A self-satisfied, utterly hollow Bacchanal.
Ma Mere (2005)
Tomatometer
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Reviews Counted:15
Fresh:0
Rotten:15
Average Rating:3.3/10
Consensus: Pretentious, overly perverse and dull.
Rated: NC-17 [See Full Rating] for strong and aberrant sexual content.
Runtime: 1 hr 50 mins
Genre: Foreign Films
Theatrical Release:May 13, 2005 Limited
Synopsis: Adapted from the provocative novel by transgressive postmodern intellectual and author Georges Bataille, MA MERE is set in the visually lush and spiritually empty tourist trap of the Canary... Adapted from the provocative novel by transgressive postmodern intellectual and author Georges Bataille, MA MERE is set in the visually lush and spiritually empty tourist trap of the Canary Islands. Louis Garrel, projecting the same European sultriness that was perfectly suited to Bertolucci's more warmly erotic film THE DREAMERS, plays Pierre, a sulking and antisocial teenager, willfully indifferent to being on summer vacation with his parents. When his wayward father suddenly dies, his mother Helene (Isabelle Huppert), forces him into her universe of illicit sex--a simultaneously ugly and playful realm inhabited by Gallic sophisticates engaging in orgies and bondage. Pierre, a devout Catholic, is resistant at first--to the point of Catholic guilt-induced attacks of sobbing and hyperventilation. But after fulfilling experiences with Helene's male and female playmates, Pierre obsessively pursues the sexual attention of his own mother, and a disturbing quest toward consummation of the attraction between mere and fils is undertaken. Star Isabelle Huppert's role as Helene is a perfect follow-up to her award-winning turn in the equally shocking LA PIANISTE, which featured the French fatale engaging in illicit acts with both a young male student and her own controlling, elderly mother. With her just barely constrained and visibly volatile sexual energy, the actress has become known as the "go-to girl" for roles that transcend sexual and social taboos and explore the dark and violent side of erotic desire. Her overpowering presence in MA MERE, as all great performances do, make the viewer wonder just how blurry the boundaries between actress and role have become. [More]
Starring: Louis Garrel, Isabelle Huppert, Francois Montagut, Dominique Reymond
Starring: Louis Garrel, Isabelle Huppert, Francois Montagut, Dominique Reymond
Director: Christophe Honoré
Director: Christophe Honoré
Screenwriter: Christophe Honoré
Studio: TLA Releasing
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Reviews for Ma Mere
110 minutes of Euro silliness mitigated only by the presence of Huppert and the striking ability of the actors to keep a straight face throughout this mess.
Probably isn't for anyone not interested in the darkest corners of the human psyche, where sexual annihilation is the only response to a fallen world, where all moral bets are off, and where a boy's worst friend is his mother.
[The climax] involves such a disturbing blend of unhealthy mother-son affection and physical pain that it gives new meaning to the term child -- not to mention audience -- abuse.
It could stand as Exhibit A for why French auteurs are a tough sell to the average seeker of entertainment.
The translation from the highly literary to the literalness of film isn't easy and too often, Ma Mère feels like a parody.
Honore uses an ultraserious, would-be stylish approach that ultimately renders the depraved proceedings far more boring than titillating.
Absurd at best, and most absurd when it's tiresomely trying to shock us.
This tale of disaffected sexual depravity is practically a parody of the worst of French filmmaking.
There's no attempt to get inside the sick minds of Helene and her buddies.
Ma Mere may be ludicrous, but its cast displays a commitment that deserves more than grudging admiration.
Lurching toward its inevitable incestuous showdown, Ma Mère makes a few hilarious attempts at the cerebral.
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