frankness, Bernardo Bertolucci's LAST TANGO IN PARIS has managed to endure due to its sophisticated storytelling and brave lead performances. Marlon Brando incorporated details from his own life into the character of Paul, the globetrotting American who finally settled into a marriage and proprietorship of a fleabag hotel in Paris. But when his wife commits suicide, Paul goes into an existential tailspin. One day, while wandering through an apartment that is available for rent, he encounters Jeanne (Maria Schneider), a lovely Parisian girl (she's 20 to Paul's 45) who is also viewing the apartment. The two become intimate and have a heated affair, carried on without names, in the apartment where they first met. While Paul clearly hopes to forget about his wife, Jeanne is simply overwhelmed by her fiancé (Jean-Pierre Leaud, in a somewhat Bertolucci-satirizing role), a filmmaker who wants her to be his subject and inspiration. Nothing is taboo in their relationship, but confrontation comes when Paul breaks the spell of impersonality. Brando's monologue beside his dead wife has sent many a film student into a paroxysm of pleasure in this groundbreaking erotic drama from acclaimed director Bertolucci (THE CONFORMIST, THE LAST EMPEROR). [More]
Genre: Dramas
Starring: Marlon Brando, Maria Schneider, Jean-Pierre Léaud, Darling Legitimus, Catherine Sola
Screenwriter: Bernardo Bertolucci, Franco Arcalli
Composer: Gato Barbieri
Producer: Alberto Grimaldi
Buy It On DVD
Reviews
Brando gives his all but just ends up becoming himself. Interesting for it's historical notoriety, but overlong and dull in places.
An uneven, convoluted, certainly dispute-provoking study of sexual passion in which Marlon Brando gives a truly remarkable performance.
The operatic extravagance of Bernardo Bertolucci's style has emerged more clearly since this 1972 drama, which still managed to seem vaguely naturalistic in the midst of its extravagant camera moves and eccentric construction.
Bernardo Bertolucci's controversial drama is actually a dark, torrid masterpiece about love and grief.
The movie is sad, but it's also hugely funny, occasionally when it doesn't mean to be.
Brando is interesting here, as usual, but much of the film is repetitious, as we explore the unspoken past of Brando and present of Schneider.
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