Average Rating: 5.2/10
Reviews Counted: 121
Fresh: 52 | Rotten: 69
A minimalist exercise in not much of anything, The Limits of Control is a tedious viewing experience with little reward.
Average Rating: 4.3/10
Critic Reviews: 28
Fresh: 7 | Rotten: 21
A minimalist exercise in not much of anything, The Limits of Control is a tedious viewing experience with little reward.
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Average Rating: 2.9/5
User Ratings: 33,257
A mysterious loner attempts to successfully complete his criminal mission while operating outside of the law in contemporary Spain. His objectives shrouded in secrecy, the untrusting lone wolf (Isaach de Bankolé) sets out on his latest assignment knowing that the law is never too far behind. Bill Murray, Tilda Swinton, and Gael García Bernal co-star in a crime drama from acclaimed indie filmmaker Jim Jarmusch (Mystery Train, Ghost Dog: The Way of the Samurai). ~ Jason Buchanan, Rovi
May 1, 2009 Wide
Nov 17, 2009
$0.4M
Focus Features
All Critics (122) | Top Critics (28) | Fresh (54) | Rotten (70) | DVD (5)
This is indulgent filmmaking at its most pretentious.
The movie's main pleasure lies in the early scenes, which mix the filmmaker's familiar deadpan humor with an Antonioni-like sense of arid emptiness and conundrum.
Distracted by the minutiae of the rituals he has constructed, Jarmusch seems unconcerned about making a point, or even constructing a coherent story.
Paint drying. Photosynthesis. Rush-hour traffic. All these activities would be more entertaining to watch -- and probably speedier -- than Jim Jarmusch's The Limits of Control.
What a drag it is to descend from coolly blank to boringly meaningful.
Let its craft wash over you. Go with its flow.
Nothing more than Jarmusch's worst film since Night on Earth.
Como los buenos sueños, Los Límites del Control es un viaje por territorios familiares (...) donde casi nada tiene sentido pero que sin embargo cumple con cierta lógica.
By surprising us with repetitions, Jarmusch suggests that we shouldn't take these events as literal, traditional storytelling. This is play -- serious play.
Offers an astonishingly sensuous experience
It's beautifully wrapped in art, philosophical musings, mystery and film lore.
Cool, handsome, self-assured... but, as the existentialists might say, what's the bloody point?
A work of dazzling formal discipline that riffs on the simple notion of repetition and variation.
It's a film, Jim, but not as we know it: a meandering bad trip through a gorgeously shot Spain that's really only accessible to tenacious Jarmusch enthusiasts.
It's bold, confrontational cinema that will, as its author intended, have you questioning at every turn just what it is you expect from a modern movie, and more importantly, why.
This shallow conundrum is at once a dull thriller and a humourless comedy, the sort of colossally self-indulgent and boring film that only a successful and revered director could make - or be allowed to make.
If you need a working definition for bad Jarmusch, look no further than The Limits of Control, which functions more as a wilful act of self-pleasuring than worthwhile experiment.
This is a demanding film that will no doubt fuel the art-house naysayers, yet set against a vivid Spanish canvas Jarmusch's poetic pretensions become not only explicable but palatable as well.
The showdown has the feel of Mission: Impossible remade for the ICA crowd and what might have been a cheeky distraction for 90 minutes is just plain tedious approaching the two-hour mark.
Jarmusch's film captivates stylistically, and at least some credit's due to his less-is-more plotting. But extensive introversion leaves it gasping for air, almost vanishing up itself.
Plot isn't in it. This is an essay in style, in which a great American director is transplanted to Southern Spain.
A ponderous and pretentious thriller that's noticeably light on thrills.
This may well be the most longwinded, boring and pretentious film ever made.
Jim Jarmusch has always been a director that's very particular in his structure, his pace and his mood. Some of his films are more successful than others and often they are not everybody's cup of tea. So, if your not a fan, avoid this one completely. A mysterious, nameless assassin (Isaach De Bankole) travels across
February 9, 2011Super Reviewer
People have accused Jarmusch of not putting enough effort into this one but I think they're missing the point, Jarmusch makes cool films effortlessly! The Limits of Control is a love letter to old classics, its a neo-noir if you will (ugh, I can't believe I just wrote Neo-noir). Typically of Jarmusch's films, it's
January 12, 2011Super Reviewer
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