Average Rating: 7.5/10
Reviews Counted: 109
Fresh: 100 | Rotten: 9
A lovely, contemplative character study with two wonderful performances at its center.
Average Rating: 7.6/10
Critic Reviews: 35
Fresh: 33 | Rotten: 2
A lovely, contemplative character study with two wonderful performances at its center.
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Average Rating: 3.7/5
User Ratings: 4,556
Two men from two different walks of life develop an unexpected friendship in French director Patrice Leconte's 2002 comedy-drama The Man on the Train. Weary from his trip and in anticipation of the heist he's about to perform, Milan (French rock star Johnny Hallyday) steps off the train after arriving in the small town where he's to meet his co-conspirators and heads straight to the town pharmacy. After accidentally buying the wrong product, Milan makes the acquaintance of retired teacher
May 9, 2003 Limited
Nov 25, 2003
$2.3M
Paramount Classics
All Critics (119) | Top Critics (36) | Fresh (102) | Rotten (9) | DVD (7)
Each actor comes to perfectly embody his character.
Patrice Leconte's fanciful odd-couple drama oozes flavorful, provincial atmosphere.
Your typical buddy film that's been executed in an entirely atypical way.
It is a perfected fable flashing across a screen.
The actors couldn't be more perfect.
The movie has the kind of texture and depth that will make true movie-lovers sigh with the pure cinematic, human grace of it all.
Laconte's direction is calculative all the way, but his telling fails to register very much.
You get the feeling you are watching the adaptation of a classic novel, when in fact the script is an original work of impressive poetry and unpredictable dialogue...
An exceptionally crafted western dream.
A good looking, but bare bones release.
Thought-provoking, tender and funny, far better than your average 'one last score' film.
Although Leconte leads his characters to a baffling conclusion, he creates a satisfying portrayal of two old would-be cowboys heading for what could be the last roundup
It's a poetic and keenly observed story.
Lacking the sweep of The Widow of St. Pierre and the audacity of The Girl on the Bridge, here Leconte seems to be working on a character sketch...
Bleak, blue lighting and washed out colours emphasise the wintriness of the tale; but there isn't nearly enough dramatic conflict to sustain this to feature length.
It's nice to see a film about the regrets of old age that doesn't resort to Grumpy Old Men-style humor or cheap action sequences.
A collision of cultures--a movie in love with movies, literature, poetry and music, but not to the point of worship or distraction.
Two extremely good actors producing two extremely good performances. This is a fantastic story of envy, friendship and regret. Its brilliant!
October 2, 2009Super Reviewer
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