Fascinating just as a microcosm of one man’s personality and life.

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A Letter to True (2004)
Tomatometer
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Reviews Counted:31
Fresh:16
Rotten:15
Average Rating:5.3/10
Theatrical Release:Sep 8, 2004 Limited
Synopsis: Named for one of director-photographer Bruce Weber's beloved golden retrievers, A LETTER TO TRUE is a cinematic essay--in the free-association style of Weber's CHOP SUEY (2001)--documenting his... Named for one of director-photographer Bruce Weber's beloved golden retrievers, A LETTER TO TRUE is a cinematic essay--in the free-association style of Weber's CHOP SUEY (2001)--documenting his obsessions and concerns in a post-9/11 world with emphasis on the importance of canine companionship. Using a heartfelt, handwritten letter to the dog as a springboard, Weber begins the film with thoughts on his dismay over the terrorist attacks in New York, then transitions into his longtime fascination with actor Dirk Bogarde, who is seen in vintage home movies during the idyllic years he spent in Provence with his manager, Anthony Forwood. Next, Weber segues into early 1970's documentary footage of Life Magazine Vietnam War photojournalist Larry Burrows (who provided Weber with his earliest remembrances of war) and a series of references to his friend Elizabeth Taylor--whose presence is felt the strongest in a series of extended clips from her '46 film, THE COURAGE OF LASSIE. Cemented with Weber's trademark photography of his dogs running on the beach of their Montauk home, poignant readings from Julie Christie and Marianne Faithfull, and a string of songs by the likes of Brenda Lee, Blossom Dearie, and Jimmy Durante, these disparate elements add up to a whole that is likely to enchant both dog lovers and fans of Weber alike. [More]
Director: Bruce Weber
Director: Bruce Weber
Screenwriter: Bruce Weber
Producer: Nan Bush
Screenwriter: Chin-Yen Yee
Composer: John Leftwich
Studio: Zeitgeist Films
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Reviews for A Letter to True
If this epistolary documentary – voiced aloud with pictures to the photographer/film-maker’s favourite pup and co-canines – meandered any more than it does, it could be arrested for vagrancy.
It remains eminently watchable and there's no doubting the affection Weber feels for his chums, pedigree or otherwise.
It's as precious and disarming as Weber's films always are, albeit with even more slo-mo shots of wet mutts at the seaside than usual.
Few film-makers would try anything so definitively personal; Weber doesn't always get away with it, but what emerges here is always interesting. And nicely shot, too.
The film, a rambling love-letter to Weber’s favourite doggy, True, crudely interweaves the photographer’s usual obsessions – tough, shirtless boys and faded Hollywood stars – with meaningless ruminations how, like, war is really bad.
Weber’s mythologising of American loss of innocence (what, again?) and his homilies on world peace play on tired liberal totems like Martin Luther King and John Lennon and sit uncomfortably with an over-arching sense of sentimental nationalism.
If you don't have a dog waiting for you at home after seeing A Letter to True, you'll want one.
Weber is a sly raconteur with great names to drop, and his doggie footage is a kick.
What at first glance seem like random episodes involving animals are actually lyrical impressions connected by the idea of unconditional love.
This is an elegant junk drawer of a movie, and the junkiest aspect is Weber's wooly-minded sentimentality about his pampered, shampooed, fussed-over pooches, which receive better medical attention than the poor Haitians he briefly frets about.
Like a blog, True is a rambling discourse into the heart and mind of its creator, a series of disassociated musings that aren't intended for a wide audience.
While Weber's voice-over throughout the film often strains for profundity on subjects such as 9/11 and the Iraq War, he's concise and on point in relating Bogarde and Forwood's love story.
More a quasi-autobiographical meditation than a conventional documentary, A Letter to True continues Bruce Weber's scrapbook approach to cinema.
...the disjointed nature of the work [of A Letter to True] kept me from embracing it.
A collage of everything that's important to Weber. But what's important to a rich, successful photographer/filmmaker with time and money on his hands is not necessarily important to anyone else.
Eventually, Weber's theme is recognizable, but never cogent...animal lovers looking for a canine paean will find small nuggets to savor
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