Average Rating: 7/10
Reviews Counted: 50
Fresh: 43 | Rotten: 7
French director André Téchiné successfully weaves five gripping stories in an engaging and realistic film about the early days of the AIDS epidemic.
Average Rating: 7.4/10
Critic Reviews: 14
Fresh: 13 | Rotten: 1
French director André Téchiné successfully weaves five gripping stories in an engaging and realistic film about the early days of the AIDS epidemic.
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Average Rating: 3.5/5
User Ratings: 1,951
The early days of the AIDS crisis in France provides the backdrop for this powerful, life-affirming drama from writer and director André Téchiné. It's 1984, and Mehdi (Sami Bouajila) is a police detective who, unbeknownst to his wife Sarah (Emmanuelle Béart), is a bisexual who has occasional trysts with men. Mehdi and Sarah are proud parents of a new baby, but to Mehdi's chagrin, Sarah doesn't seem the least bit concerned about her responsibilities as a mom. Manu (Johan Libereau) is a handsome
Unrated, 1 hr. 54 min.
Jun 14, 2007 Wide
Jun 24, 2008
Strand Releasing
All Critics (52) | Top Critics (14) | Fresh (43) | Rotten (8) | DVD (1)
Excitingly convoluted.
Techine's graceful, forceful drama has the tact not to play narrative games with its subject.
André Téchiné's film features a strong ensemble cast. The film pulls no punches in its depiction of lives in crisis.
The Witnesses doesn't pay off with a great operatic pinnacle, but it's better that way. Better to show people we care about facing facts they care desperately about, without the consolation of plot mechanics.
Director Andre Techine's story is one of subtle emotional tones that require the most of an actor, and the cast is uniformly compelling.
In The Witnesses, [director] Techine levels his gaze on the '80s, an era of seeming innocence, perhaps license, and one in which biological freedom has led to a loose, even sloppily knit fabric of humanity.
The Witnesses has an emotional maturity that adds richness to its social observation.
Best when it turns from bed-hopping into a docudrama, but its effort to personalize the AIDS crisis is not emotionally convincing as the characters lose their individuality.
Téchiné films Johan Libéreau, who plays Manu, the fresh-faced young boy coming of age in The Witnesses, with the sort of discretion that gives mystery and dignity to human beauty.
A somber look back, and for Americans, a view from somewhere else of a time that might have been just recently forgotten.
Lots of gab, a little flesh flashing, more gab, and not much action or momentum. French Kissing, Brokeback Mountain style.
Lots of gab, a little flesh flashing, more gab, and not much action or momentum. French Kissing, Brokeback Mountain style.
The first 80 minutes or so are really good, but then the movie goes on for about a half hour longer than it needs to.
A welcome addition to a legion of AIDS related movies and the French perspective, so different from our own, never fails to intrigue
As in real life, often the main crisis morphs into a continuance that has no slam-bang conclusion. Rather, we just see a small hope that awakes to experience another sunrise.
A rambling but often affecting account of the early days of the AIDS epidemic.
Unyieldingly pleasant and way too fussy for its own good... so sunny and polite it makes Rent look like Cruising.
Poignant, sensitive drama with well developed characters realistically played by the cast.
April 17, 2010
Super Reviewer
Functional but well performed recollection of the AIDS epidemic and its fallout amongst a group of unlikable bourgeoisie.
May 23, 2008
Super Reviewer
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