Wooden Crosses

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Patrick C @RT84374237 May 16 Modern war films may show more of the visceral brutality of conflict through gruesome close ups, but at an emotional level 'Wooden Crosses' hits as hard as any war film I've seen. The film is perfectly weighted so that just as the battle scenes start to feel overwhelming, there are moments of respite. This only serves to make them all the more effective. The cinematography is superb throughout, the camera finding a macabre beauty in the most hellish of environments. A true classic and one which I'm glad I didn't see when I was younger, I feel it's only now aged 57 that I truly appreciate its emotional impact. See more Pablo H @RT42072763 04/16/2024 An absolute classic. Gruelling and shows the horrors of the Great War with a lot of humanity from the main characters. Some interesting hand-held camera work here for a 1930's movie. The director used actual French ww1 veterans in the film, which is interesting. See more 07/13/2020 Incredible direction and acting. Many of the actors were in The Great War. See more walter m @Harlequin68 12/09/2010 No matter how well intentioned socially conscious movies may be, they have a tendency to age very badly due to societal norms constantly shifting.(So, relax, those of you who hate "Crash."(2005)) For example, look at the topic of gay marriage. Were we even discussing this ten years ago? War in all of its lunacy and immense waste of human life is sadly the exception. And that is even taking in consideration how much warfare has changed since the gritty "Wooden Crosses" was made in 1932. It starts on a giddy note, as the French populace is excited at the prospect of going to war against Germany in World War I. The movie focuses on one of the enlistees, Gilbert Demachy(Pierre Blanchar), a law student, as he fights alongside a group of other soldiers. As time wears on, their high spirits wane as conditions get increasingly worse and the casualties mount. Oh and did I mention the lice? That is nothing compared to the knocking the soldiers hear which can only mean the Germans are tunneling under them to place a mine. As bad as that may sound, I have rarely seen anything as agonizing as the ending. There can be little worse than that. (Originally reviewed in the blog section on February 27, 2009.) See more 08/24/2010 As far as WWI films go, this French gem isn't as well known as fellow classics like "All Quiet on the Western Front", "What Price Glory?", "Paths of Glory", "The Big Parade", and "Seventh Heaven", but it's arguably just as powerful in it's anti-war message. Raymond Bernard, an accomplished silent film director, utilizes brilliant visual techniques to tell a universal story of one regiment as they fight a brutal ten-day battle on the front lines, dreaming of home, getting drunk when they can, and desperately waiting for a death that seems imminent. Bernard's frequent use of double exposure of the soldiers matched against rows and rows of the titular grave markings is especially poignant and unforgettable. See more 03/06/2010 Director Raymond Bernard gives us an unromanticized view of trench warfare in 1932's Wooden Crosses, a film of amazing visual quality. It's a visual quality that borrows heavily from 1930's "All Quiet on the Western Front". The story as well, is heavily influenced by the story of All Quiet on the Western Front, only telling it from the point of view of french soldiers as opposed to german. But unlike the earlier film, I think it's misrepresenting Wooden Crosses to call it "anti-war". The fact that it shows "war is hell" and makes it clear that war isn't fun isn't any more anti-war than any other war film that's ever been made. It's a fairly good war movie however, and has great production values. See more Read all reviews

Wooden Crosses

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