A luscious labor of love.
Love's Labour's Lost (2000)
Tomatometer
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Reviews Counted:17
Fresh:6
Rotten:11
Average Rating:4.6/10
Consensus: Interesting idea, poor execution.
Runtime: 1 hr 33 mins
Genre: Musical & Performing Arts
Synopsis: Kenneth Branagh's musical adaptation of Shakespeare's comedy sets the action in the last few days before the start of World War II. In the fictional kingdom of Navarre, King Ferdinand (Alessandro... Kenneth Branagh's musical adaptation of Shakespeare's comedy sets the action in the last few days before the start of World War II. In the fictional kingdom of Navarre, King Ferdinand (Alessandro Nivola) and three chums take vow to study rigorously and avoid women for three years. Their vow is immediately tested with the surprise visit of the Princess of France (Alicia Silverstone) with three ladies-in-waiting. Romantic merriment ensues as each of the men fall in love and attempt to woo the ladies without being caught. Branagh's film features musical numbers by Cole Porter, Irving Berlin, and others performed in the classic style of 1930s MGM musicals. [More]
Starring: Kenneth Branagh, Alicia Silverstone, Natascha McElhone, Alessandro Nivola
Starring: Kenneth Branagh, Alicia Silverstone, Natascha McElhone, Alessandro Nivola, Nathan Lane, Matthew Lillard, Adrian Lester, Richard Briers, Timothy Spall, Geraldine McEwan, Carmen Ejogo, Emily Mortimer, Stefania Rocca
Director: Kenneth Branagh
Director: Kenneth Branagh
Screenwriter: Kenneth Branagh
Story: William Shakespeare
Producer: Kenneth Branagh, David Barron
Composer: Patrick Doyle
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Release:
Dec 19, 2000
Reviews for Love's Labour's Lost
Maybe Kenneth Branagh should have left the Hollywood musical where he found it, back in the 1930s.
Even though Love's Labour's Lost is, in showbiz terms, a turkey stuffed with chestnuts, you wouldn't trade it for a pot of gold.
Maybe Kenneth Branagh should have left the Hollywood musical where he found it, back in the 1930s.
Love's Labour's Lost hops, bumps and skids along the ground like the flightless creature that it is.
A double travesty -- a triple one, actually, if you consider the quality of the singing and dancing.
Flaws (most of which are minor) aside, Love's Labour's Lost is an enjoyable trifle.
It's so eager to please, so caught up in its own sunny energies, so seductive to look at, that what might be your resistance never gets off the ground -- or wants to.
Worst of all perhaps is Lost’s smug air of pleasure at how clever it thinks it’s being.
The producer- director- star- screenwriter is an unexpectedly charming musical lead, pleasantly reminiscent of Jimmy Cagney in Yankee Doodle Dandy.
Everybody in Love's Labour's Lost tries so hard to please, they frequently lose track of the matter at hand, to say nothing of the dialogue.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 57% 57% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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