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Movies / On DVD / The Man Who Cried
The Man Who Cried

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The Man Who Cried (2001)

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Reviews Counted:23

Fresh:6

Rotten:17

Average Rating:4.3/10

Consensus: The storyline is overwrought and awkward, and the audience is distanced from the flatly drawn characters.

Rated: R [See Full Rating] for sexuality

Runtime: 1 hr 40 mins

Genre: Dramas

Theatrical Release:May 25, 2001 Limited

Synopsis: The year is 1927. A little Jewish girl (Fegele) lives happily with her father, a cantor, and her grandmother in a Russian village. But with the ever-present threat of persecution, her father leaves... The year is 1927. A little Jewish girl (Fegele) lives happily with her father, a cantor, and her grandmother in a Russian village. But with the ever-present threat of persecution, her father leaves for America to find work and then send for his family. Soon after he leaves, violence engulfs the village. Fegele is bundled off with some fleeing villagers who hope to get to America, but she ends up on a boat to England.

Fegele is re-named Suzie, sent to a Christian foster home and to a school where she is forbidden to speak Yiddish but learns to sing. Ten years later she leaves England for Paris, where she becomes a chorus girl and befriends an ambitious blonde Russian dancer, Lola. She starts to save, hoping to earn enough money to pay for her passage to America. Together Lola and Suzie find jobs in the new opera company of impresario Felix Perlman.

Suzie falls in love with gypsy horse-handler Cesar, while Lola falls for Dante Dominio, an arrogant Italian opera singer. When the German army invades Paris, Dante, with Lola at his side, immediately collaborates with the Nazis, while Suzie joins Cesar and his band of gypsy musicians.

The Nazis have plans to round up the Jews and Gypsies. When Dante betrays Suzie, Lola decides to leave him: she tells Suzie that she will help them both get out. Suzie wants to stay and fight but Cesar encourages her to leave. Suzie is heartbroken, but eventually agrees.

In the mid-Atlantic the ship to America is bombed. Suzie is rescued but Lola drowns.

Once in America, Suzie continues her search for her father, which finally leads her to Hollywood... -- © 2001 Universal Focus [More]

Starring: Johnny Depp, Christina Ricci, John Turturro, Cate Blanchett

Starring: Johnny Depp, Christina Ricci, John Turturro, Cate Blanchett, Harry Dean Stanton, Oleg Yankovsky, Miriam Karlin, Pablo Veron

Director: Sally Potter

Director: Sally Potter
Screenwriter: Sally Potter
Producer: Christopher Sheppard, Simona Benzakein
Studio: Universal Focus

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Release:

Jan 2, 2002

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Reviews for The Man Who Cried

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1 - 20 (sorted by date)
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N/R

Click to read the article

Full Review Source: Variety | comment Comment
06/06/08
Deborah Young
Deborah Young
Variety
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N/R

Click to read the article

Full Review Source: New York Observer | comment Comment
04/27/07
Andrew Sarris
Andrew Sarris
New York Observer
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N/R

Click to read the article

Full Review Source: Denver Rocky Mountain News | comment Comment
08/09/02
Robert Denerstein
Robert Denerstein
Denver Rocky Mountain News
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Click to read the article

Full Review Source: Detroit News | comment Comment
10/30/01
Susan Stark
Susan Stark
Detroit News
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I prefer to think of this movie as The Critic Who Cried.

Full Review Source: Washington Post | comment Comment
07/20/01
Desson Thomson
Desson Thomson
Washington Post
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Potter eschews drama for posing, politics for postulating, and provides enough symbolic broad strokes to gag a magic realist.

Full Review Source: Globe and Mail | comment Comment
07/16/01
Kevin Courrier
Kevin Courrier
Globe and Mail
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It's as though we're being dared not to take the movie seriously, although nothing but the pre-Holocaust setting compels you to do so.

Full Review Source: Toronto Star | comment Comment
07/13/01
Geoff Pevere
Geoff Pevere
Toronto Star
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There's only one performer in the movie who looks completely at ease with what he's doing: the horse.

Full Review Source: Entertainment Weekly | comment Comment
06/28/01
Owen Gleiberman
Owen Gleiberman
Entertainment Weekly
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If [Potter] personally, in her 40s, can go to Argentina and become a tango dancer, then we can't complain about anything that happens to Suzie. Not that we'd want to.

Full Review Source: Chicago Sun-Times | comment Comment
06/22/01
Roger Ebert
Roger Ebert
Chicago Sun-Times
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A poetic look at transience, betrayal, loss and doom.

Full Review Source: Chicago Tribune | comment Comment
06/21/01
Michael Wilmington
Michael Wilmington
Chicago Tribune
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The story is pretty cornball, with an ending that can only be called pure Hollywood.

comment Comment
06/15/01
Jay Carr
Jay Carr
Boston Globe
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A mixed bag -- reasonably well-made and of some interest, but not the kind of movie to truly engage the viewer.

Full Review Source: ReelViews | comment Comment
06/15/01
James Berardinelli
James Berardinelli
ReelViews
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What she lacks as a dramatist, Potter ... compensates for with a painter's eye and a composer's ear.

comment Comment
06/14/01
Carrie Rickey
Carrie Rickey
Philadelphia Inquirer
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While we may like what we see, it's impossible to comprehend what much of it means or why we should care.

comment Comment
06/04/01
Tom Keogh
Tom Keogh
Film.com
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Has a good story; a lush, tantalizing style and tone; and an excellent cast.

Full Review Source: Houston Chronicle | comment Comment
06/01/01
Louis B. Parks
Louis B. Parks
Houston Chronicle
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Potter's cinematic vision is what makes The Man Who Cried shimmer and levitate.

Full Review Source: San Francisco Chronicle | comment Comment
05/26/01
Mick LaSalle
Mick LaSalle
San Francisco Chronicle
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If this all sounds terribly melodramatic, that's because it is.

Full Review Source: San Jose Mercury News | comment Comment
05/26/01
Glenn Lovell
Glenn Lovell
San Jose Mercury News
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If only all this effort had all been expended on a worthier endeavor.

Full Review Source: USA Today | comment Comment
05/25/01
Andy Seiler
Andy Seiler
USA Today
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It's all big moments, the world's longest and most sincere trailer.

Full Review Source: New York Times | comment Comment
05/25/01
Elvis Mitchell
Elvis Mitchell
New York Times
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Spotted with historical inaccuracies and groaning with dialogue so dreadful that it makes a fine cast look ridiculous again and again.

Full Review Source: New York Post | comment Comment
05/25/01
Jonathan Foreman
Jonathan Foreman
New York Post
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