Well-acted and meticulously crafted, Little Children can feel less like a full-blooded representation of life than a disquieting literary exercise.
Little Children (2006)
Tomatometer
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Reviews Counted:38
Fresh:34
Rotten:4
Average Rating:7.7/10
Consensus: Little Children takes a penetrating look at suburbia and its flawed individuals with an unflinching yet humane eye.
Rated: R [See Full Rating] for strong sexuality and nudity, language and some disturbing content.
Runtime: 2 hrs 17 mins
Genre: Dramas
Theatrical Release:Oct 17, 2006 Limited
Box Office: $5,307,219
Synopsis: Actor-turned-director Todd Field follows up his Oscar-nominated drama, IN THE BEDROOM, with this ambitious adaptation of Tom Perrotta's celebrated novel. Set in the imploding minefields of modern... Actor-turned-director Todd Field follows up his Oscar-nominated drama, IN THE BEDROOM, with this ambitious adaptation of Tom Perrotta's celebrated novel. Set in the imploding minefields of modern suburbia, LITTLE CHILDREN follows several inhabitants of a small American town as they fumble their way through adulthood. Numb-to-life housewife and mother Sarah Pierce (Kate Winslet) finds an outlet for her yearning in gorgeous househusband Brad Adamson (Patrick Wilson), who is crippled with insecurity over the fact that his perfect wife, Kathy (Jennifer Connelly), is the family breadwinner. When Sarah and Brad meet at the local playground one afternoon, a passionate affair is sparked. In a further attempt to reclaim his youthful fire, Brad joins a night football league with Larry Hedges (Noah Emmerich), a former cop who has begun to harass a convicted sex offender, Ronnie J. McGorvey (Jackie Earle Haley). These troubled lives eventually collide, causing each individual to take full responsibility for their not-so-responsible actions. Adapted for the screen by Field and Perrotta and artfully photographed by Antonio Calvache, LITTLE CHILDREN is a bitingly funny, and nakedly honest, critique of middle class dysfunction. Though the cast is universally superb, it is former child actor Haley (THE BAD NEWS BEARS, BREAKING AWAY) who steals the show. After only two features, Field proves that he is a truly gifted storyteller. This film was included in the 44th New York Film Festival organized by the Film Society of Lincoln Center. [More]
Starring: Kate Winslet, Patrick Wilson, Gregg Edelman, Sadie Goldstein
Starring: Kate Winslet, Patrick Wilson, Gregg Edelman, Sadie Goldstein, Jennifer Connelly, Jackie Earle Haley, Jane Adams, Phyllis Somerville, Sarah Buxton
Director: Todd Field
Director: Todd Field
Producer: Albert Berger
Composer: Thomas Newman
Studio: New Line Cinema
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Reviews for Little Children
I didn't like any of these characters, but I kept pulling for them anyway -- right up to the shock-o-riffic ending, when I felt I'd been sucker-punched.
As in Field's first film, the characters are drawn with such compassion their follies become our own and their desires seem as vast as the night sky.
Little Children includes all the clichéd scenarios of a midday TV sudser, but they're ratcheted up several seedy degrees.
Seldom these days does one encounter such an intricate narrative so persuasively performed by the entire cast, most notably by Ms. Winslet and Mr. Wilson as the adulterous lovers.
Field and Perrotta find the humour in human foibles, but it is the drama of humdrum lives that draws their fascination and sympathy. And in Winslet and Wilson, they have found a most fascinating pair.
Filled with moments of painful revelation, real comedy and emotional insight.
To these disappointed eyes, Little Children seems a frustrating mess.
A small wonder of a movie that puts its characters in playground swings and then gives them a push. Watch them fly this way and that, dangling between peril and ecstasy. And see if you don't recognize yourself.
A film you watch with mounting dread, yet cannot tear yourself away from: It's paced like a thriller with the timing of a smart comic.
What Little Children understands so well, and so poignantly, is a kind of parental existentialism that hits 30- somethings with kids: How does having children make you such a less interesting adult?
It is a shrewd, darkly humorous look at supposed civility, at the ways in which we allow ourselves to settle and a rare depiction of motherhood as a less-than-awesome experience.
Director and co-writer Todd Field establishes some very nontraditional premises, both stylistic and emotional, that give his film -- based on a novel by Tom Perrotta, who collaborated on the screenplay -- a creepy, hypnotic edge.
Tonal inconsistencies don't blunt the keenness of its satire, so sharp that I walked out with emotional razor burn.
A hugely absorbing social drama that is, by turns, excruciating, sad and sardonic.
Unnervingly good, Little Children is one of the rare American films about adultery that feels right -- dangerous, hushed, immediate -- even when the sex takes a back seat to other longings.
Complicated, involving and just plain smart, Children is the kind of movie that worms its way back into your head days after you've seen it.
Field is a rare American director who appreciates the virtues of breathing room: he allows scenes to develop in their own sweet time, trusting that we will find the undercurrents of human behavior as fascinating as he does.
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