The pleasure of the film, as in many French films from Renoir to Rohmer, is in the exactitude of observation, the accuracy of the portrait and the elegance of the writing.
Look at Me (2005)
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Reviews Counted:30
Fresh:28
Rotten:2
Average Rating:8.1/10
Consensus: An observant drama-comedy about self absorption.
Rated: PG-13 [See Full Rating] for brief language and a sexual reference
Runtime: 1 hr 51 mins
Genre: Foreign Films
Theatrical Release:Apr 1, 2005 Limited
Box Office: $1,623,210
Synopsis: In this realistic slice-of-life film from French director Agnes Jaoui, a young woman named Lolita (Marilou Berry) with a powerful singing voice and a pouty disposition strives to be everything she... In this realistic slice-of-life film from French director Agnes Jaoui, a young woman named Lolita (Marilou Berry) with a powerful singing voice and a pouty disposition strives to be everything she is not--perfect, beautiful, popular, and the object of her father's affections. Her father Etienne (Jean-Pierre Bacri) is a famous book publisher who is miserably self-absorbed, even neglecting Lolita's svelte young step-mom (Virginie Desarnauts). The one person who makes Lolita feel appreciated is her singing teacher, Sylvia (Jaoui), who she admires. So when Lolita learns that Sylvia's husband, Pierre (Laurent Grevill), is a struggling author, she sees a way to use her powerful father to her advantage. By inviting Sylvia and Pierre to meet her dad, Lolita opens up a Pandora's Box of politics and personal entanglements. While Etienne agrees to publish Pierre's next novel--a huge favor that will catapult his career forward--the pressure is on Sylvia to try to make a singing success and a happy girl of the stubborn Lolita. Portraying the complexity of both positive and negative relationships with a rare honesty, LOOK AT ME is about nothing and everything simultaneously. Viewers peer at this small group of people whose lives intersect for a brief period of weeks, and in the process learn about their personal hang-ups, their relationship problems, and the strange and funny episodes of their day-to-day lives. The result is a thoroughly enjoyable picture with true depth. [More]
Starring: Marilou Berry, Agnes Jaoui, Jean-Pierre Bacri, Laurent Grevill
Starring: Marilou Berry, Agnes Jaoui, Jean-Pierre Bacri, Laurent Grevill, Virginie Desarnauts, Keine Bouhiza, Gregoire Oestermann, Serge Riaboukine, Michele Moretti
Director: Agnes Jaoui
Director: Agnes Jaoui
Screenwriter: Agnes Jaoui
Producer: Jean-Philippe Andraca, Judith Havas, Christian Berard
Composer: Philippe Rombi
Studio: Sony Pictures Classics
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Reviews for Look at Me
Both an implicit protest against the blindness of power and an equally fervent protest against the acquiescence of men and women who are too weak or too compromised to stand up for themselves -- that is, most people.
Jaoui sets her wryly observant sights on family, artistic ambition and the tyranny of physical appearance, and the result is a bright, briskly moving film whose modest scale belies the universality of its themes.
The self-involved characters in this emotionally smart, beautifully acted and uncommonly insightful film help us look at ourselves.
This is the kind of fluid, balanced comedy-drama that Woody Allen wishes he could still make.
The characters exude moral three-dimensionality; they're not built to behave or please us. They're not bound by that inflexible Hollywood contract to modify their lives and morals just in time for the ending.
Rarely does a director assemble a set of characters so infantile in their emotions and so irritating to be around -- at least if they want anyone to actually pay to see the movie.
Set in a sophisticated Parisian milieu, Look at Me becomes a fascinating study in moral compromise as well as an astute depiction of life among a small group of intellectuals ostensibly living the good life.
The thing about a movie like this is, the characters may be French, but they're more like people I know than they could ever be in the Hollywood remake.
Gorgeously photographed, sublimely acted and perversely funny, Look at Me creates sympathy for characters who are everything that Hollywood wisdom tells us viewers won't identify with.
A witty and psychologically perceptive look at the Parisian literary scene.
In the tradition of Jean Renoir, Eric Rohmer or Robert Altman, Look at Me is a multi-character comedy of manners -- or, more accurately, ill-manners.
One of the many marvels of this keenly observed family saga is the rapidness and economy with which it establishes a disturbing father-daughter dynamic.
Not many movie scripts have the psychological complexity of a first-class novel, and those that do tend to speak in fluent French.
A marvelous, uncommonly observant, and unexpectedly rousing group portrait from writer-director-actors Agnès Jaoui and Jean-Pierre Bacri.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
| 53% 53% | David & Layla |
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