A major inspiration to subsequent generations of filmmakers, yet no one has ever succeeded in matching it.
L'Atalante (1934)
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Reviews Counted:7
Fresh:7
Rotten:0
Average Rating:8/10
Runtime: 87 mins
Genre: Foreign Films
Synopsis: Considered by critics to be one of the 20th century's best films, L'ATALANTE is the final work of French director Jean Vigo's (ZERO FOR CONDUCT) tragically brief, but brilliant career. After their... Considered by critics to be one of the 20th century's best films, L'ATALANTE is the final work of French director Jean Vigo's (ZERO FOR CONDUCT) tragically brief, but brilliant career. After their wedding, Juliette (Dita Parlo) and Jean (Jean Daste) set out on L'Atalante, the river barge that Jean captains. In a scene representative of the film's lovely, poetic cinematography, Juliette, both desiring and fearing her new life, wistfully walks atop the length of the barge, wedding dress fluttering in the wind. The couple soon settles into wedded bliss, with the companionship of quirky, tattooed bargeman Pere Jules. He provides many of the film's unexpected comedic moments (watch for the plethora of cats, and the cigarette smoking belly button). Trouble arises, however, as Jean continually foils Juliette's attempts to learn more of life by listening to the radio and exploring the barge's ports. When a charming traveling salesman/entertainer (Gilles Margaritis) entices Juliette with stories of the charm of Paris, she decides to venture out on her own. The question of whether Jean and Julliette's love will win out over their conflicting ideas, along with the naturalistic, dreamlike visual world that Vigo creates, will keep viewers enraptured to the end. [More]
Starring: Dita Parlo, Jean Daste, Michel Simon
Starring: Dita Parlo, Jean Daste, Michel Simon
Director: Jean Vigo
Director: Jean Vigo
Screenwriter: Jean Vigo, Albert Riera
Story: Jean Guinee
Composer: Maurice Jaubert
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Reviews for L'Atalante
A landmark of French cinema and one of the most beloved film romances.
The action is episodic and diffuse but Michel Simon, as the dour and cat-loving barge hand lends a bit of comic relief to the pallidly poetic proceedings.
Rapt, exuberant and as fragile as mist, this passionate tone poem drifts in its own bubble of oddly dissonant, almost fatalistic romanticism.
L'Atalante is the world in springtime -- a place where shimmering reflections, smoky breezes, empty streets, and a free-floating sense of erotic energy are the essence of life and of movies.
It is on many lists of the greatest films, a distinction that obscures how down to earth it is, how direct in its story of a new marriage off to a shaky start.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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