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Movies / On DVD / Madame Sata
Madame Sata

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Madame Sata (2003)

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60 %
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Reviews Counted: 42

Fresh: 25

Rotten:17

Average Rating: 6.2/10

Rated: Not Rated

Runtime: 1 hr 45 mins

Genre: Foreign Films

Theatrical Release:Jul 9, 2003 Limited

Synopsis: Lapa, the bohemian district of Rio, 1932. On the stage of cabaret Lux, Vitória dos Anjos (Renata Sorrah) sings one of Josephine Baker's greatest hits, "Nuit d'Alger". Backstage, fascinated,... Lapa, the bohemian district of Rio, 1932.

On the stage of cabaret Lux, Vitória dos Anjos (Renata Sorrah) sings one of Josephine Baker's greatest hits, "Nuit d'Alger". Backstage, fascinated, her dresser João Francisco (Lázaro Ramos) lip-syncs each word of the song. He worships Vitória: covets her extravagant clothes and her golden costume jewelry, and admires her European poise. Also, to star in a show is João Francisco's big dream. However, his wishes do not make an impression on the decadent diva. To make things worse, he is exploited and humiliated by Gregório (Floriano Peixoto), his boss and Vitória's lover.

However, João Francisco's submissive attitude becomes proud and provocative when he leaves the cabaret and strolls through the poorly lighted streets of Rio de Janeiro's underworld peopled with shady characters.

From a run-down boarding house in the heart of Lapa he shares his world with Laurita (Marcélia Cartaxo), prostitute and "wife"; Firmina (Giovanna Barbosa), Laurita's daughter; and Taboo (Flávio Bauraqui), accomplice in petty crimes and "slave". The patriarch of this selected "family", João Francisco is well acquainted with the local underworld: he is on good terms with Amador (Emiliano Queiroz), owner of the Blue Danube bar, where prostitution, drugs and police corruption run wild. His strong temper and his skills in capoeira-style fighting make him a feared and fascinating character. He is an excellent fighter, and always responds to provocation, whether from bar customers or the police. One night, João Francisco meets Renatinho (Felippe Marques), with whom he falls in love.

Accused by Gregório for a theft he did not commit, João Francisco defies the police, and is convicted to six months in prison for flouting authority. Once he is set free, he convinces Amador to put on a show at the Blue Danube. Costumed and brilliantly made-up by Laurita and Taboo, João Francisco, goes on stage at last, and is received with acclaim by the audience. After so many years, it seems as if luck has finally smiled on him. However, after a second even more flamboyant show, an unwarranted reaction to a provocation from a customer destroys his dream of being an artist.

Lapa, Carnival of 1942.

After a 10-year term in prison, João Francisco returns to his district. After inventing and impersonating a number of characters – The Negress of the Bulacoché; Jamacy, the Queen of the Forest; Saint Rita of the Coconut Tree; the Shark; and the Wild Pussycat – he wins a carnival costume contest. Successful and reborn to life, he invents a new character: Madame Satã. -- © Wellspring Media [More]

Starring: Lazaro Ramos, Marcelia Cartaxo, Flavio Bauraqui, Felipe Marques

Starring: Lazaro Ramos, Marcelia Cartaxo, Flavio Bauraqui, Felipe Marques, Emiliano Queiroz, Renata Sorrah, Giovanni Barbosa, Ricardo Blat

Director: Karim Aïnouz

Director: Karim Aïnouz
Screenwriter: Karim Aïnouz
Producer: Isabel Diegues, Mauricio Andrade Ramos, Donald K. Ranvaud, Marc Beauchamps
Studio: Wellspring

[See More Credits]

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Release:

Jan 13, 2004

No Details Exist
 
 

Reviews for Madame Sata

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1 - 20 (sorted by date)
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N/R

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Full Review Source: Urban Cinefile | comment Comment
10/18/08
Urban Cinefile Critics
Urban Cinefile

The film's non-dramatic but exhilarating finale is what clings most memorably.

Full Review Source: ReelTalk Movie Reviews | comment Comment
09/06/06
Donald J. Levit
ReelTalk Movie Reviews
N/R

Click to read the article

Full Review Source: Time Out | comment Comment
06/24/06
Derek Adams
Time Out

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Full Review Source: Film Threat | comment Comment
12/06/05
Film Threat
Top Critic Icon Top Critic

No review available.

comment Comment
09/09/05
Emanuel Levy
EmanuelLevy.Com
N/R

Click to read the article

Full Review Source: Houston Chronicle | comment Comment
07/21/05
Houston Chronicle
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: Sydney Morning Herald | comment Comment
05/13/05
Sydney Morning Herald
Top Critic Icon Top Critic

Ainouz’ script and style seem unwilling to explore below the surface. He embraces the story’s physical details...without revealing much of his subject’s soul.

Full Review Source: Los Angeles Alternative | comment Comment
09/30/04
Jay Antani
Los Angeles Alternative

Actor Ramos brings an extraordinary intensity and focus to this contradictory role, changing emotions and actions on a dime.

Full Review Source: Film-Forward.com | comment Comment
04/19/04
Kent Turner
Film-Forward.com
N/R

Click to read the article

Full Review Source: eye WEEKLY | comment Comment
01/15/04
Jason Anderson
eye WEEKLY
N/R

Click to read the article

Full Review Source: Deseret News, Salt Lake City | comment Comment
11/29/03
Deseret News, Salt Lake City
Top Critic Icon Top Critic

Erotic, violent and bursting with colour.

Full Review Source: Jam! Movies | comment Comment
11/07/03
Liz Braun
Jam! Movies

Often captivating.

Full Review Source: Globe and Mail | comment Comment
11/07/03
Liam Lacey
Globe and Mail
Top Critic Icon Top Critic

A myopic, histrionic picture that never lets us know why this legendary character is legendary, and worthy of our attention.

Full Review Source: Seattle Times | comment Comment
10/31/03
Erik Lundegaard
Seattle Times

An amateurish muddle, and a whole different kind of a drag.

Full Review Source: Seattle Post-Intelligencer | comment Comment
10/30/03
William Arnold
Seattle Post-Intelligencer

While the depiction of the Lapa district and the details of repressed homosexual life in Rio 10 years ago is always intriguing, we come away learning very little about the individual known as Madame Satã.

Full Review Source: Austin Chronicle | comment Comment
10/27/03
Marjorie Baumgarten
Austin Chronicle

Director Karim Ainouz's film draws you in close.

Full Review Source: Washington Post | comment Comment
10/10/03
Curt Fields
Washington Post
Top Critic Icon Top Critic

Rough-hewn and vigorous, Karim Aïnouz’s first feature film tells the story about an illiterate 1930s drag queen... and it’s surprisingly good.

Full Review Source: EDGE Boston | comment Comment
10/07/03
David Foucher
EDGE Boston

Worth catching for the photography and for Làzaro Ramos' performance.

Full Review Source: Planet Sick-Boy | comment Comment
10/03/03
Jon Popick
Planet Sick-Boy
N/R

Click to read the article

Full Review Source: Guardian [UK] | comment Comment
10/01/03
Guardian [UK]
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