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The Leopard (1963)
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Reviews Counted:11
Fresh:11
Rotten:0
Average Rating:8.8/10
Synopsis: Italian director Luchino Visconti delivers one of his most ambitious works with this sprawling historical drama. Based on the acclaimed novel by Giuseppe Tomasi di Lampedusa, THE LEOPARD is set in... Italian director Luchino Visconti delivers one of his most ambitious works with this sprawling historical drama. Based on the acclaimed novel by Giuseppe Tomasi di Lampedusa, THE LEOPARD is set in Sicily during the 1800s, as the aristocracy found itself being suffocated by a newly democratic fervor. Prince Don Fabrizio Salina (Burt Lancaster) tries to hold on to the past, but it appears that his glory days are waning. This is perfectly exemplified by his nephew Tancredi Falconeri (Alain Delon) and his gorgeous wife-to-be Angelica (Claudia Cardinale). As the revolt gathers steam and begins to affect a real change, the aging prince must come to terms with the new world that surrounds him. With THE LEOPARD, Visconti confirms his status as one of Europe's most masterful directors. [More]
Starring: Burt Lancaster, Claudia Cardinale, Alain Delon
Starring: Burt Lancaster, Claudia Cardinale, Alain Delon
Director: Luchino Visconti
Director: Luchino Visconti
Composer: Nino Rota
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Reviews for The Leopard
Stately, elegiac, ruminative, the film truly does now feel seamlessly all of a piece -- and looks glorious.
Watching it now, a more than 40-year-old evocation of an era now some 150 years in the past, we can still feel his ache from here.
One of the greatest motion pictures of all time, as well as one of the most politically profound.
The feeling at the end of this masterpiece -- a profound meditation on mortality, really -- is so pitch-perfect and conveys so many complexities at a very simple level that The Leopard has become one of the greatest of all epics.
The greatest film of its kind made since World War II -- its only rivals are Kubrick's Barry Lyndon and Visconti's own Senso.
[The film] was too subtle for mass audiences in the early 1960s and too expensive to earn back its investment from the art house circuit, but over time it has become recognized as a classic and perhaps Visconti's finest film.
Written by the only man who could have written it, directed by the only man who could have directed it, and stars the only man who could have played its title character.
A stunning visualization of a mood of melancholy and nostalgia at the passing of an age.
Not only Visconti's greatest film but a work that transcends its creator, achieving a sensitivity and intelligence without parallel in his other films.
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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