What at first glance seem like random episodes involving animals are actually lyrical impressions connected by the idea of unconditional love.

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A Letter to True (2004)
Tomatometer
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Reviews Counted:10
Fresh:4
Rotten:6
Average Rating:4.9/10
Theatrical Release:Sep 8, 2004 Limited
Synopsis: Named for one of director-photographer Bruce Weber's beloved golden retrievers, A LETTER TO TRUE is a cinematic essay--in the free-association style of Weber's CHOP SUEY (2001)--documenting his... Named for one of director-photographer Bruce Weber's beloved golden retrievers, A LETTER TO TRUE is a cinematic essay--in the free-association style of Weber's CHOP SUEY (2001)--documenting his obsessions and concerns in a post-9/11 world with emphasis on the importance of canine companionship. Using a heartfelt, handwritten letter to the dog as a springboard, Weber begins the film with thoughts on his dismay over the terrorist attacks in New York, then transitions into his longtime fascination with actor Dirk Bogarde, who is seen in vintage home movies during the idyllic years he spent in Provence with his manager, Anthony Forwood. Next, Weber segues into early 1970's documentary footage of Life Magazine Vietnam War photojournalist Larry Burrows (who provided Weber with his earliest remembrances of war) and a series of references to his friend Elizabeth Taylor--whose presence is felt the strongest in a series of extended clips from her '46 film, THE COURAGE OF LASSIE. Cemented with Weber's trademark photography of his dogs running on the beach of their Montauk home, poignant readings from Julie Christie and Marianne Faithfull, and a string of songs by the likes of Brenda Lee, Blossom Dearie, and Jimmy Durante, these disparate elements add up to a whole that is likely to enchant both dog lovers and fans of Weber alike. [More]
Director: Bruce Weber
Director: Bruce Weber
Screenwriter: Bruce Weber
Producer: Nan Bush
Screenwriter: Chin-Yen Yee
Composer: John Leftwich
Studio: Zeitgeist Films
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Reviews for A Letter to True
This is an elegant junk drawer of a movie, and the junkiest aspect is Weber's wooly-minded sentimentality about his pampered, shampooed, fussed-over pooches, which receive better medical attention than the poor Haitians he briefly frets about.
A collage of everything that's important to Weber. But what's important to a rich, successful photographer/filmmaker with time and money on his hands is not necessarily important to anyone else.
Even dog lovers, who will no doubt be entranced by the undeniable charms of Weber's frisky menagerie of pooches, will ultimately wish that he had extended his efforts on a coffee-table photography book rather than this confused cinematic tone poem.
A richly textured collage held together by free association, a pic that's pleasing to look at, but never forms a coherent picture.
About as exciting as watching someone else's home movies -- albeit, beautifully photographed ones.
It's a colorful collage with a few choice tidbits amid run-of-the-mill kibble.
Haunting internal dialogue between grown-up longing for a return to innocence and a child's yearning for its loss.
A corny hodgepodge of gooey sentiment mixed with half-baked mush and strained pieties.
A sublime simplicity lies at the heart of A Letter to True, Bruce Weber's combination cinematographic poem and paean to canine worship.
| Tomatometer Percentage | Movie | Date |
|---|---|---|
| 84% 84% | The Princess and the Frog | 12/11 |
| 80% 80% | A Single Man | 12/11 |
| 64% 64% | The Lovely Bones | 12/11 |
| | Invictus | 12/11 |
| | Avatar | 12/18 |
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