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Mambo Italiano (2003)
Tomatometer
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Reviews Counted:23
Fresh:8
Rotten:15
Average Rating:5/10
Consensus: A broad, shrill comedy that plays like a sitcom.
Theatrical Release:Sep 26, 2003 Limited
Box Office: $6,239,558
Synopsis: Maria and Gino (GINETTE RENO and PAUL SORVINO), emigrated from Italy to Montreal in the 50’s and married after their arrival in “the new world”, a world they still haven’t quite gotten used to.... Maria and Gino (GINETTE RENO and PAUL SORVINO), emigrated from Italy to Montreal in the 50’s and married after their arrival in “the new world”, a world they still haven’t quite gotten used to. Their world is shattered when their son, Angelo (LUKE KIRBY), decides to get a place of his own. “What is so wrong with living with your parents until you get married?” they ask. They are relieved however, when Angelo’s childhood buddy, Nino (PETER MILLER), decides to move in with their son. After all, Nino is an old family friend and he’s a respectable cop. Their relief is short lived, as they find out that Nino and Angelo are much more than mere roommates—they’re (gasp) lovers! All hell breaks loose (Italian-style, of course!) Horror is followed by a general outcry, disbelief is followed by indignation, the battlefield is cleared, and “tutta la famiglia” goes to war! Will Angelo and Nino be able to resist the gargantuan pressure coming at them from all sides and find the strength to survive as a couple? Will Nino be able to withstand the seductive charms of the voluptuous Pina? Will Angelo find the courage to fully come out of the closet and confront the whole of them while he accepts himself? Mambo Italiano is hysterically funny and deeply moving. Adapted from the successful play by the same name, the movie explores further the subtleties and complexities of this quintessential Italian family—a family straddling the cultures, traditions, and mores of the old and new worlds. [More]
Starring: Luke Kirby, Paul Sorvino, Ginette Reno, Claudia Ferri
Starring: Luke Kirby, Paul Sorvino, Ginette Reno, Claudia Ferri, Peter Miller, Mary Walsh, Sophie Lorain
Director: Emile Gaudreault
Director: Emile Gaudreault
Screenwriter: Steve Galluccio, Emile Gaudreault
Story: Steve Galluccio
Producer: Denise Robert, Daniel Louis
Composer: FM Le Sieur
Studio: Samuel Goldwyn Films
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Reviews for Mambo Italiano
There are laughs in the movie, and a lot of good feeling, but it seems more interested in its Italian stereotypes than its gay insights, and it must be said there is absolutely no feeling that Angelo and Nino are really lovers.
It's like watching a spaghetti-sauce commercial stretched out to feature-film length.
Lacks that outrageous effrontery that might have socked it to its intended audience.
Mambo Italiano is likely to provoke the same urges in the movie house that poor Nino experiences after a dinner at the noisy Barberini compound -- an overwhelming desire to flee.
Mambo Italiano is no sophisticated dance, but it moves about with an open heart. And hey, it's at least as funny as that Greek thing.
It may make you smile, but not enough to forget how much of this you've seen before.
The movie seems more interested in splashing stereotypes all over the screen than in uncovering any kind of truth, comic or otherwise.
The characters are blatantly stereotypical, but Galluccio is able to get away with it because he's poking fun at the people he loves.
Unfortunately, although we're meant to root for Angelo, he often comes off as whiny and arrogant, and his attempts at screenwriting are so bad it's impossible to take his dreams of being an artist seriously.
Mambo Italiano has its share of very funny moments, but they are trapped in a production whose drama is unsubtle, obvious, and at times downright insipid.
It's quite possible that [Mambo] may have closed the territory for raucous comedies about gay Italians coming of age in North America. For those of us whose ears keep ringing from the din of such movies, it's an errant wish.
Parts of Emile Gaudreault's broadly appealing movie are so, well, broad that they make Greek Wedding look like a model of restraint by comparison.
If the best comedies make you laugh and the worst make you angry, this is the middling and well-intentioned brand that makes you frustrated -- keenly looking for reasons to laugh but, more often than not, failing to find any.
There's nothing subtle about the writing -- which relies heavily on narration -- or the acting, but interesting casting goes a long way.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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