In an age of post-Christian facetiousness, Martin Scorsese's work daringly attempts to restore passion and melodrama to the Gospel story.
The Last Temptation of Christ (1988)
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Reviews Counted:7
Fresh:5
Rotten:2
Average Rating:6.8/10
Runtime: 2 hrs 44 mins
Genre: Dramas
Synopsis: This striking vision from the mind of director Martin Scorsese offers an allegorical interpretation of the last days of Jesus Christ, based on the book by Nikos Kazantzakis. Based strictly on... This striking vision from the mind of director Martin Scorsese offers an allegorical interpretation of the last days of Jesus Christ, based on the book by Nikos Kazantzakis. Based strictly on Kazantzakis's book, the film has a very different focus than past portraits of the "Messiah." This Jesus (Willem Defoe) is a man wracked with doubt over his position among his followers and fear of the role God has chosen for him, as well as the pain that must accompany it. He is unsure whether the messages he receives come from God or Satan, and he is tempted by a mortal life filled with earthly possessions and sensual love, resulting in a controversial, though genuinely sympathetic, account of Christianity's most revered figure. Scorsese establishes a dreamlike mood by combining Michael Ballhaus‘s photography with a transcendent soundtrack by Peter Gabriel in order to fully explore the idea that perhaps Jesus was both God and man. Rather than train his assembled cast to deliver their lines in historically accurate dialects, Scorsese lets each individual speak with their true accent, which makes for an initially jarring, yet eventually moving, experience. In addition to Defoe, Barbara Hershey, David Bowie, and Harvey Keitel all deliver sincere performances that fulfill Scorsese's vision even more completely. [More]
Starring: Willem Dafoe, Harvey Keitel, Barbara Hershey, Harry Dean Stanton
Starring: Willem Dafoe, Harvey Keitel, Barbara Hershey, Harry Dean Stanton, David Bowie
Director: Martin Scorsese
Director: Martin Scorsese
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Reviews for The Last Temptation of Christ
Concentrating on the humanity and fallibility of Jesus in continual conflict with his divinity, the film falters as a contemporary statement mainly in its primitive view of women.
What emerges most memorably is its sense of absolute conviction, never more palpable than in the final fantasy sequence that removes Jesus from the cross and creates for him the life of an ordinary man.
There are too many epic moments and impassioned performances to dismiss Scorsese's work.
In spite of all [Scorsese] accomplishes, he is unable to bring Jesus close to us, to realize his stated goal of creating a universal figure who symbolizes the spiritual anguish of all men.
Among those who do not already have rigid views on the subject, this film is likely to inspire more serious thought on the nature of Jesus than any other ever made.
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