This Pedro Almodóvar melodrama examines how several lives are changed by a single gunshot. Adapting the novel Live Flesh by British mystery author Ruth Rendell, Almodóvar has given the material a Spanish makeover with added political thrust. Beginning in 1970 in Franco's Madrid, when a prostitute (Penelope Cruz) gives birth to a son, Victor, the story leaps forward to contemporary Madrid. Wealthy diplomat's daughter Elena (Francesca Neri) is watching Luis Buńuel's The Criminal Life of Archibaldo
de La Cruz (1955) while waiting for the arrival of her heroin dealer, and she buzzes Victor (Liberto Rabal) (with whom she made a date, then forgot about him) into the building. In the confusion that follows, two cops, David (Javier Bardem) and Sancho (Jose Sancho) arrive, and a gun goes off. The story then makes another leap to four years later: Victor is in prison, while Elena, no longer on drugs, runs a disadvantaged children's shelter and is married to wheelchair-bound David. After his release, Victor visits his mother's grave and spots David and Elena at the cemetery -- where David meets philandering wife Clara (Angela Molina). Fate interweaves the tangled interrelationships of all into a complex tapestry of destiny and guilt. Shown at 1997 London and New York film festivals. ~ Bhob Stewart, Rovi
Like the gorgeous cinematography (which is used to good effect to eroticize a sex scene), this is all part of Almodovar's stylistic package. Never has it been more impressive than here, where everything (not just the flesh) is vibrant with life.
Almodovar, whose work here has newly sophisticated polish, appreciates the dark twists of this story along with the eroticism that bring heat to all the scheming.
Pedro Almodovar has done something nearly unheard of: he has made a wheelchair movie without maudlin sentiment and overbearing importance. Even better, it's actually rather enjoyable.
Witness the increasing promise of Pedro Almodóvar, in a film that has gone largely unnoticed in his career but stands as a worthy and mostly mainstream entry into his unique style of twisted relationship movies.
Javier Bardem, and Liberto Rabal, are easy on the eyes and make the movie worth watching. It's a mildly interesting story, somewhat predictable, and with its fair share of slow moments. And as is so often the case in Almodovar movies, the intense connection between characters is shown through melodrama...not character
development. If you are a fan of Almodovar, you will enjoy this. I, apparently, am not really a fan. I don't think that I have really liked any of his movies too much.
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