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Movies / On DVD / Madame Sata
Madame Sata

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Madame Sata (2003)

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Reviews Counted:15

Fresh:11

Rotten:4

Average Rating:6.7/10

Rated: Not Rated

Runtime: 1 hr 45 mins

Genre: Dramas

Theatrical Release:Jul 9, 2003 Limited

Synopsis: Lapa, the bohemian district of Rio, 1932. On the stage of cabaret Lux, Vitória dos Anjos (Renata Sorrah) sings one of Josephine Baker's greatest hits, "Nuit d'Alger". Backstage, fascinated,... Lapa, the bohemian district of Rio, 1932.

On the stage of cabaret Lux, Vitória dos Anjos (Renata Sorrah) sings one of Josephine Baker's greatest hits, "Nuit d'Alger". Backstage, fascinated, her dresser João Francisco (Lázaro Ramos) lip-syncs each word of the song. He worships Vitória: covets her extravagant clothes and her golden costume jewelry, and admires her European poise. Also, to star in a show is João Francisco's big dream. However, his wishes do not make an impression on the decadent diva. To make things worse, he is exploited and humiliated by Gregório (Floriano Peixoto), his boss and Vitória's lover.

However, João Francisco's submissive attitude becomes proud and provocative when he leaves the cabaret and strolls through the poorly lighted streets of Rio de Janeiro's underworld peopled with shady characters.

From a run-down boarding house in the heart of Lapa he shares his world with Laurita (Marcélia Cartaxo), prostitute and "wife"; Firmina (Giovanna Barbosa), Laurita's daughter; and Taboo (Flávio Bauraqui), accomplice in petty crimes and "slave". The patriarch of this selected "family", João Francisco is well acquainted with the local underworld: he is on good terms with Amador (Emiliano Queiroz), owner of the Blue Danube bar, where prostitution, drugs and police corruption run wild. His strong temper and his skills in capoeira-style fighting make him a feared and fascinating character. He is an excellent fighter, and always responds to provocation, whether from bar customers or the police. One night, João Francisco meets Renatinho (Felippe Marques), with whom he falls in love.

Accused by Gregório for a theft he did not commit, João Francisco defies the police, and is convicted to six months in prison for flouting authority. Once he is set free, he convinces Amador to put on a show at the Blue Danube. Costumed and brilliantly made-up by Laurita and Taboo, João Francisco, goes on stage at last, and is received with acclaim by the audience. After so many years, it seems as if luck has finally smiled on him. However, after a second even more flamboyant show, an unwarranted reaction to a provocation from a customer destroys his dream of being an artist.

Lapa, Carnival of 1942.

After a 10-year term in prison, João Francisco returns to his district. After inventing and impersonating a number of characters – The Negress of the Bulacoché; Jamacy, the Queen of the Forest; Saint Rita of the Coconut Tree; the Shark; and the Wild Pussycat – he wins a carnival costume contest. Successful and reborn to life, he invents a new character: Madame Satã. -- © Wellspring Media [More]

Starring: Lazaro Ramos, Marcelia Cartaxo, Flavio Bauraqui, Felipe Marques

Starring: Lazaro Ramos, Marcelia Cartaxo, Flavio Bauraqui, Felipe Marques, Emiliano Queiroz, Renata Sorrah, Giovanni Barbosa, Ricardo Blat

Director: Karim Aïnouz

Director: Karim Aïnouz
Screenwriter: Karim Aïnouz
Producer: Isabel Diegues, Mauricio Andrade Ramos, Donald K. Ranvaud, Marc Beauchamps
Studio: Wellspring

[See More Credits]

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Release:

Jan 13, 2004

No Details Exist
 
 

Reviews for Madame Sata

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1 - 16 (sorted by date)
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N/R

Click to read the article

Full Review Source: Houston Chronicle | comment Comment
07/21/05
Houston Chronicle
Top Critic Icon Top Critic

Often captivating.

Full Review Source: Globe and Mail | comment Comment
11/07/03
Liam Lacey
Liam Lacey
Globe and Mail
Top Critic Icon Top Critic

Director Karim Ainouz's film draws you in close.

Full Review Source: Washington Post | comment Comment
10/10/03
Curt Fields
Curt Fields
Washington Post
Top Critic Icon Top Critic

It's a vivid, emotionally charged snapshot that makes no apologies or excuses for Madame's behavior and lifestyle.

Full Review Source: Dallas Morning News | comment Comment
09/25/03
Chris Vognar
Chris Vognar
Dallas Morning News
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Madame Sata is only a chapter in Francisco's story, and even that feels incomplete.

Full Review Source: Boston Globe | comment Comment
09/21/03
Wesley Morris
Wesley Morris
Boston Globe
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What emerges in Aïnouz and Ramos' mesmerizing portrait of Dos Santos is a fearless man who had the courage to explore and express every aspect of his being.

Full Review Source: Los Angeles Times | comment Comment
08/22/03
Kevin Thomas
Kevin Thomas
Los Angeles Times
Top Critic Icon Top Critic

If we never really understand Joao, there is another problem with the character, and that is: He isn't very nice. I refer not to his crimes, but to the way he treats those who care for him.

Full Review Source: Chicago Sun-Times | comment Comment
08/22/03
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

Keeps us engrossed, steeped in this seething portrait of a body and soul in lust and agony -- and, finally, on stage and in glory.

Full Review Source: Chicago Tribune | comment Comment
08/21/03
Michael Wilmington
Michael Wilmington
Chicago Tribune
Top Critic Icon Top Critic

As a celebration of a figure who fashioned his own identity from pieces of pop culture and street poetry, from song and fashion and fury, it's memorable.

Full Review Source: Philadelphia Inquirer | comment Comment
07/31/03
Steven Rea
Steven Rea
Philadelphia Inquirer
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An intensely realized, beautifully shot drama.

Full Review Source: Hollywood Reporter | comment Comment
07/16/03
Sheri Linden
Sheri Linden
Hollywood Reporter
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Brazilian filmmaker Karim Ainouz doesn't glorify dos Santos but examines the hot, reckless fever of his life in all its thorny complexity.

Full Review Source: San Francisco Chronicle | comment Comment
07/11/03
Edward Guthmann
Edward Guthmann
San Francisco Chronicle
Top Critic Icon Top Critic

Overall, the film feels stagy and a bit too safe and moralistic.

Full Review Source: San Jose Mercury News | comment Comment
07/11/03
Glenn Lovell
Glenn Lovell
San Jose Mercury News
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Madame Satã is an admirably uncompromising journey, but one you wouldn't want to have to make more than once.

Full Review Source: Newsday | comment Comment
07/10/03
Jan Stuart
Jan Stuart
Newsday
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Madame Sata is no exotic tour of the slums of Rio. It takes you deeper into the soul of its title character and his desperate world than you imagined a movie could go.

Full Review Source: New York Times | comment Comment
07/09/03
Stephen Holden
Stephen Holden
New York Times
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One of those films that takes up a potentially fascinating subject only to fumble it.

Full Review Source: New York Post | comment Comment
07/09/03
Jonathan Foreman
Jonathan Foreman
New York Post
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There's no denying the incendiary power of Ramos's performance -- he's present in nearly every scene.

Full Review Source: Village Voice | comment Comment
07/08/03
J. Hoberman
J. Hoberman
Village Voice
Top Critic Icon Top Critic
 
 
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