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L'Innocente (The Innocent) (The Intruder) (1976)

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Critic Reviews: 1
Fresh: 1 | Rotten: 0

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Release Date: Jan 1, 1976 Wide

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Average Rating: 3.9/5
User Ratings: 447

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Movie Info

Based on a novel by Gabriele d'Annunzio, The Innocent (L'Innocente) is set amongst the aristocracy of 19th-century Italy. Wealthy Tullio (Giancarlo Giannini) thinks nothing of squiring his mistress (Jennifer O'Neill) in full view of his friends and the public. But when Giannini's cast-off wife (Laura Antonelli) begins an affair with a young novelist (based, it is said, on author d'Annunzio), it is too much for the philandering aristocrat. Outside of Erich von Stroheim, few directors were as

R, 2 hr. 5 min.

Art House & International, Drama

Directed By: Luchino Visconti

Written By: Suso Cecchi d'Amico, Gabriele D'Annunzio, Angelo D'Amico, Luchino Visconti, Enrico Medioli

In Theaters: Jan 1, 1976 Wide

On DVD: Mar 10, 2009

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L'Innocente (The Innocent) (The Intruder) Trailer & Photos

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Critic Reviews for L'Innocente (The Innocent) (The Intruder)

All Critics (1) | Fresh (1) | Rotten (1) | DVD (1)

An adagio finale for a fortissimo career.

March 11, 2009 Full Review Source: Slant Magazine

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Fernando F. Croce

Slant Magazine

Coming after the dissolute wackiness of Ludwig and the cavorting valedictory of Conversation Piece, Luchino Visconti's swan song L'Innocente is something of a genteel and stately affair.

March 11, 2009 Full Review Source: Slant Magazine

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Fernando F. Croce

Slant Magazine

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Audience Reviews for L'Innocente (The Innocent) (The Intruder)

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Life's rich tapestry ~ Visconti is THE visual master. This decadent, fin de siecle oevre is not only a farewell to the aristocracy, but to Visconti's own life. Giancarlo Giannini gives a strong, visceral performance as a Nietzchean superman, living beyond good and evil. Laura Antonelli offers a subtle and nuanced

February 17, 2010

Stefanie C

Super Reviewer

"L'Innocente" is a methodically plotted film whose sumptuous visuals belie the inner decay occurring amongst the aristocracy in 19th century Italy. In creating this world of endless formalities, functions and fencing, director Luchino Visconti may have succeeded too well as the story stagnates before slowly building

August 5, 2010