Live Flesh (Carne trémula) (1998)
Average Rating: 7.1/10
Reviews Counted: 39
Fresh: 31 | Rotten: 8
No consensus yet.
Average Rating: 7.3/10
Critic Reviews: 11
Fresh: 8 | Rotten: 3
No consensus yet.
Average Rating: 3.9/5
User Ratings: 13,159
Pedro Almodovar's most mature and restrained film is a superbly structured melodrama about five people whose lives in modern Madrid are inextricably linked by a bullet fired in a police scuffle.
Jan 16, 1998 Wide
Apr 10, 2001
Goldwyn Films - Official Site
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The overall purpose of Live Flesh, the latest and reputedly most 'mature' work from Spanish bad-boy director Pedro Almodovar, remains engigmatic.
Almodovar seems more assured here, confident that he can interest us without overt winking and tomfoolery.
Almodovar, whose work here has newly sophisticated polish, appreciates the dark twists of this story along with the eroticism that bring heat to all the scheming.
Despite his erotic fixations, Pedro Almodóvar is the cinema's last true innocent.
The film also feels curiously underpopulated, unenlivened by any sparky character bits.
Very much an Almodovar picture with most of the anticipated outrageous occurrences intact.
Pedro Almodovar has done something nearly unheard of: he has made a wheelchair movie without maudlin sentiment and overbearing importance. Even better, it's actually rather enjoyable.
Another offbeat Almodovar treat - with another compelling Bardem performance.
gripping and gorgeous
Witness the increasing promise of Pedro Almodóvar, in a film that has gone largely unnoticed in his career but stands as a worthy and mostly mainstream entry into his unique style of twisted relationship movies.
The film lacks the anarchic weirdness of some of his best, and without the camp elements it becomes obvious just how like a telenovela the goings-on are.
It's an impressive display of range from one of film's true maverick talents.
While despair underlies Almodovar's film...the director attempts to lighten up with some misplaced jokes. These, though, are never any more than a brief respite from the irritating mess in which the characters embroil themselves.
The real trouble with this movie is that it represents the continuing departure of Almodovar from the chaotic, riotous and anti-social roots that gave his best movies their zest.
Almodovar has a keen eye with the camera, and this helps keep us interested. His love of coincidence also creates some moments of the unexpected.
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