Opening

97% Ghostbusters Aug 29
30% As Above/So Below Aug 29
36% The November Man Aug 27
98% Starred Up Aug 27
76% The Congress Aug 29

Top Box Office

92% Guardians of the Galaxy $17.2M
20% Teenage Mutant Ninja Turtles $16.7M
37% If I Stay $15.7M
21% Let's Be Cops $10.8M
18% When The Game Stands Tall $8.4M
34% The Expendables 3 $6.5M
32% The Giver $6.4M
45% Sin City: A Dame to Kill For $6.3M
66% The Hundred-Foot Journey $5.3M
19% Into The Storm $3.8M

Coming Soon

—— Innocence Sep 05
—— The Longest Week Sep 05
—— The Identical Sep 05
67% Thunder and the House of Magic Sep 05
74% God Help the Girl Sep 05

New Episodes Tonight

91% Doctor Who: Season 8
—— Hell on Wheels: Season 4
39% Intruders: Season 1
89% Outlander: Season 1
46% Reckless: Season 1
—— Unforgettable: Season 3

Discuss Last Night's Shows

—— Jonah From Tonga: Season 1

Certified Fresh TV

86% The Bridge (FX): Season 2
91% Doctor Who: Season 8
83% Extant: Season 1
89% The Honorable Woman: Season 1
87% The Knick: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
73% Murder in the First: Season 1
89% Outlander: Season 1
82% Satisfaction: Season 1
87% The Strain: Season 1
82% Welcome to Sweden: Season 1
77% You're the Worst: Season 1

Licence To Kill Reviews

Michael Wilmington
Los Angeles Times
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Every once in a while, [the Bond series] pulls in its stomach, pops the gun from its cummerbund, arches its eyebrow and gets off another bull's-eye. The newest, Licence to Kill, is probably one of the five or six best of Bond.

Full Review Source: Los Angeles Times

May 20, 2014
Jay Boyar
Orlando Sentinel
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If the series is ever going to return to its Connery-era glory, it definitely needs some new writers, ones who know how to streamline a story and keep the dialogue tight.

Full Review Source: Orlando Sentinel

May 20, 2014
Dave Kehr
Chicago Tribune
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Dalton revives the cool, ironic detachment of the Connery years, but he also allows a touch of obsession to show through Bond`s surface aplomb.

Full Review Source: Chicago Tribune | Original Score: 3.5/4

May 20, 2014
Desmond Ryan
Philadelphia Inquirer
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With Dalton straightening out Bond for the second time, Licence to Kill continues the salvage operation begun in The Living Daylights and rescues a series that was in danger of shooting itself in the foot. With a Walther PPK, of course.

Full Review Source: Philadelphia Inquirer | Original Score: 2.5/4

May 20, 2014
Richard Corliss
TIME Magazine
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The Bond women are pallid mannequins, and so is the misused Dalton -- a moving target in a Savile Row suit. For every plausible reason, he looks as bored in his second Bond film as Sean Connery did in his sixth.

Full Review Source: TIME Magazine

October 13, 2008
Variety Staff
Variety
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The thrills-and-spills chases are superbly orchestrated as pic spins at breakneck speed through its South Florida and Central American locations.

Full Review Source: Variety

October 13, 2008
Jonathan Rosenbaum
Chicago Reader
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Despite some shaky narrative continuity and muddled motivations, this manages to move pretty briskly, and the action sequences are generally well handled, especially at the climax.

Full Review Source: Chicago Reader

October 13, 2008
Colette Maude
Time Out
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It's all very pacy, with the overly straightforward plotting dimmed but not obscured by the hi-tech effects.

Full Review Source: Time Out

February 9, 2006
Caryn James
New York Times
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Mr. Dalton is perfectly at home as an angry Bond, and as a romantic lead and as an action hero, but he never seems to blend any two of those qualities at once.

Full Review Source: New York Times

May 20, 2003
Desson Thomson
Washington Post
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You may find yourself shaken -- not stirred -- by the screenwriting cruelty and cynicism behind the 16th Bond.

Full Review Source: Washington Post

January 1, 2000
James Berardinelli
ReelViews
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Licence to Kill may be taut and gripping, but it's not traditional Bond, and that, as much as any other reason, may explain the public's rejection of this reasonably well-constructed picture.

Full Review Source: ReelViews | Original Score: 3/4

January 1, 2000
Roger Ebert
Chicago Sun-Times
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The stunts all look convincing, and the effect of the closing sequence is exhilarating.

Full Review Source: Chicago Sun-Times | Original Score: 3.5/4

January 1, 2000
Hal Hinson
Washington Post
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Dalton plays a straight-faced, humorless, no-nonsense Bond -- all guns and no play -- and it makes for a very dull time.

Full Review Source: Washington Post

January 1, 2000
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