The Man Who Laughs (1928)
Runtime: 1 hr 50 mins
Synopsis: This horror classic was produced by Universal (beginning that studio's string of brilliant horror movies) in response to the success of THE PHANTOM OF THE OPERA and THE HUNCHBACK OF NOTRE DAME. Universal chose two luminaries of German Expressionism, director Paul Leni and actor Conrad... This horror classic was produced by Universal (beginning that studio's string of brilliant horror movies) in response to the success of THE PHANTOM OF THE OPERA and THE HUNCHBACK OF NOTRE DAME. Universal chose two luminaries of German Expressionism, director Paul Leni and actor Conrad Veidt, for the film and in doing so introduced a new and highly influential aesthetic to American movies. The film stars Veidt as Gwynplaine, the son of an aristocrat who is kidnapped for political reasons before being disfigured by a gypsy surgeon, who leaves the boy's face paralyzed in a contorted smile. Finding refuge in a traveling theatre troupe, Gwynplaine's lineage is eventually discovered and he soon finds himself being pulled back into the social and political world he was taken from as a boy. Featuring a masterful performance from Veidt along with beautiful and haunting photography, THE MAN WHO LAUGHS is one of the silent era's great horror films. [More]
Genre: Horror/Suspense
Starring: Conrad Veidt, Mary Philbin, Olga Baclanova, Josephine Crowell, George Siegmann
DVD Info
Release:
Sep 30, 2003
DVD Features:
- Region [unknown]
- Keep Case
- Full Frame - 1.33
Additional Release Material:
- Additional Footage - 1. Excerpt from the Italian Release of THE MAN WHO LAUGHS
- Making-of
- Bonus Short - 1. Candid Home Movies featuring Conrad Veidt, Greta Garbo, Emil Jannings, and Camilla Horn
Interactive Features:
- Scene Access
- Interactive Menus
Text/Photo Galleries:
- Stills/Photos
- Production Art
- Additional Text - 1. Excerpt from the Victor Hugo Novel
- Essay - 1. John Soister, author of CONRAD VEIDT ON SCREEN
Additional Products:
- Booklet
Buy It On DVD
Reviews
Poised between the great German horror that preceded it and the great Universal horror that followed, it is, for genre fans, an inviting and necessary stop.
While this is a flawed film, it boasts some of the most impressive acting of the silent era. It certainly has sharpened my interest in Veidt.
An expressionistic masterpiece of spooky, fairy tale Poe-meets-Perrault imagery...
The film’s fascination with bric-a-brac and its tendency towards spare, minimalist compositions is evidence of a stylistic schism.


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