Average Rating: 4.4/10
Reviews Counted: 39
Fresh: 10 | Rotten: 29
No consensus yet.
Average Rating: 5.4/10
Critic Reviews: 12
Fresh: 5 | Rotten: 7
No consensus yet.
liked it
Average Rating: 2.5/5
User Ratings: 67,779
A rebellious socialite defies social conventions for a once-in-a-lifetime shot at true love, only to see her hopes for the future shattered after a priceless diamond vanishes into thin air in this romantic drama adapted from a long-lost Tennessee Williams screenplay. Fisher Willow (Bryce Dallas Howard) is the debutant daughter of a wealthy Memphis plantation owner. She harbors a great distain for the narrow-minded elite who seem to worship the ground her father walks on, and takes great delight
Dec 30, 2009 Wide
Sep 7, 2010
$94.5k
Paladin
All Critics (40) | Top Critics (13) | Fresh (10) | Rotten (30) | DVD (2)
The characters and themes are redolent of earlier and better Williams works, and the story unexpectedly putters out at the end-but seeing it now, you can't help but treasure the simple, lyrical dialogue and sure-handed narrative thrust
If you are not already familiar with Williams's best plays and film adaptations, this musty magnolia of a movie won't encourage you to seek them out.
Even though Howard never quite gets it, never quite releases into the role and never quite convinces, she never makes a mistake, either.
The script is half-a-fortune at best, and visually the picture is staid. But you stick with it, because it's Williams and because certainly no one since Williams has written this sort of embroidered dialogue.
It has been filmed in a respectful manner that evokes a touring production of an only moderately successful Broadway play. Understand that, accept it, and the film has its rewards and one performance of great passion.
Though it's dated, the larger issue has to do with those timeless problems of plot and character.
The words drip with affectation (as do the actors) and Jodie Mankell's direction is dipped in southern gothic honey and glazed over with period sprinkles.
Beautifully photographed...Sadly, though, there isn't much else to recommend it.
A deservedly overlooked Tennessee Williams script set in the 1920s South, its plot makes little sense for contemporary audiences.
This is not the galvanizing, deep fried melodrama of Tennessee Williams at his height but rather, the low fat version.
As beautifully played by Howard, Fisher Willow appropriately resembles a china doll, with a pale face highlighted by bright red lips -- she is hard yet fragile, projecting something of an artificial quality that hides her pain.
Markell has valiantly created a mild bit of Williams ephemera that could have been more than a curiosity piece with a more dynamic actress at its center.
While it captures the Southern Gothic atmosphere, it's sketchy and studied, best geared to Tennessee Williams aficionados.
A clearly inferior piece of writing that doesn't have the emotional resonance of even previously acknowledged mediocre works by Williams.
a terrible and terribly dated work that will strike Williams scholars as the cinematic equivalent of a bottle cap and everyone else as arguably the worst version of one of his works to ever hit the big screen and bear in mind, I have seen "Boom."
It's unfortunate that an entire generation who've never seen a Williams play or film will think that this current work represents the artist. Now that this screenplay has been 'found' ... can we lose it again?
Most effective as a reminder that Williams' works emerged from a certain time and place, and to approach them from another is fraught with peril.
It's minor Williams turned minor cinema, but there are nonetheless moments that resonate.
A rambling, zombified pass at Williams-certified melodrama, the film is an absolute chore to finish, even while boasting a few fine performances and the luscious humidity of 1920's southern comfort.
An heiress accuses a farmhand, whom she has employed to be her escort, of stealing a diamond earring.This film feels like Tennessee Williams's work from beginning to end, and one can almost draw one-to-one parallels from The Loss of the Teardrop Diamond to Cat on the Hot Tin Roof; both films are about maintaining
August 6, 2011
Super Reviewer
This Tennesse Williams period story is strangely delightful and focuses on life in the south in the late 1920s. This is a change of pace and refreshing as a breath of cool evening river wind. The movie is not so much driven by plot as much as it is by a movie stealing, fiery performance from Bryce Dallas Howard. She
April 2, 2011
Super Reviewer
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